Pantry Prose: Glitches by Andrew D Williams

Nobody knew how it started. Nobody was entirely sure when it started, either, but it wasn’t long until everyone knew.

And by then, of course, it was too late.

People don’t think about the little numbers. They dream about big numbers – a lottery win, or a rich old uncle dying and leaving them with a huge inheritance – but that isn’t how most people become rich. It happens a bit at a time, often before you notice.

The same is true with a plague. One or two deaths don’t grab the headlines (unless the people who die are famous, of course). It takes thousands, millions of deaths to get people’s attention – and by then, of course, it’s already too late to prevent disaster.

And so it was with us.

There are 26 letters in the English alphabet. We all know that. Every child knew that. And it was a child who first noticed what we hadn’t – one of them had gone missing. I know, that sounds insane. How can a letter go missing? But it had. We all remembered there were 26, but however we tried to count them, there were only 25.

What letter was missing? I can’t tell you. I mean it – I really can’t. I don’t know what it was, I can’t even tell you any words that contained it. The spelling of those words has changed, you see – in every book, on every computer. Oh, yes, the computers. Touch typists everywhere started making mistakes. Lots of them. Statisticians studied those mistakes and concluded that the missing letter was on the bottom row, somewhere between the Z and the C keys. But they couldn’t eksplain what the missing letter might have been.

It happened again, a month later.

The world had just started to settle down again. There was a popular concept on the internet: the “Mandela Effect”. So many people remembered Nelson Mandela dying in prison, despite his emerging very much alive to lead his country, that they suggested reality itself had changed. They were remembering the true past, in some parallel dimension, and they’d somehow ended up in the wrong version of events.

The rational version was far simpler – a lot of people just remembered it wrong.

And so it was here. The idea of 26 letters in the alphabet was a Mandela Effect – people were remembering a false history. There had only ever been 25 letters. You simply had to count them…

Oh dear.

No matter how anyone tried, the count came out as 24. Another letter had kwietly disappeared from the alphabet. There were no clues this time. Touch typists, still adapting to the lower half of their keyboard, seldom did anything more than accidentally add a tab in the middle of a word, and that rarely.

But it was hard to convince the world that there really were only 24 letters in the alphabet when you’d spent the last month convincing the world there were 25.

Another month has passed, and people are getting scared. Now there are onli 23 letters in the alphabet. Some enterprising ioung chap had the bright idea of carving all the letters in stone, siks feet high, on the plinth in Trafalgar Skware. And now there are onli 23. I counted them maiself.

There’s no gap, no sign. It’s like he onli carved 23 letters in the first place.

It’s impossible. It’s insane.

Mani people are turning to religion, praeing to any gods they can think of. English professors have suggested several new letters to replace the missing ones, but thei argue over what these should be, what thei sound like and where thei should be used.

Have we all gone collectively mad? Is this the result of some foreign power, brainwashing us?

I’m scared.

The worst thing is, it could happen again nekst month. Or even todae. How would we efen know? Our lifes could change efen as I tipe these words…

Things are worse, but there has been a breakthrough of sorts. Researchers haf found a recording of a children’s nursery rime that teaches them the alphabet – while it doesn’t include the missing letters, we can at least identifi where in the alphabet thei belonged.

Of the original 26 letters, we haf now lost numbers 10, 16, 22, 24 and 25.

We chust don’t know what they are.

But does it realli matter? We seem to be able to conferse happili enough with chust 21 letters.

A funni thing, though – people are digging out their old Scrabble sets from their attics and cupboards, and thei all seem to have a lot more blank tiles now. I’fe found mine – there should only be two blank tiles, according to the box, but I seem to haf… sefen blanks.

Wait, no. I haf eight.

Whi did I put that one blanc tile before the Ls?

19 letters nao.

Eferione gnos there are fief faoels in the alphabet, and that is still true. A E I O U are all still present and correct. It might be ferri hard to rite uithout them. But somehao I find it harder to read than I used to. The missing letters are gone, but ue still ecspect to see them.

I leaf the Scrabble set out all the time nao. It helps me to no huen another letter fanishes from our collectif consciousness. So far, thei haf all been small letters, onli one or too of each in the bocs nao replaced with blancs. But huat if one of the bigger letters is necst?

And uai is this happening at all??

The second roe of mai Scraggle poard has nao turned planc.

Planc? Uai does that sound rong to me?

All these uerds sound rong lateli. Too much empti space on mai ceepoard. Reading gifs me a headache after chust a feu minutes.

Huen uill it end??

I heard the neuz today. Oh boi…

There iz a roe of four planc tilez on mai Zcraggle poard tonight. One of our more important letterz haz nao disappeared. Zomehao I thought there might be more of an impact, iuet oue maic do uith other letterz.

Efen zo, thiz iz cauzing great panic in poth the gofernment and the uniferzitiez.

At leazt our faoelz are all ztill here.

A E I U. A E I U.

4 faelz. Unly 4! Un ef aur faelz haz gun!!

8 planc tilez nau falleu the P tilez en mai poard…

Nuthing iz zafe!!

Te affapet nau ztands at 13 etterz. Unly aff ef uat it uaz.

Ue zeem tu mizz anutter efery dae nau.

Dicteneriez are fat uit ennpti pagez.

Ennpti? Uai duz tat zaund ueird to nne?

I can’t ztand it ani maur!

I tried te zcreenn, putt I couldn’t. Te zeund iz tere; I iezt cn’t rite it dun.

Unni 3 fe… fu… zpezu ietterz nu.

Zun peepz 4re uzing “4” 4z 4 zt4nd-in. It lucz gud, liec it fitz.

Ue 4ve tu nu 0un2 g0ne n40.

2efer4’ nn0re d1g1tz 4f peen put 1nt0 u2e 42 etter2 putt uen du2 1t end?

Un te0ri 12 t4t nun 0f t12 12 ree’. Ue 4re 1n 4 21nnu’4t10n.

1n te NN4tr1c2.

1 d0n’t n0 u4t te2e 24pe2 nneen n40 put te uurd 12:

GLITCHES

Ee eee eeeeeee eeeeeeee. (It has finally happened.)

Eee eee eeeeeee eee eeee eee eee. (All the letters are gone bar one.)

Eeee eee eeeeeee eee eeee. (Even the numbers are gone.)

E eeeee eeeee eeeee eee eeee E eeeeee eeee eeee eee. (I write these words but even I cannot read them now.)

Ee eee eee eeee, eeeeeee eee eee eee. (We are all lost, waiting for the end.)

I read back over these notes now and they seem like the ravings of a lunatic. The later entries are particularly hard to read – it look me weeks to decode the final entry, in which the position and angle of the single letter indicated what it actually was. What madness possessed me?

But I gather it wasn’t just me. Similar diaries, most far less detailed, have surfaced in other places. There may be more, their owners too ashamed to reveal them. They are the only works like this – all our books, all our keyboards, all are normal.

The Mandela Effect brigade are suggesting that our world, the simulation we live in, has been rebooted and all our memories reset. That sounds absurd to me. We are not in the Matriks, and there are still twenty siks letters in the alphabet.

ABCDEFGHIJKLMNOPQRSTUVWYZ.

See? Twenty… five…

Andrew D Williams writes psychological thrillers with a streak of dark humour. His stories question the nature of reality and those beliefs we hold most dear – who we are, what we think is true, whether we can trust our own minds – and combine elements of science fiction with philosophical questions. When he isn’t writing, Andrew’s time is split between swearing at computers, the occasional run and serving as one of the cat’s human slaves. Check out Andrew’s website.

Poetry Drawer: Sisters of the Cement by Christian Garduno

Line of Demarcation

She stood naked at the hotel window
God stuck to the roof of her mouth
the dying bury the dead while Stukas dive-bomb overhead
remembering mid-morning along the banks of the Rhine
Hunnish maidens sleep-dancing while Czechoslovakia re-disappears
I told you- there’s no point in waiting for me-
& you, you had red eyes like a Japanese sunrise
Tanks stuck in the snow

It used to be that when the phone rang, it was you
and if it didn’t ring, well, I knew it wasn’t you at all

Sharing oilcakes in Sarajevo-
Elenita, aren’t you a little bit drunk?
tiny angels swirling- how many close calls can one soul have?
(I was hoping you would know)
Chewing on coffee grounds- nothing goes to waste out here
seems like the world was just going through the motions
I love you when you sing that song
it lets me pretend it really hasn’t been that long

Yelena, years ago I should have known you
You are an exception even to the exception
I’m sorry, she whispered again, one thousand summers I’ll wait
”Well, DON’T!!!,” I yelled
“I have always loved you,” she reminded me,
“Baby, you’re white like snow, I’m white like a cloud
…..I will never stop smiling on you.”

Count to One

Don’t wanna walk past your house because you might just be home
maybe I send my drone, just to check things out-
I can tell when you’re not in town and it makes this city sadder
your songs have become my songs
can’t un-ring the bell, can’t send ‘em back
you got me like an angel coming down like hell
it’s been so long since I’ve lost touch
One of these days, I’m going to take your picture down
You know your love is a morning glory at midnight

Watching the rain glow
I’m all brokenhearted since the day we started
making eyes
I’m so broke down, mixed up since the day we met up
meeting eyes
And it starts all over again tomorrow
everything that was already over yesterday
The nights get so strange when memories rearrange
I’m gonna tear down all the stars for reminding me-
So slow & suddenly

Getting time for a new star
well, as long as I’m staring off into space-
bouncing and balancing between Satellites
    Jumping off the deep ends of ships
all headed further East,
   upward and onward unto Tibet
to settle a debt with my old mind
fly out to Berlin with a new kind
A strange day started in a strange way
Now I know the next time I live a life
every-time I close my eyes
I’m gonna see the light
and everyday you know
We lovers of the soul

Past Perfect

And for the first time
makes me wish I had a soul to pray for-
must have been that wine at 5 this morning-
must have been because I knew you were leaving for the coast this evening-
Catching a train to a star, I know you are

but all men unfaithful
and all children ungrateful

I’m thinking you’ll make out alright in your new life
you’re just past…you’re just past perfect
makes me for the first time wish I had a soul to pray with-
So then I could pray for your safe return

Edge of Never

Starting at the beginning will ever do any good
lemme tell ya, honey
we were spending too much time insane but just not doing it together
cuts and bruises and chipped teeth to boot,
I fired you off a letter from the Maricopa Station
and it showed in the dream I had of you in Phoenix
I had to move down in-to the country just to try to shake you off
that morning, I woke up with a letter from you on my bed
your letters always smell like the beach
I mean, not the beach, but the sand in the wind
when it’s in your hair, on the beach-

your handwriting burned on me like a gloomy humid sun
I replied in Cheyenne on my way drifting North
I found the Continental Divide a proper description of us-
why, I had to leave the country just to try to shake you off a bit
Vancouver nights by the Pacific had me wondering & wandering again
so I slid back down the coast and with all my great timing, I missed my connection
and did not get to see you
So the arc took me back out to the desert once again
this time, your letter was waiting for me
and me, I was absolutely beaming

I slept with the photo you sent me
I lit tiny fires in my afternoon room
and I spent a mighty long time in that haze
all the lights went foggy and then one early evening
the very moment I began to miss you less- you called
“I’m sorry for being sad…I’m feeling better now…”

I been back & forth, across this galaxy
oh, that very very first night we met….
I really found my new love…
I guess that was our naïveté
but I still like to think about it sometimes
oh, and my, how from time to time
I wish I hadn’t burned all your letters, yknow
well, not all of them…I still have the first note
still sandy breeze
mademoiselle,
even to this day.

Stars Burnt

Stars burnt too close to the sun
clouds looking to raise a little dust
the snow in summer has no place to fall
just like when you’ve no words & I’m the number you call
you’re like a full moon at high noon
I spent the whole season swimming in your room…
a ghost looking for a little action, I know the feeling
I’m not begging, but I’m certainly kneeling

Steal me some roses
from a neighbour’s side-yard
I don’t mind the thorns, baby
when I’m crushing so hard

Stars so dirty, they turn straight to ice
clouds act so innocent
when their lightning strike twice
and all their sleet, just can’t wait for fall
you’ve no more colours, only my number to call
must have been some kind of eclipse
when you brushed passed my lips

So go steal me some roses
I don’t care whose yard
no, I can’t push you back
when you come on so hard

Christian Garduno lives and writes along the South Texas coast, balancing between Forensic Files and Moscow Mules. 

Poetry Drawer: Season of Quarantine: Second Chance: Obscurity: Fair Weather by M. J. Iuppa

Season of Quarantine

Humidity floods this after-
                 noon—cicadas’ fiery
clicks flash against ribs—rise

& dissolve in heat lost
                 among trees. Crook-
necked squash listen to

this siren call.  Thorny-leafed,
                too pale to be touched; yet, I
slide my hand under its shade

that cradles a drowsy bee.
               Ripple of air sighs over-
head as if I could drown

in the wish of swimming  
               above water that’s both
tranquil & turbulent like

my temper in this incessant
               heat— this impossible
nature clinging to

my mind’s capacity
               to dispel a season
of quarantine.

Second Chance

Scooping handfuls of beans, glossy and freckled, makes us
feel richer than our neighbours. As if we have the knowledge
of the Dark Ages quickening inside beans that are impelled
to split overnight into sturdy stem and ladder of leaves that
spiral up, and up, and up in air, like Jack’s foolish dream, we
dream of beans becoming our winter currency—our desire
to hoard mason jars: full—like grace, if we share without in-
tention—still, we resist thinking twice in our garden’s revival,
we know empathy’s fickle yet immutable, surviving among
glacier stones unearthed every year, like markers trying to
chart a map of losses, like our sudden sadness, seeing a bean
sprout backwards to give us our second chance.

Obscurity

Standing beneath a clear night sky, the dark
that surrounds you, swallows you, making

you nearly invisible as you look up to see
so many stars flashing their faint light

through phantoms of space, searching for
you sinking in the yard’s soft grass, with-

out certainty that you are there, waiting—
everywhere— at once.

Fair Weather

Freshly turned earth crumbles beneath my fingertips, I
          start again, imagining what these new rows will
become . . . First seeds, no bigger than dark specks, sown
          in trays that hold the promise of what will sprout
like little green fires, flickering in daylight growing second
          by second— seeds not missing a breath, now aching
to straddle this new ground, where I settle them in-
          to raised beds; and, as I plant my good intentions, I
smell what these seedlings are before they reveal their plain
         selves, whole and upright; and I dream I will  make it
to the end of summer to wash them under a rain barrel’s spigot
        and bring them inside to prepare a meal we will savour
together— if you are my fair weather— and still here with me.

M.J. Iuppa is the Director of the Visual and Performing Arts Minor Program and Lecturer in Creative Writing at St. John Fisher College; and since 2000 to present, is a part time lecturer in Creative Writing at The College at Brockport. Since 1986, she has been a teaching artist, working with students, K-12, in Rochester, NY, and surrounding area. Most recently, she was awarded the New York State Chancellor’s Award for Excellence in Adjunct Teaching, 2017. She has four full length poetry collections, This Thirst (Kelsay Books, 2017), Small Worlds Floating (2016) as well as Within Reach (2010) both from Cherry Grove Collections; Night Traveler (Foothills Publishing, 2003); and 5 chapbooks. She lives on a small farm in Hamlin NY.

M.J. Iuppa’s Website

Poetry Drawer: On the Wings of the Morning by Fred Miller

Straddling a divide between snafu and turmoil,
We dare to risk lessons on these people.
Ducking ambush, fierce and endless,
We kick doors and search in frustration.
Then race the moon to new vistas,
Where we counsel and seed hope with promise.
Amid chaos we coach, build visions,
And endure where insanity reigns.
What epic duty remains to carry this mission to fruition,
A day, a fortnight, a year or more?
How we ache to move out with character and honor.
We’ve sowed this land with spirit, compassion, and blood.
Oh, how we yearn, on the wings of the morning, to go home.

Fred Miller is a Californian writer. His first poem was selected by Constance Hunting, the New England Poet Laureate in 2003. Over fifty of his poems and stories have been published around the world.

Pantry Prose: Rêverie by Evan Hay

Dribbling saliva, slumped in the deepest of rêveries, he was approached by a French accented usherette- a veritable caricature, advertising a take-me-from-behind coquetry; she tottered wantonly, making a beeline towards him. Sporting patent black stilettos, & sheer Hi-Vi stocking tops, with ripened honeydew melons squeezed into plunge-cut white silk blouse ‘you are not ‘ere to see the peeping show I ‘ope?’ Despite horny Mediterranean tones wafting a frisson across his prostate gland- Monty just managed to feebly shake his head; spent, unable to accommodate whatever she had to say, or offer. In a vintage styled slim-line tray, hanging from her fetching, slender bronzed shoulders, by an ebony black bespoke cord, continuously bearing the word psychopomp in a bold white text, were presented several uniformly sized ice-cream tubs, all gaudily badged glacé- ‘a final treat perhaps, something for the road? They’re only £9.99 each.’ Trying to make light of hellish migraine, toothache, heartache, a 360-degree grave discomfort, Monty mouthed ‘my mum don’t let me carry big change like that’. It didn’t matter- nothing did any more, nor would it ever again, as dark curtains descend, signaling an end to proceedings. She was uncannily strong for such a pretty young thing, twiddling him up from his seat, onto her shoulders in a fireman’s lift (as if this sort of activity was second nature to her), it really was a fantastical intervention; she provocatively guided him to his final resting place, an act which she whispered was ‘in the interests of good form.’ Laid out under an Afghani flag of convenience, spectacularly physically & chemically restrained, rendered to a pimped-up black site shipping container of carnal humidity, Monty witnessed a truism (humanity is set to destruct). Hackneyed conspiratorial sub-plots, par for the course: wealthy people, organised, confederated to extract whatever they desire whenever, wherever, & from whomever they fancy, well protected from repercussions, aided, abetted, systematically catered for by institutional intermediaries, business people, & servile providers (bleeding obvious, as lame as dedicating a movie to the proposition that rain is wet). A black-&-white metric montage rapidly leafed through Monty’s inner directory of drastic disaffection; polemic streams of subconscious & unfolding flashing vitriolic scenes presented in butchered mental forms. Sir Robert Maxwell holds hands with Dame Shirley Porter, prancing over autumnal casualties strewn around a bloody decapitated mediaeval battlefield. Incognito, an avuncular press baron contacts Benjamin Netanyahu, who gladly, without arrière-pensée, decants everything he knows concerning a haunted Saxe-Coburg Gotha. Malicious, victorious forces marshalled by Alan Greenspan carry severed limbs aloft as trophies, atop spiked banners inscribed with Supremacy, Misogyny, Colonisation & Freedom; waving goodbye as they jauntily march to loot a nearby abbey, passing as they do, an elderly Mohel under a convenient covenant pavilion, performing a bris on a newly born Jeffrey Epstein. Prince Andrew temporarily leaves the tribal ceremony with a prawn sandwich, to be intimately debriefed by insouciant teenage Mossad Agents, burlesquely attired in counterfeit Victoria’s Secret lingerie. Monty hears Royal laughter, mention of operant conditioning, Stockholm syndrome, Fiat currencies, regulatory capture, Black Death, inter-generational, international, state-resourced, trans-Atlantic fist-fuckers of humanity, neo-feudalism, austerity, & Leviathans. Fluctuating betwixt life & death, drifting over any sense of identity, vis-à-vis the origins & basis of inequality; reflecting upon subjugation, propaganda, guilt. ROTL, an acronym, pops up unexpectedly. A day release kid from YOI Feltham transported back & forth over a week’s work experience in the warehouse at Bourne End, told Monty his Student Support Worker counselled him in respect to resilience in social environments. To succeed, was predicated, fundamentally, on disengaging from peers &/or family involved in criminality. Upon the boys release from incarceration on temporary a licence at 16-years of age, for good behaviour, he was rewarded nominal assistance towards achieving social stability in a half-way house, inhabited by products of backgrounds rich in shared exogenous factors: small family flats, rented by unhappy parents, battling, blaming, adventurously polygamous, accusatory, uneducated, inarticulate, unconfident yet enthusiastically domestically violent, unskilled migrants, without faith, property, land, gold reserves, fine art collectables, off-shore bank accounts, cash savings, family assistance, or career prospects- showing little love, or interest; separating during their children’s primary school years. In the fullness of time, unprepared, socially disconnected, & without any reliable access to material resources, a youth sets out to survive, & avoid repeating the miseries experienced whilst resident with their progenitors. Sounds like a plan, but this leads to the endogenous factors i.e. being an average person, minus star qualities, & incapable of earning much beyond what is required just to keep a roof over their head. What a contrast, muses Monty to a multitude of antecedents, despots, frauds, slave owners, facilitators, as guilty as hell, whose descendants aren’t expected to, make reparations, or disconnect from those associated support networks, & their affiliates, the status quo, eternal partners in international crime. Cui bono?

Evan Hay exists in Britain & rather than follow spurious leaders- over the years he’s intermittently found it therapeutic to write out various thoughts, feelings & ideas as short stories to be examined, considered, & interpreted by clinical practitioners who may be able to offer him professional psychological assistance.

More work from Evan on Ink Pantry

Pantry Prose: Jacob Mundy the Insurance Guy by Robert P. Bishop

Jacob Mundy stepped off the porch and hurried along the sidewalk, eager to get to the office where he would be safe from unforeseen hazards capable of injuring or killing him. The sound of screeching tyres startled Jacob. His head snapped up and he peered down the street. A car going too fast cornered the intersection ahead of him on two wheels.

The car frightened Jacob. He imagined being struck by the car as it jumped the curb, smashing into him, tossing him into the air where he turned several somersaults before landing on the car with his face pressed against the windshield staring into the eyes of the grinning driver. The last sound he would ever hear before sliding off the car to the asphalt where death awaited would be the crazed driver screaming, “Gotcha!”

Jacob bunched his shoulders and increased his pace, anxious to get off the street.

At eight o’clock, as he did five days a week, Jacob turned the key in the door lock of Crown Insurance Company. The office opened for business at nine but Jacob arrived an hour early so he had time to set things in order, make coffee and arrange the snacks and cookies most of his clients had come to expect when they made a business call.

After filling the printer and the photocopier with paper and checking toner cartridges, Jacob Mundy sharpened a dozen yellow pencils. He placed them on the right side of his desk next to a yellow legal pad. One last chore remained; checking the liquid soap, paper towels, and toilet paper in the restroom. They were sufficient.

Jacob Mundy had done these chores every weekday for the thirty-seven years he had worked for Crown Insurance, in this office, in this town where he was born. Of course, the coffee pot wasn’t thirty-seven years old. No coffee pot lasts that long.

Jacob returned to his desk, sat down and waited for the nine o’clock opening. He closed his eyes and dreamed of exhilarating adventures in far-off regions of the world where few people had the courage to go.

Jacob Mundy imagined himself alone in a kayak, navigating dangerous white-water rapids of a wilderness river, narrowly avoiding the jagged rocks in the raging water waiting to shred his boat and take his life.

He dreamed of drinking tea flavoured with yak piss on the vast steppes of Mongolia with nomadic tribesmen, then fleeing just moments before they planned to skin him alive and roast his balls over a yak-dung fire.

Naked and armed with a blowgun and poison darts, his body decorated with bright red stripes from the juices of wild berries, Jacob imagined going on a raid with headhunters in the steaming Amazon, then fleeing into the jaguar and snake-infested jungle when he realized his head was the one the tribesmen intended to shrink in a coming-of-age ceremony for boys passing into manhood.

But he was incapable of doing anything even close to these fantastic dreams.

Jacob Mundy was a frightened man.

So he read Hemingway, Jack London, C.S. Forester, Louis L’Amour, and books describing the thrills, dangers, and hardships of life lived on the edge, of brave men, fictional and real, standing eyeball to eyeball in a do-or-die duel with death. He went to Antarctica with Shackleton, sailed four thousand miles across the Pacific in an open boat with Bligh, and searched for the source of the Nile with Burton and Speke.

How he longed to be like the men in the books he read.

Jacob Mundy had never been out of his home town. He got a passport once, thinking he might go someplace, do something daring, but fear kept him from leaving as surely as if he were nailed to the kitchen floor with six-inch spikes.

*

At eleven o’clock, a tall, spare man with an eagle’s beak of a nose came into the office. Jacob Mundy stood up. “Mr. Mitchell, how good to see you again.” Jacob, always polite, extended his hand. Mr. Mitchell ignored it.

Mr. Mitchell sat down in one of the visitor chairs in front of Jacob’s desk without being invited and gave Jacob Mundy a bleak and humourless stare. “Visiting the insurance man is like going to the dentist. You know it’s going to hurt and cost big money but it has to be done so you get it over with as quickly as possible.”

Jacob Mundy forced a smile and absorbed the insult. Never once in thirty-seven years had Jacob Mundy ginned up the courage to tell a rude and offensive client to get out of his office. It would be so easy to do if he had the courage to speak the words. Instead, he said, “May I get you a coffee? One cream and two sugars, as I remember.”

Mr. Mitchell grunted a response.

Jacob Mundy’s hands trembled as he poured the coffee. He disliked contentious meetings with unpleasant clients and did everything possible to ease tensions, not for the clients, but for himself and the disquieting fear these odious people stoked in him. He wanted to believe his clients would not harm him physically, but their anger over insurance problems frightened him nonetheless, generating in him the belief a policy holder might become violent if a claim were ever denied. Jacob Mundy made sure this never happened.

He became known as a mild and inoffensive man who never challenged anyone.

Jacob set the coffee and a plate of cookies in front of Mr. Mitchell and said, “How may I help you?”

Mr. Mitchell slurped some coffee before answering. “I’m putting in a claim for vandalism.” He picked up a cookie, examined it then put it in his mouth and chewed. “Somebody slashed my car’s roof last night.” Mr. Mitchell picked up another cookie and popped it into his mouth.

“Oh?” Jacob said.

“Car’s out front. Let’s go look. You can see what I mean,” Mr. Mitchell said. He wiped his mouth with the back of his hand, stood up and started for the door without waiting to see if Jacob were following.

Mr. Mitchell pointed at three long cuts in the fabric top of a bright blue Volkswagen Bug convertible. “Some little shit did this in the night.”

“Yes, I see that,” replied Jacob Mundy as he looked at the gashes. Jacob noted the fabric was shrinking, pulling away from the metal frame and some of the seams were starting to open as the threads gave way. The top was deteriorating. Replacement costs would come out of Mr. Mitchell’s pocket unless he could get Crown Insurance to pay. The slashes in the fabric would do that. Jacob understood this but didn’t confront Mr. Mitchell on the fraud.

“Let me get some pictures,” he said to a smirking Mr. Mitchell. Jacob used his cell to take several photos. They returned to the office and completed the forms for replacing the fabric top at no cost to Mr. Mitchell.

After Mr. Mitchell left, Jacob sat his desk, agonizing over his inability to call Mr. Mitchell out on the obvious fraud. Why hadn’t he said to Mr. Mitchell, “That top is old and worn out. You’re the one who vandalized it. You’re trying to scam Crown Insurance for the replacement costs. Well, that isn’t going to happen. Pay for it yourself, you lying bastard.”

But he hadn’t said those words.

Jacob Mundy wiped away the tears on his cheeks and went to lunch.

A creature of habit, Jacob went to the same café every day at the same time, sat at the same table and ordered the same thing, a tuna salad sandwich, a cup of vegetable soup, a pot of hot green tea and a glass of water. He always read a book as he ate. Today he was reading a biography of John Morton Stanley, survivor of the brutal Civil War Battle of Shiloh and famed African explorer.

Halfway through the sandwich Jacob heard a commotion at the table behind him. He listened, trying to figure out what was happening. A woman was pleading with a man to leave her alone. The man refused and the woman’s voice became agitated. The woman implored the man to go away.

Jacob put the sandwich down. He thought he detected fear in the woman’s voice. Impulsively, he stood up and approached their table. “Leave her alone,” Jacob said. “She doesn’t want you bothering her.” Jacob felt his knees quiver and his heart race. “Now go, please.” Jacob thought his voice, never deep or masculine, sounded shrill and thin.

Startled by Jacob’s unexpected appearance and demands, the man said, “Hey, ok, I was just leaving.”

After the man had left, the young woman said, “Thank you. He is such a rude and horrible man. You saved me.” She smiled at Jacob.

“I did?” He felt out of place, as if he didn’t know quite where he was.

The woman laughed. “Yes, you did.”

Jacob looked at her, bewildered by her response and by what he had done.

Gathering her things, the woman stood and said, “Thank you again,” and left.

Feeling awkward and embarrassed over his intrusion, he was unable to finished lunch. Jacob Mundy returned to his office, sat at his desk and thought about what he had done. He couldn’t believe he was capable of such outlandish behaviour. Confronting a stranger was something he had never done in his entire life. His hands trembled when he realized how daring, how brave, he had been.

Jacob fired up his laptop, opened his financial folder and studied it for a few moments. He knew he was well off, having invested substantial sums regularly for thirty years. He thought about that for several moments. All that money. Jacob Mundy closed his eyes and felt excitement surging in him.

He closed the financial folder and emailed a letter of resignation to Crown Insurance, effective immediately. Then he looked for a travel agency, found one and called.

“Khartoum,” he said in response to the woman’s question about destination. “It’s where the Blue and the White Nile meet to form the Nile River,” he added for the woman’s benefit, and maybe for his own as well. “Just one,” he replied when asked about the number of seats to book. “Yes, a one-way ticket is correct.”

After the departure date was set and the flight details worked out, Jacob emptied the wastepaper cans, refilled the printer and copy machine, cleaned the coffee pot, topped off the soap dispenser, put fresh rolls of toilet paper and paper towels in the restroom, turned off the lights, then closed and locked the office door for the last time.

Jacob Mundy never looked back.

As he walked toward his house, he thought of all the things he had to do before he left; get the necessary vaccines, find out what visas were required and so forth. Thinking of the many tasks that lay ahead, Jacob stepped off the curb without looking.

Two EMTs bent over the inert body. “He’s dead,” one of them said. They put the body in the emergency vehicle and drove away.

A man in the group of people that had gathered to gawk at the accident announced, “That was Jacob Mundy, the insurance guy,” as the crowd began to drift away.

Robert P. Bishop, a former soldier and teacher, lives in Tucson. His short fiction has appeared in The Literary Hatchet, The Umbrella Factory Magazine, CommuterLit, Lunate Fiction, Spelk, Fleas on the Dog, Corner Bar Magazine, Literally Stories, and elsewhere.

Poetry Drawer: Trowel by Mitchell Krockmalnik Grabois

I asked Princess Di to dance
She was biking across the heath
in a glum mood

wearing an expression
that might have suited
Thomas Hardy

In fact, she would have taken up my offer
She would have danced with me
Who knows what else she might have done?
what we would have done together

But a tornado had blown down Windsor Castle
and she had to hurry back
to make repairs

I saw a trowel in her bicycle basket
caked with cement
I knew that besides being a princess
she had many other skills
and here
was still more evidence

Mitchell Krockmalnik Grabois has had over fourteen-hundred of his poems and fictions appear in literary magazines in the U.S. and abroad. He has been nominated for numerous prizes, and was awarded the 2017 Booranga Writers’ Centre (Australia) Prize for Fiction. His novel, Two-Headed Dog, is based on his work as a clinical psychologist in a state hospital, is available for Kindle and Nook, or as a print edition. His new poetry collection was published in 2019, The Arrest of Mr Kissy Face. He lives in Denver, Colorado, USA.

Read more of Mitch’s work on Ink Pantry

Poetry Drawer: A line from Catherine Deneuve: The Pound Cantos CENTO V: J7 on the selection list: The doors by Mark Young

A line from Catherine Deneuve

I live way out. It gets real
quiet. Little random adjust-
ments have been made to
keep me there, & filmed in

one continuous shot. People
in these small municipalities
often pass the time in strange
mixes of activities — juggling

chain saws while wearing a
two-piece bathing suit is a not
unusual example. The culture
can be different even when it

stays the same. This book was
company for me; but the suits
I wear when I work in major
cities would cause division here.

The Pound Cantos: CENTO V

Sound drifts in the evening haze,
North wind nips on the bough;
& in small house by town’s edge—

slung like an ox in smith’s sling—
now was wine-trunk here stripped,
here made to stand, stilling the ill

beat music. A young man walks,
grave incessu, at church with
galleried porch, drinking the tone

of things. Brown-yellow wood,
& the no-color plaster, all flat on
the ground now, making mock of

the inky faithful. When you take
it, give me a slice. A poet’s ending.

J7 on the selection list

Today, again, it is The Supremes
who propel me into the morning.
An interwoven medley, Love Child
& Reflections, no reason for that
particular pairing — it’s just
the way of things, the past, un-
bidden, rising up to push the
hidden jukebox of the mind along.

The doors

Everything
has continuity; though the
light changes shapes
& some things resonate
with memory whilst
others stay silent
in the hand. Each
has a number.

*

Grasp as in
within. With-
out. The door
open, the doors
closed. The way
picked through. The
detritus is a picked-
over poem. Number
unencumbered,
the writing
not the same.

*

To find the expression
first design the primer.
Sequence. Consensus.
Homogenous percentage.

*

There are things scattered
around the door. Pieces
of glass in different
colours, paper wasted
since the writing’s
all the same. A couple
of statues, one stained
with blood. Bowler
hats piled up on
top of one another.

*

Two doors beyond.

*

Everything might be
remembered in time
but it’s the linkages
& the lack of space to
keep them near that
make it difficult.

*

Memory is not linear.
Straight lines are
for planning a future
where you write
yourself preliminary
notes & leave them
in strategic places. So
that, whenever it is
you arrive at where
you were going you
can open them up &
see what was penned,
then compare it with
what actually hap-
pened along the way.

*

Everything
has contiguity; though the
night changes shades
& some things emanate
from memory whilst
others shape themselves
within the hand. None
has a number
greater than one.

Visual & text poems by Mark Young have appeared recently in several journals including Indefinite Space, E·ratio, X-Peri, Word for/Word, & Futures Trading.

Mark Young lives in a small town in North Queensland in Australia, & has been publishing poetry since 1959. He is the author of over fifty books, primarily text poetry but also including speculative fiction, vispo, & art history. His work has been widely anthologized, & his essays & poetry translated into a number of languages. His most recent books are a collection of visual pieces, The Comedians, from Stale Objects de Press; turning to drones, from Concrete Mist Press; & turpentine from Luna Bisonte Prods.

Poetry Drawer: I Lost: No Victor: Poem # 226: A Plucked Flower: There is all over the world by John Tustin

I Lost

I lost my God
And my faith
In this world

I lost my reason
And my will
And my books
And my children
And the woman
I love and still
I never gained

Insight

No Victor

Prostrate in the bed we used to share
On a Sunday night
Staring at all the nothing
And thinking about how swell life was
For those too brief interludes
Between the disasters
When you would hold me so close
And I could feel your heart beat

Wondering what you’re doing now
Since you broke my heart in two
And disappeared with my light
And my hope

Just then the phone rings
Just like it used to
When you’d make your
“Sorry I’m calling so late”
Phone calls

My heart mends for a moment
And I answer it
Not knowing what I will say
But screaming I Love You
I need your voice
In my mind
As my pulse pounds
In my ears

I answer the phone
And when the man on the line
Asks to speak to Victor
I tell him he has the wrong number
Because there is definitely no victor here

And there never will be

Poem # 226

Just as I was ready for her –
Her feet upon my rug,
Her body in my bed,
Her coffee smells in my nose,
The way her upper lip looks when she sips;

Her positivity, her proclivities,
Her anger when drunk,
Her endless enigmas…

Just as I was ready for her
She was not ready for me
In spite of how long
We both waited

So here’s another poem about that.

A Plucked Flower

I refuse to be a plucked flower
That is pulled from the ground,
Clipped, sprayed to look shiny
And put in a bouquet or garland

With the others.

There is all over the world

There is all over the world,
but I live here.
There are these millions of women everywhere,
but here I am with you.
And I have this job,
and I raise these kids,
and I eat this food you place
before me.

I come and I go
with each tide of chance,
every ripple of circumstance.

There is all over the world,
but I die here.

More poetry by John Tustin on Ink Pantry

John Tustin’s poetry

Poetry Drawer: Dead Cow on Route 5 During a Pandemic by Corey D. Cook

It had been dragged to the edge of the field,
now just a mound inside the barbed wire

fence, the windowed panel of a wedding tent
draped over it, failing to hide the mottled coat,

bloated body, as I drive by in the northbound lane,
following the saturated bank of the Connecticut

River, thinking of those whose lungs have become
wet sponges, who are slowly drowning, dying alone.

Corey D. Cook’s fifth collection of poems, The Weight of Shadows, was published by Finishing Line Press in 2019 and is available for purchase online. His work has recently appeared in Boston Literary Magazine, Freshwater, The Henniker Review, The Mountain Troubadour, Trouvaille Review, and Viscaria Magazine. New poems are forthcoming in the Aurorean and Muddy River Poetry Review. Corey works at a hospital in New Hampshire and lives in Vermont.