Pantry Prose: A Deckchair on Southport Beach by Sally Shaw

The day it began; I was me. Mabel and I had fled the wages office of Tyrers department store, to the gardens in Palmer Square. We sat on the last vacant bench, amidst giggles, mid-conversations of folk out on a mid-summer’s lunchtime. Some were courting couples, office workers, and shop assistants, others, faded mothers chasing toddlers around pushchairs. The zing of mowed grass crashed with fumes of passing vehicles. I longed for a sea breeze and deckchair on Southport beach.

Mabel chattered away about her wedding plans, while I tugged a dog hair from my meat paste sandwich. I dragged my finger against the edge of the bench to hide the fur. Meat paste clogged the ridges of my palate, and I stretched another hair from my mouth, too long to be Albert’s. I glanced at Mabel’s ponytail.

“Are you not going to finish your sandwich? After I took the time to make it for you. Oh, did I mention my wedding will be in the grounds of Charles’s parents’ stately home in Cumbria?”

Mabel had finished her sandwich and sunk her teeth into a Vanilla slice. She held out a jam tart for me. I gagged on what remained of the bread and paste, swallowed hard, before I praised Mabel for making such a tasty sandwich. I took the tart. She continued to talk and talk enlightening me to how lucky Charles was that she had agreed to marry him. How he wasn’t the best-looking man, that, that wasn’t critical as he absolutely worshiped her. I responded in what I considered to be a polite way, by asking her a simple question.

“How come your Charles hasn’t been round ours to say hello?”

She’d been going on and on about Charles and the wedding since we met, on her first day in wages. That was a month ago. Within a week we had become best friends and flat mates, although I couldn’t recall agreeing to that.

Mable spat out the answer to my enquiry, her changed tone and menaced wide-eyed glare unnerved me. I felt I was the one in the wrong. She knew I hated being called Liz.

“Liz, really, why would I bring him around to meet you of all people.”

She sniggered while dabbing the sides of her upturned lips with a pink cotton napkin. My response, squashed by a battered self-worth. I retrieved the napkin she’d tossed onto the bench next to me and folded it before putting it into my handbag along with my pride.

“Oh, best be getting back, don’t want Miss Twist picking you up on your time keeping. Oh by the way, I’ve mentioned to Miss Twist you’ll do my late this Friday. Charles is whisking me away for a romantic weekend.”

“I can’t I’m…”

“You can, I’ve told your Jimmy you’re spending the weekend with your best friend, me!”

She puckered her matt red lips, pressed her little finger to the left corner of her mouth then clicked shut her compact. She took hold of my chin and told me I’d be pretty if I smiled more, before kissing my cheek. I smiled. We walked back to work, with no more said about Friday only the sound of Mable’s voice whittering on about how special she was, and that Charles knew he was lucky. She had me carry her handbag. I walked two steps behind her, as she strutted and laughed.

“I feel like the Queen with my lady in waiting.”

I couldn’t recall why I’m her friend. Betty from our office stopped to chat, Mable placed herself at the centre of the conversation and I wasn’t acknowledged by either of them. I felt myself sink to the bottom of my stomach like I was riding the front car of the rollercoaster at Southport Pleasure Land. I never returned from the pit of my stomach. Once Betty had gone Mable grabbed my hand.

“Come on, darling, we’re going to be late. Don’t you worry I’ll let Miss Twist know it was Betty’s fault.”

For the rest of that day, I was the most important person in her life in a strange unforgiving way.

I’m sat on a deckchair, on Southport beach. Sand swirls above the damp ridges formed by the tide, like fairies and elves dancing around my bare feet. I’ve shoved my knee length tights into my sensible shoes. I curl my toes down, halos form around them, dry sand rolls over pale skin. There’s a chill to the early October day, I wished I’d come in June, even though that wasn’t possible as she was still alive. I look for the sea, far away a murky greenish line forms a break in the skyline. I turn to my left and right, I’m alone. Tiny figures move up and down the pier a mile away. A drip forms on the tip of my nose. I consider wiping it on my coat sleeve but think it’s not what a sixty-five-year-old should do. I reach down grab my handbag, balance it on my knee, I pull out what I think is my handkerchief and pinch my nose. As I scrunch it up with my spindled fingers a wave of sickness hits me. The pink cotton napkin falls into my lap, I thought I’d thrown it out with the rest of her belongings. The wind catches hold of it, and it takes flight like a kite. A quote from Lauren Bacall pops into my head ‘Imagination is the highest kite that one can fly.’ The napkin descends landing like a shroud over my feet. In that moment of flight, it hit me, I rummage in my bag searching for a mirror. I pull out her compact and remember her giving it me at the end of that mid-summers day when I found her hair in my sandwich and she made me feel guilty. How have I not thrown these items; I must be going senile. I snap open the compact, a cloud of power puffs up and is lost in the sand. I hold the mirror up to check my nose is clean. A face stares back at me, I look behind me and back to the face, it’s still there. I hear a voice shouting.

“I’ve not been myself for forty-five years.”

The words echo like the distant sound of the ocean from a shell held to my ear as a child. Whiffs of salty-seaweed seep into my nostrils with each stuttered breath; brings me to my senses like a dose of smelling salts. I close my eyes and I’m sat at her bed side. Her matt red lips, faded by time and ill health. Her laced skinned left hand lies ringless and flat, dissolving into the white sheet. Her chest clicks as it rises and falls, like a young robin calling for its mother. The click is interrupted by a chilled silence of impending demise. I count the seconds to the next bird call. I’m up to fifteen, click, nothing, click. The silence crashes into my ears, I fill this gap and mute the clicks for help with the brevity of my voice.

Mable, I stopped liking you on the day you made ‘me’ fade. You started the process a month before, but I was too moulded to notice. I was so happy to have a best friend. I was never the popular one, never chosen by the netball captain, or for a last dance at the Town Hall. You brightened the wages department and picked me as your friend. You separated me out from my family like a sheep dog. I took your guilt and you were the shining light that everyone flew to, like moths. You collected moths, to take the pleasure of being wanted and the glory of winning. Mable, I’m quiet for a moment, until I hear the click. Mable, you stole me, you continuously had an answer for why you needed me to stay, if I left, you’d, well, you hinted I would be the one to find you. Charles, you said died in a boating accident. I never mentioned I saw you walking alone from my deckchair on Southport beach, that romantic weekend. Charles was killed a week later. Miss Twist fell down the stairs that lead to the shop floor. It was you who found her. I didn’t tell you I’d left my handbag in the staff restroom that evening and seen you with Miss Twist. You cried crocodile tears at the grave side of Miss Twist. Her family comforted you. A month after the funeral you became Wages Supervisor. I forgot who I was, if anyone asked, I’d say I’m Mabel’s friend.

I hear another click, I count, to a thousand. I have my wish of a deckchair on Southport beach.

Sally has an MA Creative Writing from the University of Leicester. She writes short stories and is currently working on her novel based in 1950s Liverpool. She sometimes writes poetry. She gains inspiration from old photographs, history, her own childhood memories, and is inspired by writers Sandra Cisneros, Deborah Morgan, Liz Berry and Emily Dickinson.

She has had short stories and poetry published in various online publications, including The Ink Pantry and AnotherNorth and in a ebook anthology ‘Tales from Garden Street’ (Comma Press Short Story Course book 2019).

Sally lives in the countryside with her partner, dog, and bantam.

You can find more of Sally’s work here on Ink Pantry.

Poetry Drawer: Night-time Memories: I Enjoy: Yesterdays of my Dreams: Untitled: Burning Tempo by James G. Piatt

Night-time Memories

My world, a dark blue in its
Vastness comes with aches
And pains and a cache of
Visions that echo in the
Ebony void, of its emptiness.
My music, filled with secrets
And stories couples me to
Winter’s wind as it ricochets
Off my nighttime memories.

I Enjoy

                 The sounds of waves continually rushing
onto a sandy shore bringing in stories from the deep
where man has no power to edit,

                The rays of the sun that never end, which
carry warm supplications in the ether high above
where man has no ability to censor.

                The chirping of colourful birds singing feathery
 arias high in the trees of a verdant forest where man 
has no capacity to tarnish.

Yesterdays of my Dreams

Like butterflies flitting in the breeze,
my mind is floating in the blueness
of a sky full of images, visions,
prayers, and forgotten truths, that
touch the quivering echoes of all the
yesterdays of my dreams.

Untitled

As our thoughts rise and fall on seldom trod paths,
The warbling of birds will cast new visions into
Our evolving memories.

As a rusted gate swings lazily on a copper hinged hasp
It solemnly warms us to loosen our emotional grasp
On those things that are dark, but ephemeral.

As thoughts swim up the river to a placid pond,
They go to a place where contented minds gaze,
and muse upon in the lazy hours of the day,

As things plague our mind, and arrive as if designed
by demons, we must understand that they are just
bits of unreality, and

As each new day leads us to greater happiness,
They will vanish into the darkened void where
All such gloomy things are quickly destroyed.

Burning Tempo

Another day
Like yesterday…
Red dust
Climbing
Into the earth,
The oceans,
And rivers dry,
Birds swaying
In the dry wind,
Ashes in
The hearth,
Don’t cry,
Don’t cry, it’s not
Over yet…
Pretend my friend.
Each day is a
Miracle,
Life is magical,
It’s a beat,
A pulse,
An echo.
Voices
Bounding off the
Heated land, by
Drum sticks used by
withered hands
Hidden inside
Leather:
Pretend my friend, …
Don’t cry,
Don’t cry.

James, a retired Professor and octogenarian is a Best of Web nominee and three time Pushcart nominee and has had five poetry books “The Silent Pond,” (2012), “Ancient Rhythms,” (2014), “LIGHT,” (2016),“Solace Between the Lines,” (2019), and Serenity (2022), over 1700 poems, five novels, seven essays, and 35 short stories published worldwide in over 255 publications. He earned his doctorate from BYU, and his BS and MA from California State Polytechnic University, SLO.

You can find more of James’ work here on Ink Pantry.

Poetry Drawer: Footsteps: Taking the Name: Cut Down to Size: Count the Days: Our Collapse by Luis Cuauhtémoc Berriozabal

Footsteps

There was a knock on my door.
I heard footsteps walking as I
opened it. My heart skipped a beat.
I saw no one, only heard footsteps
walk and walking away. I counted
a thousand footsteps at least.
I am known to embellish things.
I fear the man I am turning into.
There was no shadow to those
footsteps. In the distance I thought
I saw a figure walking. It was just
a memory of someone I once knew.

Taking the Name

The skeleton’s skull
is suspended
in the night sky,
taking the name
moon; its bleached
white tears are
dispersed along
night’s canvas,
taking the name
stars. The black ink
is spread throughout,
which has already
been named sky.
Its hue will change
in the twenty-four
hours called day
with spheres lingering
in the sky with the names
of sun and planets
to keep our attention
and interest.

Cut Down to Size

O, I am not handy with a saw,
but I have cut into wood like
a woodcutter. I cut until my
hands hurt and my blisters
made me feel useful. I cut
under the shadows of tree
leaves. The cutting of limbs
was such a release. One day
someone might be cutting
on me. I am far from healthy.
I feel the pain in my knees.
I feel the torment of not being
able to do what I used to do.
I see my life racing by. I am
seeing a future where I will
need to slow down.

Count the Days

Here I count the days?
My time is going slow.
Between morning and noon,
between noon and five o’clock,
I feel a quiver some days.
The days are so long.
I search my soul so
deep. One of these days
I will lie under grass.

I am just here surviving.
Green pastures await me.
I will lie underneath.
Time is up for everyone.
There is no need to feel sad.
I do not always feel down.
I look forward to night
to watch the stars cluster.

Our Collapse

Our collapse is our own doing.
Greed inevitably consumes itself.
Man has sold its soul for riches.
This negligence will come due.
Like a wilted flower, we will perish
someday someway at any hour.
I will be among the protesters
kicking up the dust I will become.

Luis lives in California and works in the mental health field in Los Angeles. His poems have appeared in Blue Collar Review, Ink Pantry, Kendra Steiner Editions, Mad Swirl, and Unlikely Stories.

You can find more of Luis’ work here on Ink Pantry.

Poetry Drawer: With a Word: A Single Birthday: The Essenes by Dr Susie Gharib

With a Word

I adorn my mind each morning with a word
as a queen for her coronation is adorned with gold,
with associations to combat the foul breath that is spewed
from establishments,
individuals,
and the rituals of the modern world.

Though sharing three consonants with its adversary numb,
nimble is my armor against stagnation,
stupor,
and getting outrun
by the spurious and the arrogant.

I resort to sedate in times of turmoil
when warfare sharpens its fangs and claws,
when rockets compete for the bull’s eye that is wrought
by profiteers who have been wooing my hometown port.

Sanguine is my anodyne for un-halcyon days
when depression is depleting both pockets and spirits
and Hope is an effigy that pins impale
whose sister Mercy is being burnt at the stake.

A Single Birthday

I imagine what a single birthday would be like
spent with her:
a home-made cake that her hands deck with nuts,
with candles that are not to be blown out.
Two glasses of sweet wine
brewed by her ancestors
in the vicinity of their country vineyard.
An apple pie.
And some milk chocolate that instantly melts
in my mind
before it reaches my mouth.

A bottle of perfume
with a blue ribbon round its neck.
A white hairband for my ponytail.
A strapless bikini for my next summer holiday.
A puzzle to keep me busy on lonely nights.
And a tearless goodbye.

The Essenes

Their mode of existence was marked by numbers –
these offsprings of David, the Nazarenes –
by sacred geometry.

Even-tempered and compassionate,
they kept no servants or slaves
and equal
men and women were declared.

The hand that was placed on top of the head
had learnt the art of healing
both the afflicted and the sick.

They consumed their meals in utter silence,
the vegetarian meek
who drank nom fermented liquids
and because purification was uppermost,
they lived by rivers and lakes
to keep themselves cleansed.

On Mount Carmel they pursued the truth,
the illumination of inner lives,
so the Book of Enoch was among other texts
that their precious library kept
and both john the Baptist and Jesus Christ
received their blessings and enlightenment.

And sleep, which for modern thinkers contains the residue
of the day’s turbulence and joys,
is a source of deep knowledge,
so the last thoughts before a slumber
are to be purified and purged
to keep the power of the mind intact.

Susie Gharib is a graduate of the University of Strathclyde with a Ph.D. on the work of D.H. Lawrence. Her poetry and fiction have appeared in Adelaide Literary Magazine, Green Hills Literary Lantern, A New Ulster, Crossways, The Curlew, The Pennsylvania Literary Journal, Ink Pantry, Mad Swirl, Miller’s Pond Poetry Magazine, and Down in the Dirt.

Susie’s first book (adapted for film), Classic Adaptations, includes Charlotte Bronte’s Villette, Virginia Woolf’s The Waves, and D.H. Lawrence’s Lady Chatterley’s Lover.

You can find more of Susie’s work here on Ink Pantry.

Poetry Drawer: Lost: Molly’s Audition: Juvenile Invention by Ian C Smith

Lost

He lost the land of his birth’s winter snow,
lost heart-throbbed life fragments morphed into dreams,
lost his family that day long ago,
a desertion scarring his self-esteem,
stony heart cracked, future free as the sky.
He lost chance opportunities, too few,
cherished keepsakes, old friendships torn awry,
lost his roadster in a carpark’s chromed queue,
a character in an absurdist play,
sped off, denim jacket slammed on the roof,
further loss as, waving, it flew away.
His pillared past bared, no longer blame-proof,
he aches for things he shall not see again,
knows ego’s reckless largesse caused this bane.

Molly’s Audition

Raising his spirits and his cockstand,
Joyce composes letters to Trieste.
Nora responds, ghosting that book, banned,
raising his spirits and his cockstand,
kinky, inky. From her artless hand:
moist orgies. His lewd woman possessed,
raising his spirits and his cockstand,
Joyce composes letters to Trieste.

Juvenile Invention

Aware that city lights blink on, off, on
while bubbling boredom, longing, blurs our days,
we work the teeming dorms, a kind of con
reaping weed from boys who believe crime pays.
In this chapel of corruption, Dickie,
First Nations tent boxer, plays the tribesman,
my role his circus box office, tricky
ringmaster minus the stretch caravan.
Script rehearsed, stage props: needle, pure white thread,
Dickie, eyelashes fluttering, growls chants,
racehorse names back to front to pump our cred.
Vultures’ cruel committee judges his trance.
From inside his mouth he pierces his cheek,
silver, red, burst bright, white, red, black skin sleek.

Ian C Smith’s work has been published in Antipodes, BBC Radio 4 Sounds,The Dalhousie Review, Griffith Review, San Pedro River Review, Southword, The Stony Thursday Book, & Two Thirds North. His seventh book, wonder sadness madness joy, is published by Ginninderra (Port Adelaide).  He writes in the Gippsland Lakes area of Victoria, and on Flinders Island.

You can find more of Ian’s work here on Ink Pantry.

Poetry Drawer: Two-Person Architect: Sonnet for Democracy by Jake Sheff

Two-Person Architect

While doctoring the sun, my wife expounds
On gradients of moonliness called “love.”
Attending raves in giant fields, she’d tell
Us, “Nothing is a drug,” and drop it like
A mic. And neon lights berated costly
Nights, so full of naked, blaring animus;
If not, at least of intimations. Without
A wink of hesitation, a raccoon is
Digging through my trash outside; emaciated
Martian with an ear for the eraser, like
My wife, whose syllogisms overlapped with hope.

While proctoring tomorrows, Obama rounds
The radiance of spoonerisms up to one.
“Pretending saves a little space,” he’d tell
Us (nothing like a bug), and pop it like
A collar; neonates conflated bossy
Rights – the pull of naked, blaring animus –
With tons of steely scintillations. Pick out
The pinkest nation: A cocoon is
Hugging the rough trash inside me, wasted,
Marshalling an iridescent pacer like
My wife, her syllogisms home with overwhelm.

Sonnet for Democracy: or, Epigrams and Sound Bites of 2016

“You campaign in poetry. You govern in prose.”
Mario Cuomo

Reporters quoted thermophilic Trump:
“My wife’s the only girl I care to hump.”
The New York Times lent Hillary its ear:
“Your crossword puzzle suffers, much like Lear.”
The brothers Koch were drips of condensation
On the greenhouse ceiling; glass somatization.
A Marxist Yankee ate a pound of fees
To rush adrenaline’s fraternities.
The Onion’s parodies: a haemorrhoid
Deployed that contributions out-diploid.
The categorical judicial branch
Decided John Doe Jr.’s avalanche,
At best, unconstitutional; and Scalia’s
Dissent, “Divide the horse!”: paraphernalia.

“Abound but to abandon!” was the chant
Protesting what The Talking Light was can’t.

Jake Sheff is a pediatrician and veteran of the US Air Force. He’s married with a daughter and several pets. Poems and short stories of Jake’s have been published widely. Some have even been nominated for the Best of the Net Anthology and the Pushcart Prize. His chapbook is Looting Versailles (Alabaster Leaves Publishing). A full-length collection of formal poetry, A Kiss to Betray the Universe, is available from White Violet Press.

Poetry Drawer: Forgive Me: Turd Puzzler: Contretemps Queen: Sheaf of Yogurt: Man’s Walk by Terry Brinkman

Forgive Me

Man with long alabaster hair
Will they forgive me?
Ghost woman fair man ecstasy
White-lighten nightmare
Playing fifty one deck solitaire
Lost in Blue-silver Poetry
Stopped stranded twining absurdity
County Fair games unfair

Turd Puzzler

Attributed to our raccoon
Ghost-woman’s tenacity of hatreds to domestic Halloween
Uncommon factor of similarity in work
Two smoking globe turds puzzler
Nocturnal perambulation alabaster shirt
Rearing high feathering trail guzzler
Mutate celibate in dirt
The arc which it subtends muzzle

Contretemps Queen

Life as the contretemps Queen
Looking through the drape of clouds seeing the moon
She let the sun fall on the floor at noon
Lies so deep the bottom cannot be seen
Woman’s enemies reason she drinks from a canteen
Good bad or indifference looking over a lagoon
Attributed to our raccoon
Tenacity of hatreds Halloween

Sheaf of Yogurt

Yellowstone National Park
Forward to sheaf of Yogurt
Wide headers acumen shift
She gazed at the lamplight shine
She’s in a knockout snow drift
Tense Portobello bruiser mine
Threw in the towel broke swift
Being Ten counted out after only nine

Man’s Walk

Tale of woe in her Crucified Shirt
A most scandalous thing in the dark
Today the hard working man’s walk
Daughters Virgin Moon Desert
The dames weighed in dirt
Lotus ladies tend to the fire’s spark
Lost in Yellowstone National Park
Poet’s verses sheaf of Yogurt

Terry Brinkman has been painting for over forty five years. Has Five Amazon E- Books. Poems in Rue Scribe, Tiny Seed. Winamop, Snapdragon Journal, Poets Choice, Adelaide Magazine, Variant, the Writing Disorder, Ink Pantry, In Parentheses, Ariel Chat, New Ulster, Glove, and in Pamp-le-mousse, North Dakota Quarterly, Barzakh, Urban Arts, Wingless Dreamer, LKMNDS and Milk Carton Press.

You can find more of Terry’s work here on Ink Pantry.

Poetry Drawer: I was Originally the God of the Gods: The World is in a Box: The King of the Diamonds by Yuan Hongri

I was Originally the God of the Gods

I shall change seawater into honey,
smelt the stone into the gold,
the bitter is namely sweet,
the sun is born from the womb of the night.

Oh, my God! No matter what if you are really the God
Oh, the devil! No matter how many tricks you have
today, I am neither living nor dying
I want to put you all into the golden tripod of time.

I am originally outside of the earth
I will leave one day
although I have forgotten many years
but I woke up finally today

From a little drop of water
the world came into being
It was originally a tear of mine
I was originally the God of the Gods.

我本是上帝的上帝

我要把海水酿成蜜
把石头熔炼成金
这苦涩就是香甜
这太阳从黑夜的子宫诞生

上帝啊 无论你是不是真的上帝
魔鬼啊 无论你还有多少伎俩
今天 我不生也不死
我要把你们统统装进时光的金鼎

我本在这个尘世之外
有一天还将归去
尽管我遗忘了许多年
可今天终于醒来

这小小的一滴水
诞生了这个天地
它本是我的一颗泪珠
我本是上帝的上帝

The World is in a Box

The world is in a box
the little timeworn world
the countries of Lilliput
the President of the king’s prime minister
those kings, premiers and presidents
those dwarfs in the scroll of time’s picture

They do not believe the additional sun
both like a diamond and like gold
make you warm in winter
make you cool in summer

Neither have they seen the sweet ocean
nor have they known heaven outside time
forgotten those gods who like mountains
are the ones the former ancients owned

世界在一只盒子里

世界在一只盒子里
这个小小陈旧的世界
一座座小人国
那些国王 首相 总统
那些时光画卷里的侏儒

他们不相信另外的太阳
既像钻石 又像黄金
在冬天时让你温暖
在夏天时让你凉爽

他们没见过甜蜜的海洋
也不知时光之外的天国
忘了那些山岳般的众神
是古老的曾经的自己

The King of the Diamonds

The sun was rising in my breast
I woke up finally
said goodbye to the night’s nightmare
the world was lit up by me
this is actually the real me

There is no longer day and night
there are no longer newborns and death
I got myself back
before there was no earth and heaven
I have existed from the beginning

The world is just my works:
a picture, a poem
a symphony.
Give me a stone
I will turn it into the king of the diamonds.

钻石之王

太阳在我胸膛里升起
我终于醒来
告别黑夜的梦魇
世界被我照亮
这才是真实的我

不再有白昼与黑夜
不再有新生与死亡
我找回了自已
在没有天地之前
我就早已经存在

世界只是我的作品
一幅画 一首诗
一部交响曲
给我一枚石头
我让它变成钻石之王

Yuan Hongri (born 1962) is a renowned Chinese mystic, poet, and philosopher. His work has been published in the UK, USA, India, New Zealand, Canada, and Nigeria; his poems have appeared in Poet’s Espresso Review, Orbis, Tipton Poetry Journal, Harbinger Asylum, The Stray Branch, Pinyon Review, Taj Mahal Review, Madswirl, Shot Glass Journal, Amethyst Review, The Poetry Village, and other e-zines, anthologies, and journals. His best known works are Platinum City and Golden Giant. His works explore themes of prehistoric and future civilization. Its content is to show the solemnity, sacredness and greatness of human soul through the exploration of soul.

Yuanbing Zhang (b. 1974), is Mr. Yuan Hongri’s assistant and translator. He himself is a Chinese poet and translator, and works in a Middle School, Yanzhou District, Jining City, Shandong Province China. 

You can find more of Hongri’s work here on Ink Pantry.

Pantry Prose: The Man Who Shot Stonewall Jackson by Gary Beck

It happened once before, when I was a young man. The newspapers clamoured for war, self-appointed know-it-alls told us why we had to fight and everyone believed them, especially the youngsters like me who got all fired up to join the army. So now, when those big headlines screamed ‘Remember The Maine,’ there wasn’t any more doubt that there would be war with Spain. And off they went to enlist, just like they were going to a picnic, as irreverent and ignorant as we were back in 1861. My eldest son told me he had to join up and I tried to discourage him. I told him how crazy it was for two groups of men to stand and blaze away at each other, but he wouldn’t listen. All he said was: “War’s not fought that way anymore, Pa .”

So I held my peace and watched him go, like my pa watched me go. When he died of yellow fever, before he even fought in a battle, it was another terrible affliction that I had to accept. But I guess he was right about it being a new kind of war, because it was over pretty quick and we got all these new places; Cuba, Puerto Rico, The Philippines and Guam. I never even heard of Guam. So I kept on farming and doing my chores but I was pretty much empty inside. I had been that way ever since the surrender at Appomattox, which ended my daily suffering, but left me a hollow man. I went through all the motions of the living and tried my best to be a good husband and father, and I never told anyone how I felt. How could anyone who hadn’t been there understand? Sometimes, when I went to town and saw the few old hands who survived the entire war, like me, there was nothing we could say. We just looked at each other for a moment, nodded in recognition that we were still alive and moved on.

Then one day, long after Spain surrendered, I saw a soldier who had just come home from the Philippines. I was buying something in Dahlgren’s general store and his pa brought him in. He had that look that I hadn’t seen since the war with the Yankees. His flesh was sagging on his bones and his uniform hung on him like a scarecrow on a hard luck farm. He walked as if it was a great effort to put one foot after the other. Old Mr. Dahlgren kept prodding him to tell us what it was like over there, but he refused to talk, until his pa urged him. Then he looked at everyone for a moment and said coldly: “You want to know what it was like? I’ll tell you. I watched my buddies die in ambushes, or of tropical diseases, or in battles with savages who just kept coming at us, even after we shot them. I watched my friends butcher women and children!” A look of absolute horror ate his face. “All I saw was death and suffering. Is that what you wanted to hear?” Then he turned and walked out. I couldn’t get him out of my mind the rest of the day.

That night I thought about the war with the Yankees, which I had shut out of my life a long time ago. I remembered how I had rushed to join up that spring of 1861. I ignored Pa when he told me not to go, just like my boy ignored me. Then Pa told me how bad it was when he fought the Mexicans in ‘46, but I didn’t believe him. Everyone I knew was hurrying to the colours and I wasn’t about to be last. We were going to whip the Yankees good, then go back home with our chests full of medals. Once I was in uniform it didn’t take long for me to wake up. Almost half the boys I joined up with got killed or wounded in our first battle at Manassas. Maybe the Yankees finally ran off as fast as they could for Washington D.C., but not before they put up a mighty good fight. We fought up and down Virginia for the next two years and got leaner, hungrier, tireder and sicker. The more we ran out of ammunition, food, or shoes, the more the Yankees kept coming. We learned everything about the horror of soldiering the hard way.

One day we were camped somewhere near Chancellorsville, after a tough battle where we whipped the Yankees good. Of course it wasn’t like when the war first started. Then we knew we were better men then the city folk and immigrants they were going to send against us. Before First Manassas, most of us talked about beating them proper, then going home. If anyone thought it would go on and on for years, they didn’t say it where I heard. Anyhow, we had been resting because it had been a long, hard fight and these Yankees weren’t like the rabbits who used to run when they were beaten. When these Yankees lost, they retreated resentfully and we knew they’d be back. Then the word raced through the camp. Stonewall was dead. Rumours, like disease, travel swiftly in an army, especially when it’s bad news. This hit me and the old hands particularly hard, because we were the 31st Virginia and we were Stonewall’s men from the beginning.

We rushed to colonel Barstow’s tent, but he didn’t know any more than we did. Messengers kept arriving, each one with different news. The only thing they all agreed on was that Stonewall had been shot. The colonel finally got tired of our pushing and shoving at the messengers and he sent us back to our bivouac area. But he promised to let our company commander, lieutenant Rambeau, know as soon as he learned anything. We thanked the colonel, who was one of only three officers left in the regiment who had been with us from the start. All the others had been killed or invalided out. Colonel Barstow had started as a young lieutenant, full of fire and noble speeches. Now he was as old and tired as the rest of us. We snickered about lieutenant Rambeau as we walked. He was a moma’s boy, a blonde-haired stringbean with a mushy face that always looked ready to cry. He had reported to the regiment a few days ago, but he disappeared somehow before the fighting started. The joke going around the camp was who would shoot him first, us or them. Soldiers deserted other regiments before a fight, but not in the 31st Virginia.

We waited for news, but didn’t relax much. A couple of the younger boys babbled about beating the Yankees again, but the old hands quickly shut them up. By now we knew we could beat them and beat them, but they would still keep coming. We were sick, tired, cold and hungry and we didn’t have much hope left. The gossip around the campfire was no longer about victory. A few diehards still kept trying to convince the rest of us that massa Robert and ole Stonewall would find a way to defeat the Yankees. Most of us didn’t buy it. Now Stonewall was dead. One of the kids asked what would happen if General Lee got killed, but an old hand kicked him a few times and the kid slunk off, leaving the rest of us to brood about things. I couldn’t help thinking how lucky that kid was to get off so lightly. We had just lost our father and that dumb kid was talking about losing our grandfather. We didn’t need any more bad luck.

Later that night we found out that Stonewall wasn’t dead, he was just badly wounded. He had been returning from the battlefield in the dark and a nervous sentry, thinking he was a Yankee goblin or something, shot him. After two years of hurry up, then wait, it wasn’t a hardship to wait for news. We lost so many men at Chancellorsville that I guess they forgot about our regiment for a while, so we loafed in our tents. Once we packed up all the dead men’s belongings, they finally remembered us. They even gave us some food, probably pilfered from the Yankees endless supply of everything. Then the word flew around camp faster than wildfire. A new recruit named Billy Rawlins had shot Stonewall. They didn’t rightly know what to do with him, so they sent him home.

After Stonewall died, the war went on and on and the Yankees kept us on the run. When it was finally over, those of us who survived went back to our homes. I was one of the lucky ones. Pa had kept the farm going somehow, despite the voracious armies trampling back and forth across poor, battered Virginia. I had only been home for a couple of months when I heard that the man who shot Stonewall Jackson, Billy Rawlins, had hanged himself. It seems his pa kept telling him that he killed the man who could have won the war for the Confederacy. I guess the damned fool kid must have believed him, because he went into the barn, threw a rope over a beam and ended his life… But that was a long time ago.

I hadn’t thought about Billy Rawlins for many years. Seeing that soldier in Dahlgren’s store reminded me about what had eaten so much of my soul away. It all came back to me from a distance, like hearing a voice on that new telephone invention: the useless waste of young men, the suffering that devastated so many lives, the ease with which we forgot the dead. All I could think of was that if I knew then what I knew now, I could have gone to see Billy. I could have told him that what he did was just one more crazy mistake in a succession of terrible events. That Stonewall couldn’t have won the war. Hell, it was lost way before that. Only fools believed that we could win after the first year or so. The Yankees had everything. We only had pride and courage. Once they wore out our pride, courage just wasn’t enough. But my understanding of things came much too late to help poor Billy. I couldn’t help that trooper who lost his soul in the jungle. And I sure couldn’t help any of the other innocents who don’t start wars, only rush to fight them.

Gary Beck has spent most of his adult life as a theatre director and worked as an art dealer when he couldn’t earn a living in the theatre. He has also been a tennis pro, a ditch digger and a salvage diver. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines and his published books include 21 poetry collections, 7 novels, 3 short story collections and 1 collection of essays. Published poetry books include:  Dawn in CitiesAssault on NatureSongs of a ClerkCivilized WaysDisplaysPerceptionsFault LinesTremorsPerturbationsRude AwakeningsThe Remission of Order and Contusions (Winter Goose Publishing, forthcoming is Desperate Seeker); Blossoms of DecayExpectationsBlunt Force and Transitions (Wordcatcher Publishing, forthcoming are Temporal Dreams and Mortal Coil); and Earth Links will be published by Cyberwit Publishing. His novels include a series Stand to Arms, Marines: Call to Valor and Crumbling Ramparts (Gnome on Pigs Productions, forthcoming is the third in the series, Raise High the Walls); Acts of Defiance and Flare Up (Wordcatcher Publishing), forthcoming is its sequel, Still Defiant); and Extreme Change will be published by Winter Goose Publishing. His short story collections include: Now I Accuse and other stories (Winter Goose Publishing), Dogs Don’t Send Flowers and other stories (Wordcatcher Publishing) and The Republic of Dreams and other essays (Gnome on Pig Productions). The Big Match and other one act plays will be published by Wordcatcher Publishing. Gary lives in New York City.

You can find more of Gary’s work here on Ink Pantry.