Pantry Prose: Escapade by Ghulam Mohammad Khan

Don’t assume I’m mad, for I am not. Some might say I’m brave, or I wouldn’t have ventured out on the coldest winter night, with lurking gunmen in the darkness, just to meet her. It was a time when the marvel of mobile phones had yet to grace our remote village. It was on the Yarbal Street where our paths crossed frequently that we decided to meet that fateful night. This street earned its name because it led to the most infamous Yarbal in the village.

The chorus of barking dogs echoed through the crisp night air, accompanying the soft descent of slushy snow from the roof eaves. Anticipation quickened my heartbeat as the clock neared midnight. I had dressed in fresh attire to ensure I didn’t carry any foul scent. I felt an overwhelming restlessness. Eventually, I stirred from my bed, quietly unlatched the window, and slipped out like a shadow. I felt no fear of the barking dogs or the gunmen. The sensation of cold snow melting on my hot cheeks was strangely invigorating.

Two streets away, a pack of dogs gave chase. I sprinted and sought refuge in a nearby hut where our neighbours stored firewood. As the dogs lost interest and departed, I cautiously emerged once more.

I had never before even touched a girl’s hand, and my desperation to meet her drove me forward. I knew I was willing to endure any torment, to go to any lengths necessary to make it happen.

In those days, being good-looking held greater sway in winning a girl’s favour than mere affluence. It was a time when young girls defied their parents and often eloped with their paramours, especially under the cover of night. Boys with long, silky hair and fair complexions were the ones who could sweep the prettiest girls off their feet. However, these unions, forged in the crucible of physical allure, frequently crumbled when the spectre of poverty cast its shadow over the initial splendour. Surprisingly, most of the girls were stunningly beautiful, while many of the boys appeared gauche and lacked wholesomeness. I found myself fitting squarely into the latter category. I was acutely aware of my dissimilarity from my neighbouring friend, who was deeply infatuated with the fairest maiden in the village, a subject of conversation for everyone.

Soaked in snow, yet ablaze with a yearning to hold her in the obscurity of night, I gently traced her window with the full palm of my hand, just as we had arranged on that very street. I couldn’t discern the exact sound produced by my hand against her window, but she had assured me she’d be attentive. I considered myself fortunate to have a girlfriend, even though I wasn’t fair or wealthy. I can’t quite grasp what ignited her love for me, or define it precisely. I can’t ascribe a name to the emotion as it escaped categorization, but in moments of desire, one’s complexion becomes inconsequential; it’s merely the physical connection that matters.

Once inside the room, I began to notice bodily sensations I had never experienced before. The human body is like a vast, uncharted universe, and within its depths resides an infinite expanse of sensual energy. It was as though this profound darkness contained within me was caught up in a swirling tempest, making me feel like I could burst forth at any moment.

In the pitch-black darkness, my surroundings remained shrouded in obscurity, yet I couldn’t escape the intoxicating sensation that enveloped me. In an instant, I found myself nestled in her embrace beneath the comforting weight of a thick quilt, its scent reminiscent of old currency notes. She pressed closer, her lips grazing my ear, her warm breath sending shivers down my spine as she cautioned in a hushed tone, “Speak softly. My aunt is sleeping in the corner to our right. Although she’s sound asleep and unlikely to wake anytime soon, we must still be cautious during this intimate moment.”

Her words slightly unsettled me, and suddenly, I felt the urge to pass gas. I couldn’t risk spoiling the ambiance with bad odour, so I forcefully suppressed it by contracting my muscles, causing a faint rumble in my stomach. She noticed and murmured softly, “Is everything alright? Your stomach seems to be growling.” “That’s not my stomach; it’s my desire growling, desperate to break free.” “Well, why wait? We can let it out right here. The passion is just so palpable, and it’s the perfect moment”, she whispered playfully.

As we made love, the presence of her sleeping aunt almost slipped my mind. Her aunt’s stature was imposing, impossible to ignore. When she walked down the street, her discomfort was evident. She’d clutch her hips with both hands, and her heaving chest caused her to breathe rapidly. She always treated me kindly, offering warm words whenever we greeted each other. However, I couldn’t overlook my aversion to her due to the large, hardened mole that covered her right temple, extending to the corner of her eye. I occasionally found myself daydreaming about removing it with a sharp blade, though the gruesome image of her entire face covered in blood left me shaken.

The night grew darker, enveloping us in its quiet embrace. Amid the rhythmic snoring of her aunt, we shared an intimate moment. Though her aunt’s snoring didn’t bother me, it brought to mind the prominent mole that I had always disliked. As exhaustion overtook me, I softly murmured in her ear, “Have you ever considered removing that conspicuous mole on her face? I find it quite unpleasant.”

“You know, my friend has a strong aversion to your short, curly hair and thinks your nose isn’t to her liking. But I have a different perspective. I appreciate you for who you are. We all have aspects that some may dislike and some may not”, she whispered this sentiment back to me.

As we exchanged hushed words, the aunt, who had ceased snoring, suddenly exclaimed, “Pinky, why are you still awake?” Taken completely by surprise, she replied with a quiver in her voice, “I just turned on the radio because I couldn’t fall asleep.”

The astute aunt hesitated to trust her instincts and cautiously rose from her bed. She shook the matchbox to ensure it contained matches before lighting the lantern. My heart raced as I envisioned myself being paraded down the village street, draped in a garland of slippers, with jubilant villagers jeering at me. I crouched beneath the quilt. “Turn off the light, please,” Pinky implored. Balancing the lantern in one hand and clutching the quilt with the other, she demanded, “Who are you? Show me your face!”

My blood boiled with anger. I yanked the quilt aside and locked eyes with her. The repulsive black mole sent waves of fury coursing through me. In a fit of rage, I seized one corner of the quilt and flung it over her head. Then I wrestled her down, wrapping her head tightly and delivering a barrage of punches. She wriggled and fought like a trapped bird. Pinky tried to pull me away, but I remained unyielding until she fell into complete silence, utterly motionless. The room now carried the acrid scent of kerosene that had spilled from the shattered lantern.

As I hurriedly tried to put on my sweater, her aunt abruptly sprang back to life, letting out a piercing scream. Fearing that her scream might awaken other members of the family, I dashed to the door, naked and in haste, somehow managing to find the latch. In my frantic state, I leaped from a high veranda, landing on a heap of bricks, severely injuring both my knees. In the darkness, I sprinted unclothed, with snowflakes lightly grazing my skin like cold drops of water on scorching sand. Desperately clutching my loose and torn boxer briefs with both of my hands, I wondered if you’ve ever heard of a foolish lover racing naked through the night, holding up his worn-out garment?

My wily and frugal father was ahead of his time. He had an unusual fascination with bandage rolls and that pungent liquid iodine. I considered myself fortunate to be the offspring of such an extraordinary individual. I carefully applied the antiseptic liquid to my bleeding knees and wrapped them in a thick bundle of bandages. Sleep was out of the question at this late hour, with over six inches of snow blanketing the landscape. I reluctantly changed back into my old clothes, having lost my fresh ones in the chaos.

Summoning my father from his slumber, I concocted an excuse about needing to attend early morning prayers at the mosque in order to borrow his torch. Stepping out into the darkness, I felt a renewed sense of purpose and determination. I couldn’t help but dread the possibility of being discovered in the morning, but I harbored no remorse for my earlier episode with her unsightly aunt.

Under the bright light of the torch, I retraced the path I had taken to escape, painstakingly erasing any traces of blood in the pristine snow. A stillness reigned the eerie surroundings, broken only by the delicate chime of snowflakes gently descending from the heavens. Then, I proceeded directly to the mosque, long before the prayers were scheduled to commence.

As I waited for the villagers to gather, an inexplicable distraction gnawed at my soul. I went through the motions of prayer, seeking atonement, but my heart was preoccupied by something else entirely.

I walked out of the mosque as the first glimmers of dawn began to break through the darkness. The streets were alive with a sense of urgency, as people hurriedly made their way, their steps brisk and determined. The news of her aunt’s demise had spread like wildfire, and the wailing grew louder with every step I took into the busy street.

Oddly, I still didn’t feel any remorse. In fact, a sense of relief washed over me, knowing that I would no longer have to endure the sight of the unsightly mole on her protruding face. However, beneath the relief, frustration simmered as I mentally braced myself for the inevitable, the long imprisonment that lay ahead. Curiously, I wasn’t overly concerned about what others might think of me, not even my robust and miserly father.

Unexpectedly, nothing of the sort occurred. The funeral unfolded in an oddly serene manner, almost surreal in its tranquility. I, too, took part in the proceedings. Strangely, no one even broached the subject of her sudden demise. During the burial, someone casually remarked, “She was a chronic asthma patient.”

In the following week, I left my home to pursue my studies, resolute in my decision never to return. I lived in perpetual fear of being apprehended one day. What astonished me even more was the fact that no one seemed to suspect foul play, despite my leaving behind my shoes and all my clothes, with nothing to my name except for a tattered boxer briefs.

A decade later, I unexpectedly crossed paths with Pinky on same familiar street. She now held one child close to her chest and another trailed behind, clutching an ice-cream cone. She appeared entirely different, as though she had undergone a complete transformation. I couldn’t help but wonder if she was slowly taking on the characteristics of her late aunt.

We exchanged pleasantries, as if we were ordinary acquaintances catching up. Our conversation drifted towards topics like marriage and children, subjects that held little importance for me. It was during this casual conversation that she revealed a shocking truth: she had saved my life on that fateful night.

“That scream didn’t awaken anyone. It was her final scream, and she passed away shortly after. I placed her lifeless body on the same bed, opened the windows to disperse the kerosene odor, collected your shoes and clothes, along with the shattered lantern, in a plastic bag, and disposed of it in the river at the break of dawn. She was simply found dead in the morning. Life has a way of leading you down unexpected paths,” she mused, her voice tinged with a mixture of regret and resignation.

*”Yarbal” signifies the customary gathering of women from a local community at the Ghats along the Jhelum River, or on the banks of streams and rivulets, where they would fetch water for their households. This gathering spot served as a hub for social interactions, information-sharing, gossip, and a place to relieve tensions.

Ghulam Mohammad Khan was born and raised in Sonawari (Bandipora), an outlying town located on the wide shores of the beautiful Wullar Lake. Ghulam Mohammad believes that literature is the most original and enduring repository of human memory. He loves the inherent intricacies of language and the endless possibilities of meaning. In his writing, he mainly focuses on mini-narratives, local practices and small-scale events that could otherwise be lost forever to the oblivion of untold histories. Ghulam Mohammad considers his hometown, faith and family to be most important to him. He writes for a few local magazines and newspapers. His short story collection titled The Cankered Rose is his first major forthcoming work.

Poetry Drawer: Inside Ashes: These Lines Are Bitter: Obscure Book: Unscripted by Aneek Chatterjee

Inside Ashes

After every finished poem,
ashes smile.
My numbed limbs find shelter
in fugitive lyrics, inside
ashes.
I want to jump out to the
world, where stages have been
set up to accommodate words;
where flowers and chairs have been
arranged to welcome lyrics.
I search new syllables inside
flowers; — in vain.
I find new sense of
burnt out lines
drowned in ashes.

They come up like
fresh twilight
in a summer evening.
I realize ashes have a
different warmth,
full of love and the
magical depth
of twilight.

Resuscitated, I feel like
rising from the ashes.

These Lines Are Bitter

Do not sail your tongue
over these lines.
These lines are bitter.
They contain black smoke from
every battlefield schemed by us.
They have deep wounds, visible
and invisible.
From every wound visible,
blood drips. Do not sail
your tongue in blood.
It’s thick
and bitter.
Here, flowers have
refused to bloom.
Agonies only carry
these lines, aptly.

Do not touch these
with your decorated eyes.
These are full of tear gas

and failed promises.

Obscure Book

You are a chair.
I’m all dust on the soil.
You’re a designation.
I’m the obscure book looking
from the corner of a
tinned rack.
You’re a crowd.
I’m the lonely bush
by the side of the road.
You’re a festival.

I’m still searching the
festive light.

Unscripted

Here you come, slowly
like long-awaited thoughts,
yet to bloom in a poem.

I’ve seen you already, —
like clouds see the river, —
from a secret 3rd floor window.

I’ve seen you long ago,
like the sudden childhood flower,
yet to acquire a name.

I’m also searching the name of
the river and the unscripted poem.
in my secret chamber

But I’m sure they will
forever
remain untitled.

Aneek Chatterjee is from Kolkata, India. He has published more than five hundred poems in reputed literary magazines and poetry anthologies. He authored and edited 16 books including five poetry collections. A Pushcart Prize nominee, Dr. Chatterjee received the Alfredo Pasilono Memorial International Literary Award. He was a Fulbright Visiting Professor at the University of Virginia, USA, and a recipient of the ICCR Chair (Govt. of India) to teach abroad. 

Poetry Drawer: Nobody is Reading Poetry: This Siege: Earthquake Tremors by Dr Susie Gharib

Nobody is Reading Poetry

Nobody is reading poetry,
I reiterate in my bed,
my head repelling the pillow
with multiple authorships at stake.
This is the age of ridicule
and trendy trivialities
readily uploaded on the internet.
I sigh and with difficulty
close my reluctant eyelids.

Nobody is reading poetry
which is being bled
at the altar of social medias
that are preoccupied with current affairs,
such as posers,
disasters,
and pointed fingernails.
I think of ailing Muses
desperately awaiting remedies
that resuscitate
in vain.

This Siege

‘This siege,’ I state.
He attempts to interrupt with a piercing gaze.
‘This siege’, I repeat.
He beckons with his forefinger to me to discontinue.
‘This siege has not weakened me,’ looking him in the face.
‘Can’t you see that pressure has not made me yield.
What have you gained from the deaths of my peers,
the crucifixion of my dreams,
and the maiming of my career?’

His features twist with a menace
that he fails to conceal.

‘Intimidation and blackmail are not the way,
to win people over to the implementation of your ideals.
What’s so successful about your enterprise,
a fraternity of slaves,
whose loyalty is enjoined
by subtle threats and fear?
What a waste!’

Earthquake Tremors

They aim at that part of the brain
that maintains balance and equilibrium
and make the strings of hearts vibrate
to its contagious electricity.

I sway tremulous like a half-cut tree
on the onset of an eternal delirium.

These headaches I have that harass my day,
the weakened joints,
the lethargic ankles,
the feeble feet that now feel faint
the bewildered eyes,
the reluctant tongue
are my own unacknowledged diagnoses
of the Tremor-Shock Syndrome, TSS.

Dr Susie Gharib is a graduate of the University of Strathclyde with a PhD on the work of D.H. Lawrence. Her poetry and fiction have appeared in Adelaide Literary Magazine, Green Hills Literary Lantern, A New Ulster, Crossways, The Curlew, The Pennsylvania Literary Journal, Ink Pantry, Mad Swirl, Miller’s Pond Poetry Magazine, and Down in the Dirt.

Susie’s first book (adapted for film), Classic Adaptations, includes Charlotte Bronte’s Villette, Virginia Woolf’s The Waves, and D.H. Lawrence’s Lady Chatterley’s Lover.

You can find more of Susie’s work here on Ink Pantry.

Poetry Drawer: Waiting for the Bluebird of Happiness: Yoga Mat: Comforting the Enemy by Salvatore Difalco

Waiting for the Bluebird of Happiness

I could have been better. I know that.
But I was asking questions that could
not be answered. My spells turned out
to be voluntary and self-sustaining.
The vast fields I traversed
were greener than my waistcoat
traded from an armless man
who needed fresh shoes.

We all live in our own little dream.
If I gaze at my hands I feel
waves of blue-grey guilt,
and a wish to run at the field ram
harassing the billowy sheep
in order to relieve myself of this feeling.
The ram always wins, so no guilt
would stem from that collision.

Yoga Mat

Give me shelter or simply take away my boots
so I may better freeze to death on this yoga mat
and leave all my worldly belongings to another
broken person, or a cat who needs somewhere
to rest it’s little head. I’m easy to please, man,
just give me a chance to show you I’m as human
as anyone else on the planet, albeit I’m nowhere
as good as most people. My mother dropped me
on my head when I was a toddler, after my father
dropped her on her head. What goes around,
they say, those people who always have something
to add that makes no difference to anything.
Hey, don’t get down watching me lie upon
a stinking yoga mat I found in a trashcan.
I wore it like Rambo for a while, but it lacked
gravitas and made it hard to defend myself
against gremlins and demons and warlocks.
They all come for me at night, that’s the thing.
They won’t leave me alone. In the pitch black
darkness they can handle me with many hands.
Otherwise the tiger in the tank reverses course
and without delay roars out from the gas cap.
That’s the story from the jungle, friends.
Take us home now, Jerome, we have horses
to feed and cows to milk and a small black cat
waiting for a cozy yoga mat to call it a day.

Comforting the Enemy

Show me the way to the bedroom,
I’m so tired I could sleep for a year.

Don’t be afraid of the bandages.
Tomorrow, medics will change them.

But show me the way to the bedroom,
don’t be afraid, I will not harm you.

Don’t be alarmed, we are just people.
Yes, I am less than I was, nevertheless …

I only want to sleep the sleep
of the nearly doomed, of the blessed.

Fluff up the pillow for me, please,
my hands were lost in the war.

Some say the war isn’t over,
I say it’s over for me. Do you agree?

Pull the blankets to my throat, dear,
same reason as before.

Sicilian Canadian poet and short story writer Salvatore Difalco lives in Toronto, Canada. Recent work appears in RHINO PoetryThird Wednesday, and E-ratio.

Poetry Drawer: Bad Date Blues Haiku by Laura Stamps

So me and Hazel.
Here we are. Sitting on a
bench at the new mall.

Saturday morning.
First the dog park. Then the mall
for compensation.

The sweet kind. Ice cream.
Chocolate Cookie Dough for me.
Pup cup for Hazel.

Ice cream. The best cure
for bad dates. Can’t believe his
dog bit Hazel. Geez.

Dating. Not my thing.
Should have listened to myself.
Why didn’t I? Why?

Well, I’m listening
now. No more dates. No more men.
None. I’m done. Promise!

Ice cream and Hazel.
She’s the best date. No stress. Yeah.
Dogs are much more fun.

Laura Stamps is a poet and novelist and the author of over 65 books. Most recently: THE GOOD DOG (Prolific Pulse Press, 2023), ADDICTED TO DOG MAGAZINES (Impspired, 2023), and MY FRIEND TELLS ME SHE WANTS A DOG (Kittyfeather Press, 2023). She is the recipient of a Pulitzer Prize nomination and 7 Pushcart Prize nominations.

You can find more of Laura’s work here on Ink Pantry.

Poetry Drawer: The River Knows: Observations: Memories of Floridian Nights by Wayne Russell  

The River Knows

The spirit of dark and
lonely waters calling me.

Into her flow, I follow
hollowed with the years.

Clutching at tree branches,
dropping across her visage.

But alas, it is too late, tonight
I have lost my grip on reality.

Tonight, the river shall devour
me, as slowly I slip into her
icy clutches.

Tonight, I am hers for all eternity,
breathing in her liquid allure-

as slowly, I slip into unconscious
slumber, fading out into the dawning
of a new day, that bleeds into being.

Observations

The dogwoods naked and unperturbed,
basking in the silence of slumber;
a skyline born again, rising from the throes
of slate grey.

Grassy knolls and footpaths coexisting,
until the loud rebirth of Spring time, breaks
their drab attire.

In the distance, the lazy haze grey factory is
looming; like ominous death birds hovering;
fading red brick at its base; smoke stacks

reaching, indifferent into the dreamscape
sky, hovering always, like an unpredictable

friend.

Memories of Floridian Nights

Spanish moss, strewn throughout
whispering branches of live oak and
pine.

The concerto is in full swing, down at
the boggy marshes, tonight.

Glow bugs are dying stars, counting
down the apocalypse; in frantic strobe
lit code.

Frogs croak with supreme confidence,
convinced that they are indeed one of
the famed Three Tenors; reincarnated.

Crickets rubbing their sleek wings in
chirping cadence, the shrillness could
awaken the dead.

An acorn drops out, from the nestled
safety of a towering oak tree; it splats
into the swamp below-

parting the dark green algae and lily pad
tainted waters in the night.

Parting my thoughts, scattered on the
warm Florida breeze, like memories
evaporating within the mist of time.

Wayne Russell is the author of the poetry book 2020’s “Where Angels Fear” via Guerilla Genius Press, available for purchase on Amazon; his second book “Splinter of the Moon” published by Silver Bow Publishing; has just been released and also can be found at Amazon in both Kindle and paperback edition.

Books From The Pantry: Flashes of Insight by Michael Forester reviewed by Kev Milsom

‘We adapt. We improvise. We adjust to the circumstances in which we find ourselves’.

It’s always a complete pleasure to review Michael’s literary releases and his latest publication, ‘Flashes of Insight’ simply adds to the joy for us humble book reviewers, alongside masses of the general public who have delighted in his work for years, and those new readers yet to find the delights of his books. Here, Michael has compiled fifty-two short pieces of writing, aimed to be ‘a gateway to awareness, to mindfulness, to the deeper places inside you’. Each piece carries specific messages and inspiration for the reader; a veritable ‘toolbox’ of support, encouragement and inspiration for everyone to draw from, as we go about our daily lives. 

An early example arrives in Chapter Two, entitled ‘Catching the Butterfly’, where Michael talks about the preparatory process for his writing, immediately after the ritual of consuming buttered wholemeal toast.

‘I could be in church at this moment, or temple, in a synagogue, or a Zendo. All places of ritual, all in some sense sacred spaces, set aside from the humdrum and rush. We release our preoccupation with the superficially important to concentrate upon the moment and what dwells in the moment, outside of time, encompassing timing, outside of activity, wrapping its now-ness around the silence’.

Michael strongly pushes the focus for readers to concentrate on their own energies, in order to promote personal wellbeing. A beautiful example concerning the focus upon our inner happiness is given in Chapter Five – ‘Court Holy Water In A Dry House’

‘It takes so little to create happiness. Yet we spend our lives pursuing it as if it were some quarry that we have to run to ground. We employ dog packs of activity to pursue it, hoping to corner it in some remote, inaccessible location, only to find that it has moved on just moments before our arrival. So we pursue it with the next trinket, the next project, the next holiday, angst-laden in our fear that it will always remain one step ahead and will always evade our pursuit’.

It’s impossible to read through this book without hearing Michael’s personal voice shining through every line; a voice embedded with knowledge, wisdom and empathy. Here lies a voice which has observed the world with wonder and learned much from his life’s unique pathway. Here is a voice which aims to share what he knows, what he has learned and what he hopes for the future. It’s simply a divine book and one to dip into on regular, frequent occasions. If a single paragraph, or chapter, sets the tone to create a positive Tuesday, or an optimistic Friday, then Michael’s efforts are truly rewarded. 

If humanity is to truly progress then this book should be given to schoolchildren at an early age. Hey children! Go out there. Learn. Grow. Be aware. Be kind. 

It’s a divine piece of writing and Michael should be extremely proud of himself for expressing it for the world to read, understand and learn from it.

‘Perhaps we undertake both roles at different times in our lives – the crushed and the crusher – in an endless cycle of destructiveness that ensures the psychological scarring of each new generation, carrying the sins of the fathers onto the children until the 3rd or 4th generation. Until, that is, we see it and make the active decision to break the cycle. Until we choose to build up someone we perceive to be weaker, rather than break them down. Until we choose to encourage rather than discourage. Until we choose to heal rather than hurt, to bind up the wounds of the broken to permit that healing, rather than grinding dirt into their open sores’. 

You can find more of Michael Forester’s work, reviewed and interviewed by Kev Milsom, here on Ink Pantry.

Poetry Drawer: Trieste I & II: Stopping for Lunch in Vipiteno by Neil Leadbeater

Trieste I

In the crook of Italy,
the coffee capital of Illy and Hausbrandt,
that dark rich brew of a city
huddled in a demitasse cup –
home of Italian ceramics,
Istrian truffles and old world grandeur,
Architecture comes with a mixed message:
Mitteleuropa with mansard windows
meets full-on Italian Liberty style
where a gale force katabatic wind
cups its resonance round open squares
fresh off the mountains of Europe.

Trieste II

Those glory days of Belle époch posters, tariff lists and liners
reminders of an eclectic era from the shipyards of old
is where East meets West and everyone shouts ‘Trst je naš!’
Trieste is ours: a landscape in limbo –
the last ring on the rail
that held up the Iron Curtain –
a deep-water port of Latin, Slavic and German cultures
and everywhere the sea, the blue-dazed beauty of it,
dazzling stars.

The big question now:
Do you lean towards Ljubljana or run back to Rome?
Which is it to be?

Swing by for a week
and you might just stay forever.

Stopping for Lunch in Vipiteno

Twinned with Kitzbühel, the city boasts two names:
Sterzing / Vipiteno –
a place more Austrian than Italian
snuggled by mountains
in the province of Bolzano,
South Tyrol.

Coming out of Café Mondschein
where the menu is still in German,
we walk beneath the Tower of Twelve
known for its midday chimes.

A firebreak between two worlds
with views into the hills.

Neil Leadbeater was born and brought up in Wolverhampton, England. He was educated at Repton and is an English graduate from the University of London. He now resides in Edinburgh, Scotland. His short stories, articles and poems have been published widely in anthologies and journals both at home and abroad. His publications include Librettos for the Black Madonna (White Adder Press, 2011); The Loveliest Vein of Our Lives (Poetry Space, 2014), Finding the River Horse (Littoral Press, 2017), Punching Cork Stoppers (Original Plus, 2018) River Hoard (Cyberwit.net, Allahabad, India, 2019), Reading Between the Lines (Littoral Press, 2020) and Journeys in Europe (co-authored with Monica Manolachi) (Editura Bifrost , Bucharest, Romania, 2022). His work has been translated into several languages. He is a member of the Federation of Writers Scotland and he is a regular reviewer for several journals including Quill & Parchment (USA), The Halo-Halo Review (USA), Write Out Loud (UK) and The Poet (UK). His many and varied interests embrace most aspects of the arts and, on winter evenings, he enjoys the challenge of getting to grips with ancient, medieval and modern languages.

You can find more of Neil’s work here on Ink Pantry.

Poetry Drawer: Golden Smock: Kind Souls: Low Country: Plucked Pebble by Dana Zullo

Golden Smock

Vibrant colours and geometric prints
burst from the curated
and manicured environment.
Fanciful flower stems
and lucky turtles
lovingly adorn a plain corner.
Intricate patterns
made with mathematical formulas.
A randomly placed,
colourful floor tile,
next to a gumball machine
catches her eye,
and her mouth curls up on one side with a smirk,
remembering times long ago.

Portraits, collages, stories,
and whole histories
are sewn into the quilts,
with nimble fingers,
yet they aren’t used on a bed or couch
to curl under for warmth and security,
they are presented
on the wall as fine art,
a fabric mosaic masterpiece.

Tiny chairs in primary colours
and toddler tables
are tucked in a children’s corner with blocks,
Legos, a toy truck, and baby dolls
so carefully packed,
yet quiet and still,
oddly waiting
for a playful child to return?
Mother’s apron is carefully sewn
from burnt orange and gold cloth
with a beautiful rosette decoration.
The smock has pockets,
like a pouch in the front,
and ties with ribbons at the sides.
Her lovely work shirt,
soft and light to the touch
with bright colours for the child’s eyes to admire.
She wants to be present for them,
sturdy, kind, creative and accepting,
so when she can’t be there,
they will remember
the calm and warmth of the golden smock,
like a shining sunset.
It is her armour,
her uniform that gives her courage and confidence
to be better and wiser for them,
for herself.
She touches her fingertips to her chest
where a miniature sun resides within,
and she knows she is changing.
She calls upon that sun
to guide and nourish her motivations.
When it sets,
the moon’s silver glow
shows the way until morning.

Kind Souls

Socks and shoes
are soggy wet.
Thunder rumbles
and lightning flashes.
It sounds like a tall oak snapped in half. 
Today I am uneasy,
not knowing which way to go
on almost every decision,
so I try different directions
to see what works.
The first one didn’t seem right
so I start over and try again
in a safer place.
I found a kind face,
who took pity on me,
and a nice helper
who sewed thread onto my torn apron string
with stiff, swift fingers. 
I feel my body is weak.
I need wholesome food for nourishment
and to settle the knot in my stomach.
I had a bad night.
Up intermittently,
but never knew the time.
I had sweats then a jolt of chill.
I slept in late
and wrong footed the day.

A river of water
flows down the street.
I am only half prepared.
I have a large umbrella,
found in the trunk from father,
but I am dressed for a sunny summer day
in a jumper and white sneakers!
Can’t step in a puddle or they will be ruined,
so I turn back for cover
like an alley cat crouched in the doorway
with big eyes looking out onto the world,
hoping for kind souls to cross my path,
not nasty boars with sharp tusks.
The storm tricked me.
Just when I thought it would let up,
it struck again
and rain came pouring down
on the town, on the town, on the town.

The sun tried to come out again
and clear up the mess. 
Plans dashed
and confusion came over me again.
My mind went to a sick child at home
and my parents worry for me being alone.
They tell me to leave early
and come home.
They do not understand this place.
My husband says to stay,
do my work,
take the journey,
but the tone in his voice sounds impatient
that I am hesitating
and checking in.
Communication is strained.
Which way should I go?
I am happy to be here on this quest
with these characters
in the play.
They are trying to figure out the puzzle too.

It is calm now
and a little boy bends down into a puddle
and splashes water with his hand,
so does father.
Rose pink glasses catch the setting sunlight
at the dinner table
and it provides hope
tomorrow will be a better day.

Low Country

Driving carefully
through the storm.
Lines of swollen clouds
like black and grey ribbons.
Take me home angels.
Don’t let me go off course.
Follow the map
as it guides me through
the countryside.
Dark trees
with green buds.
I saw a mare standing over her foal
as protection in the rain.
The thunder scares me
but I have to drive straight through it
to get to the other side.
A fire smouldered in the rain
and filled my nostrils with smoke
from an old brick chimney,
years ago in a northern village.
Large black crows swoop
from the pine tree tops.
I am embarrassed that I left early,
but I know myself.
I know what I came to do.
I accomplished it
and I am ready to go home,
even though I could sense in his voice
he was disappointed in me,
not achieving the miracle.
Broken rooftops
and cottages sag by the roadside.
There are some white picket fences
that are kept with care.
Lone scary cypress
and Tuscan orange grass
sprout up like an Italian countryside,
yet the pines and thunder clouds
remind me
I’m in the low country.
Ditches are swelled with water
in this ghost town.
Rusted tin awnings and decaying black iron balconies
are on my view
as I creep around the storm
toward home, home, home.
Safety of city lights,
places I know
and the tender faces
I love, love, love.
 
Plucked Pebble
 
Round like a gumdrop or lozenge
Old and wrinkled
and yellowed with time,
like cracked and chipping wallpaper.
If it had a smell
it would be one of lingering cigarette smoke,
or dust.
I’m not sure why
I picked this pebble.
It was in a sunny spot
on the ground.
It is golden in colour,
like a warm beach.
Smooth like a bathtub
but hard, like a bone.
My two-year old daughter presses her fingers
to my collarbone
or to my wrist
and says, “Bones in there.”
It’s a tiny thing,
just a nothing
from the dirt.
Yet, I picked it
and study it
like it is special.
Doesn’t it feel nice to be picked,
as special?
To be regarded with care?
To spend time
with this nothing pebble?
Then, I vow to spend this quality time
with the people I love,
with myself.
Take time to understand the ugly and beautiful.
That is where connection is knitted.
I haven’t said a word,
yet I understand this pebble.
It will sink to the bottom of the creek
if I toss it there.
Probably, no one on Earth
will hold it or look at it so closely ever again.
Then, make the most out of this immediate time.
This moment matters.
All moments matter.
If this pebble has meaning,
then zoom out
and everything in my eyesight
has meaning and significance.
Everything and everyone
special to me,
is worthy of notice.

Dana Zullo is an educator and mother in Georgia. Her poems have been published in Paprika Southern and Literary Yard. Her artist biographies are seen in printmaking guides at Crown Point Press. She received artist residencies at South Porch Artists in SC and Dairy Hollow, AR. She also creates floral art with the Ichiyo School of Ikebana and previously taught art in the Peace Corps in Ghana. Inspired by personal development, motherhood, and the natural world, her writing and designs are found on Instagram.