Pantry Prose: The Jungle by Balu Swami

The year was 1520. It was a frenzied time. A decade earlier, Rafael Álvares Avila had set foot on a distant land at the edge of a dense forest and befriended members of a hunter-gatherer tribe whose existence was hitherto unknown in his part of the world. When word got around about the exploits of Avila and his band of intrepid men, every Grandee, no matter the pedigree, declared himself an explorer. Rumors of bountiful riches hidden in the dense forest and of bare-chested tribal women prompted all stripes of rascally men – marauders, privateers, freebooters – to line up for commission on expeditions announced by noble and not so noble men.

Brother Juan, already struggling with his spiritual formation, was having bouts of anxiety about what the future held for him. He wanted so much to be a part of Father Miguel’s mission to spread God’s word among the tribal folks in the newfound jungle. It had been several months since Father Miguel had sent his entreaties to the Pope seeking his blessings. The Pope, however, had not yet ordained the project. Brother Juan had learned from traders and venders that Prince Manuel da Lopez’s expedition was all but ready to leave. He liked the prince. Prince Manuel was honorable and respectable. Brother Juan wanted the church mission to be a part of Prince Manuel’s expedition. He wanted no part of expeditions in search of El Dorado, of which there were many. Parishioners had come to him with stories about a gilded king whose subjects tossed ornaments made of gold, silver, and emerald into a mythical river in the jungle to propitiate the gods. He had cautioned them against falling for concocted stories and legends. He had also heard horror stories about atrocities committed by Iberian mercenaries and sailors in the jungle. Priests who had been part of earlier expeditions had recorded instances of massacre, torture, rape, and slavery – sexual and otherwise. The conquering colonials had looted local treasures and made the enslaved indigenous people carry the loot to the waiting ships.

The friars eventually received the long-awaited benediction. Shortly thereafter, Prince Manuel’s fleet set sail amid much fanfare and solemn ceremonies.

The first night at sea, Brother Juan dreamed the decapitated head dream. This had been a recurring dream ever since he was eight. In the very first dream, his decapitated head was singing, laughing, and playing with his embodied friends. When he told his parents about the frightening dream, they took him to the parish priest who told him that bad dreams were the devil’s doing and that he should put his trust in the power of prayer. No matter how hard he prayed, the dream kept recurring. Sometimes the head was sad, sometimes happy, sometimes angry. That night on the ship, the head was bobbing in the middle of an ocean. Initially the head resembled his, but it slowly transformed into a ball of strings and the strings slowly turned into snakes. He shared his dream with Father Miguel who laughed and said maybe he was possessed by the spirit of Medusa. He then proceeded to tell him the story of Medusa.

Medusa was one of three daughters born to sea deities Keto and Phorcys. Since Phorcys happened to be Keto’s brother as well, he was Medusa’s father and uncle. Medusa had live serpents in place of locks of hair. It was not always like that. She once had rousing golden hair. The serpents were the result of a curse by Athena, the goddess of wisdom and warfare. Medusa had made the mistake of copulating with Poseidon, the protector of seafarers, in a temple dedicated to Athena. As a punishment, Athena turned Medusa’s golden locks into live serpents.

Unbeknownst to Medusa, a plot was hatched in a faraway land to murder her. Acrisius, the king of Argos, believing an oracle’s prophecy that he would be killed by his grandson, deposited his daughter, Danae, and her pre-teen son, Perseus, in a wooden chest and cast it out to the sea. Mother and child washed ashore on the island of Seriphos whose ruler Polydectus took a fancy to Danae. Perseus disliked Polydectus, so he plotted to kill him. He had heard of a Gorgon named Medusa whose gaze turned people to stone. Aware of Athena’s curse, he sought her help in finding and killing Medusa. With Athena’s assistance, he went in search of Medusa, found her, and beheaded her avoiding her gaze. He brought the decapitated head, which retained its ability to turn onlookers to stone, to Polydectus and declared, “Here is your gift, my Lord!” Polydectus looked at the gift and was turned into stone.

The references to sea, sea gods, and seafaring in the story were not lost on Brother Juan. He was shaken by parallels between his dream and the fable. Snakes in place of hair? He reflexively touched his head just to make sure. He asked Father Miguel if there was a moral to the story. Father Miguel told him that the myths were created by pagans a long time ago when polytheism was predominant. Enlightened humans like him and Brother Juan knew that there was but one God and by trusting Him, all humans would attain salvation. That explanation – more of a pronouncement – did nothing to settle Brother Juan’s feeling of unease.

After over a month at sea, the fleet commander announced that they would be making landfall in a couple of days. That night, a severe storm hit the ocean. Giant waves tossed the ships this way and that. Two of the ships sank taking the sailors down with them. The other ships managed to stay afloat despite hours of non-stop rain, turbulent waves, and whipping winds. However, the commander was unable to establish the coordinates and the sailors had no control over the direction of the ships’ drift. When the storm finally died, they found themselves in unchartered waters. The usually composed prince was tense and agitated. There was very little food left since food rations were in one of the ships that sank. After a few more days of delirious drifting, one of the sailors spotted seaweed. The commander knew land had to be nearby. The ships followed the floating seaweed and soon there were other promising signs: birds circling overhead, musty odor of mangrove swamps, and distant roar of surf. Finally, they saw land – more precisely, thick vegetation.

The prince picked a landing site and rode a canoe towards it along with five sailors. There was no sign of human or animal life where they landed. They marched inland, rifle at the ready. Once they reached the edge of the jungle, there was nowhere to go. The vegetation was so thick and the canopy so dense, it was hard to see where one was going. They drew their swords and cut an arduous path looking for anything that looked edible. They found some berries at the base of a tree. After taste-testing, they went looking for similar trees. As they got deeper into the jungle, they heard movements in the treetops. They could vaguely see the outlines of a creature that leapt from one branch to the next. They assumed they were monkeys which did not interest them. They were in search of more edible animals – a squirrel, a rabbit or even a snake. They came upon another berry tree and were inspecting the fruit when figures emerged from the shadows. They were surrounded by short men armed with spears. More men dropped from the trees and soon there were scores of them. The men talked among themselves and inspected the visitors. One of them touched a sailor and withdrew his hand quickly. Another leapt up to touch the face of a tall sailor. As the native men got bolder, the sailors were beginning to lose their nerve. When a native pinched the flesh of a sailor, the sailor shouted “cannibals!” and shot the offender. Within minutes, the prince and the other sailors had been speared to death.

The waiting sailors heard the shot and feared the worst. As the sailors stood on the deck watching the shore, one of the sailors dropped dead felled by a poisoned dart. The sailors moved the cannons on the ships in position to aim at the landing site. When the natives gathered on the beach to look at the ships, a cannon ball took out half of them. The natives made a hasty retreat. When there was no movement or activity for a long time, Brother Juan offered to go ashore and make a peace offering. He rode alone in a canoe. As soon as he reached the shore, he was set upon, dragged away from the beach and beheaded. The natives stuck Brother Juan’s head on a gold-painted pole and placed it on the beachfront as a warning to intruders. When Brother Juan did not return, Father Miguel went ashore looking for him. Blinded by the shiny pole on the beach, he rode the canoe in the general direction of the beach. As he was pulling the canoe out of the water, he saw Brother Juan’s decapitated head. The moment his eyes caught Brother Juan’s eyes; he was turned into stone. From that day on, Brother Juan’s head sitting on a golden pole kept all intruders and invaders away from that part of the world.

Balu Swami lives in the US. His works have appeared in Ink Pantry, Adelaide Literary Magazine, Flash Fiction North, Short Kid Stories, Twist and Twain, and Literary Veganism.

You can find more of Balu’s work here on Ink Pantry

Poetry Drawer: Fear of a Black Psychic: Line/Break by Chris Courtney Martin

Fear of a Black Psychic

When you know too much,
You grow too much…

You’re sure too much.
You’re poor too much.

You feel too much.
You’re real too much.
Start thinking that you–
Can heal too much.

You hear too much.
They feared as much.

Line/Break

I break lines
With thunder-crack
Keystrokes
To outshout
The voice
Of your lover.

Chris Courtney Martin (They/Them/Theirs) is a multidisciplinary artist and psychic medium originally from Philadelphia. Their post-kundalini creative quest has yielded a prolific burst of poetry publications via Alien Buddha Press, Lothlorien Poetry Journal, Erato Magazine and more. Their debut poetry/prose chapbook THE BOOK OF I.P. (Idle Poems) is available on Amazon in paperback. The follow-up full-length collection SLAM POEMS FOR MY BATHROOM MIRROR…And Other Selected Works… is due to launch in the Fall of 2023. Martin also releases music under the name KWEAN OONTZ and continues to build a career as a screenwriter and budding producer.  Twitter Instagram Threads

Pantry Prose: The Room Was Bright and Laughing by Sean Cahill-Lemme

He put his hand over mine and it looked so old. “No one will even want them,” I said,

“They’re dated”. He said that wasn’t the point and walked over to the white dresser by your bed.

“Let’s start with her shirts,” he said, and I told him your shirts were in the tall dresser by the window. He put a shaky hand on your bed for support, and I could hear his knees creak as he stood. The last time we were in your room together he could have carried your dresser over his shoulder.

“The top drawer?” he asked.

“No,” I said, “the third down.”

He opened the drawer and pulled out a neat pile of tiny shirts that were so colourful. When he took the shirts out of your drawer, the room changed. It wasn’t how it was the last time you were in it, and so it wasn’t really yours anymore. I started crying, and he came over to me with your shirts and sat down. He said, “We knew this wasn’t going to be easy, Elle, but you’re doing a great job.”

The shirt at the top of the pile was yellow with a little smiling duck on the front. I thought, if only this duck knew—everything in your room seemed so unexpectant of tragedy.

I could see your dad looking at me out of the corner of my eye. He had that same look when he found me with the pills in your closet. He put his hand on my shoulder and said, “Elle, she’s not here.” He took your shirt from me and went to put it in a black garbage bag.

“No, Christ, no,” I said, “I brought boxes, they’re downstairs.” I went to stand up, but he offered to get them. He left the room and I listened for his footsteps to reach the bottom of the stairs. I stood up and walked to the door and locked it.

On your bedside table there was a framed picture of us. I picked it up and saw from the dust that it had been moved. I heard him coming back upstairs, and then I heard him gently trying at the door handle. “Elle,” he said from behind the door, “come on, let me in.”

“So,” I said, “you have been in here.” He didn’t say anything at first, and I waited for him to deny it, but then he said,

“Once, when I was drunk, but I didn’t take anything.” Then he said, “Elle, you told me I could keep the house if I promised to keep the room just as it was, and I did, I have.”

I knew he was telling the truth because the rest of the house had gone to shambles. There were cracks up the walls, the wood floors were black and warped, a musty smell was coming up through the vents; the whole house was falling apart except for your room. This room was the same, even structurally, like the house was helping to keep his promise too.

I picked up the picture and looked at us. “Hi, sweetheart,” I said to you, “beautiful, beautiful little sweetheart. I never stopped thinking about you for one second,” I said. “I just couldn’t come back here, you know? But I never forgot, no ma’am, and when your dad said that I had moved on, baby, that wasn’t true. I didn’t move on, I just kinda’ kept on surviving. I met another man, I did, and it wasn’t your daddy, I know, but your daddy wasn’t the same after, baby. And this new man, he was as nice a man, as nice as they come. And he gave me your sisters, and all growing up they asked about their big sister, and all growing up I told them about you. Well, they’re a lot older than you are now, and have babies of their own, but you’re always their big sister watching over them, protecting them, I know”.

I put the picture back down. I heard him from behind the door again.

“Elle,” he said.

“Just one more minute,” I said.

The sun was coming through the window, which was strange, you know, because whenever I pictured your room, it was shrouded in gloom. But that’s not how it was, not with that eastern-facing window. The room was bright and laughing, and I remembered how I chose the colours for just that reason.

I opened your door to let him back in. His eyes were red and he kind of shrank away from me. “I’m sorry,” I said.

“Don’t worry about it,” he said. He had the boxes folded flat under his arm and said, “It took me a while to find these, flat boxes.” He smiled a little, that crooked smile that you both have. He put the boxes down in the centre of the room and started putting them together. “All to Goodwill?” He asked.

“No,” I said, “but I’m going to mark each of them.” I was staring at the door frame where we had marked your height. I followed the notches inch by inch, and when they stopped at three and a half feet, my eyes kept climbing.

“Okay,” he said, “they’re ready”. He pulled one of the boxes next to the pile of shirts and sat back down. I joined him on the floor, and he said, “So, how far away is Tessa and…” He tried to remember my son in-law’s name. I told him that I didn’t want to talk about anything else outside of your room. He nodded and reached for your shirts, but I stopped him. “Elle,” he said. And I said,

“Can you put them back just how they were? Just for a second, then I promise we will pack everything up.” He nodded and got up and then I said, “Sit down with me after.”

He put your shirts back where they were and stepped away from the dresser. He grunted a little as he squatted down next to me. I took his hand in mine and held it. And the two of us sat there, for a while, in your unchanged room.

Sean Cahill-Lemme was born in Park Ridge, Illinois—yes, he does consider that to be Chicagoland—to a family of raconteurs, the Northside descendants of Erin. He has no problem admitting he’s not the best storyteller in his family (you wouldn’t either if you ever shared a pint with his gramps), but he does believe storytelling can be more than just entertainment after the real work is done.

He has always been hesitant to share his stories, but encouragement from an incredible culture of Chicago writers has convinced him otherwise.

When it comes to writing, Sean puts truth above all else—if readers walk away feeling something real, he will have done his job. Beyond that, he hopes that readers enjoy his stories as much as he has enjoyed writing them.

Pantry Prose: Life of Joy or Fear? by Kerry Barlow

It was time to go back, time to walk again the path that I had walked so many times in my memory across the years, time to try and put the past to sleep.

I remembered that summer so well. It had been long, and sweltering, with days that seemed to go on and on. The day it happened we had all wanted to cool off down by the river. We had congregated at a wide curving stretch where the apparently slow-flow of water suddenly went at breakneck speed as it cascaded over the fifty-foot-tall waterfall.

Nestled down in a red sandstone valley, the river, and its surroundings, could have been so beautiful, if it hadn’t been for the landfill site that ran within a hundred feet alongside the bank where the waterfall smashed into the rubbish-strewn river bed and tumbled away over broken bikes and shopping trolleys. It was the warm mellow sandstone that was, in a way, to blame for what happened. We loved the fact that we could carve our names so easily in the exposed red-rock faces that rose up high above the slow-flowing river before the waterfall, but it was also that softness that let the river carve its character into the rock, a character that was cruel and vicious. The warm glow that filled the valley when the sun shone down upon the red-rocks belied the malevolence of the wicked relationship between water and stone. If they had never met, at that point on earth, or spent so many centuries enmeshed with each other, it would never have happened.

We knew the area so well as it was our playground, a playground that we had to reach by clambering over a tall chain-link fence. We then had to scramble through bramble and bindweed entangled undergrowth, crossing the freight live-line and the old passenger dead-line of the railway. Most had no fear of crossing the live-line, but I did. I was always the coward. I used to imagine the train hurtling towards us and taking us along with it as it passed, just as my parents said it would, but I never did see a train on the live-line. That fear of railways was embedded in my heart though, my parents’ warnings made sure of that. They didn’t know we crossed it regularly, they thought we heeded their warnings, but our main playground was the dead-line: the place we built our dens and fought our imaginary battles. They didn’t know we went beyond even there and played down by the river, our favourite summer place. They told no stories of the dangers of water, but instinctively I knew that the river was out to get me, and hurt me, just like the trains were.

It was a long trek to reach our favourite place and we were hot and bothered by the time we reached the river that day. There were lots of us there. Some children I knew, and some I didn’t. The girls were in their homemade floral summer shift-dresses and sandals, and the boys were in baggy shorts, t-shirts and black plimsoles. There was joy in the air, a joy that reverberated off the sandstone and swept down the river, letting everyone know how happy we were. Even the smell of sewerage and chemicals in the river didn’t deter us. Nothing was going to stop us cooling off. Nothing was going to stop the fun.

That day some of us were bold, brave and daring, diving and surfacing. Some of us were cowardly, just paddling in the shallows. I was, of course, one of the cowards. She was one of the bold, brave and daring amongst us. She was the one that first dived off the top of the waterfall. She was the one that encouraged others to join her. The joy oozed from every pore on her body and was like a rainbow aura all around her. Adding to her beauty were flowing golden locks that streamed outwards as she dived. She had the innocence of most eight-year olds that had not had fear etched into their heart: a child that knew life was for living to the full. She was the one that had the most fun. Meek, mouse-like me, envied her courage as I paddled in the shallows. ‘She’. I can’t remember her name; fear that day, carried it away.

The first we knew of anything being wrong was when her best friend suddenly noticed she wasn’t around. We thought she was acting the fool, as she did so often, but then we started to panic. “When did you last see her?” shouted one of the boys. Everyone agreed that they last saw her diving off the top of the waterfall. None of us knew what to do. We were frozen in place, fearful of running for help because we knew we shouldn’t be there. Then a man walking his dog came by and we told him that we hadn’t seen our friend since she dived off the top of the waterfall. “Stay away from the water! I’ll get help,” the man shouted to us all, “but stay away from the water!” he emphasised, and then he turned and ran.

It seemed like a lifetime before they came. There were police, firemen, and an ambulance. They couldn’t get close with vehicles and had to walk to us by skirting around the edge of the rubbish dump. When we saw them coming we were scared to stay, but we were also scared to leave. They started to question us about where she had jumped from, but all we could say was the top of the waterfall. After they had taken our details they told us to go home and to stay away. We knew we had to tell our parents. We knew we had to face their wrath. In some ways facing their wrath was worse than what had happened.

“We’ve told you again and again not to go over that railway line!” screamed my Father. He was a man we always dreaded to cross. He had a stature and hair colour that matched his temper and nature: short and black. He never missed an opportunity to lash out, and this time was no different. It was my Brother that took the brunt of it as he was closest, but we all felt the stings of his blows. “Why can you never be trusted?” he shouted. “Are you thick? Are you too stupid to understand what we say? Get out of my sight! Now you retards!” He turned to my Mother and said “I’ll teach them! I’ll make them sit down by the river and see her body brought out! That will give them a lesson they will never forget!” My Mother said nothing, just as she always said nothing when he was on one of his rants.

We weren’t the only ones back there by the river the next day. No one could stay away, not children, not parents, not nosy locals. The place was like a giant magnet drawing every bit of scrap metal to it. We all sat and watched, day after day. We sat with my Father on a bare mound of soil in an area that separated the tip from the river, not far from where the police divers scoured the area below the waterfall. I picked up a piece of rubbish and tore the paper into tiny strips to pass the time. A police officer walked past, and my Father shouted to him “You should show the body to all these kids when you bring her out! You wouldn’t catch the idiots swimming in there after that!” There was pure hatred on the officer’s face as he stared at my Father for a long moment before he turned and walked away without saying a word.

It was eight days before they found her. They said that the river had corroded the sandstone, making tunnels under the waterfall which created lethal whirlpools that had dragged her down and into a tunnel. They made us all leave when they brought her out, so my Father didn’t get his wish fulfilled. We stayed away from the river after that, and we stayed away from the railway lines. Not long afterwards we moved away from the area, but I never forgot, and I knew that one day I would go back.

I passed my driving test when I was eighteen and I started to explore the places from my childhood again. At first, I stayed away from the river, but I knew that the tip was no longer there, and that the area had been landscaped to create a country park for the local people to enjoy. One hot summer day, a day that was just like that fateful day, I decided the time had come to visit and try to put the ghosts to rest. I no longer had to clamber over fences, and through undergrowth, as a carpark now stood at the entrance to the valley where the deadline met the old railway viaduct. Willow and hawthorn lined the route up along the deadline, and birds sang and flitted from bush to bush, while crickets chirped in the long grass. Gone was the odour of rotting rubbish, replaced now by the scent of flowers and nature. Gone were the dens made of wood and corrugated iron that we had made in the undergrowth. This was no longer a wasteland of rubbish; this was an area that Mother Nature had clothed in beauty, one she could be proud of.

I walked slowly along the dead-line and appreciated every tree, every bush, every flower. Did I do that to delay my visit to the river? Was it my subconscious mind trying to keep me away from the past? I don’t know, but I know a ten-minute walk took me an hour.

The dead-line was above the river which was now hidden from view by woodland. A wide path led downwards through the trees to meet the river just by the waterfall, with another path curving off upstream, running beside the river, under the towering red-rock, where we had paddled and dived all those years ago. The long grass was dry, and crackly, just as it had been on that terrible day. I sat down amidst it and watched the slow progress of the river until it once again dashed over the waterfall. The river no longer smelt of sewerage and chemicals, and no one could ever dive from the waterfall now: they had filled the riverbed below the waterfall with huge boulders after that tragic incident. The sound of water hitting those boulders mingled with the bird song that filled the valley with beautiful music.

I sat there, for a long-time, watching swallows flying joyously back and too, low along the river, catching insects for their young. They flew close to me also, so close I felt I could reach out and touch them: the acrobats of the air putting on a special show just for me. I heard a call then, a long low whistle, the whistle of one of my favourite birds: the kingfisher. I sat stone still and watched for its approach. On the edge of the opposite bank was a willow whose branches hung over the river, and it was there that the kingfisher alighted. She watched the water with an inquisitive eye, and then dived boldly down into the river. Moments later she shot upwards back through the water surface and towards the branch, a rainbow-like aura surrounding her iridescent blue and orange feathers. Water droplets that caught the gold of the sun fell earthwards and spread sparkles across the river. She sat on the branch, upright and proud, the performer in front of her audience. It was then, in the corner of my eye, that I spotted a movement on the ground. I slowly turned my head just in time to see a frightened furtive little mouse scurry away back into the long grass.

Mother Nature had healed this place, but the joyful and the fearful still played here. Seeing life acted out in nature, I wondered if it was better to live a short life full of joy, or a long one full of fear? Would the kingfisher or the swallow swap places with the mouse, and would she have swapped places with me?

Kerry Barlow has studied creative writing with The Open University.

Poetry Drawer: Close Enough by Laura Stamps

Me and Amelia. On our way
to the hospital. Visiting. We
are. A sick friend. But these
places. Geez! Whose idea
was this? Who? That hospitals
should be the size of small
cities? Tell me. I’d like to
know. Hey. At least they allow
support dogs. But still. All
these towering buildings. So,
so tall. All of them. All the
same. And now. Of course.
We’re lost. We are. Me and
Amelia. Driving around. Rats
in a maze. That’s us. Until,
until. We find the right one.
The building we want. And
a parking place. Alrighty!
I slip Amelia into her harness.
Attach her leash. And off
we go. Amelia in her pretty
little dress. Pink. Of course.
And me in my t-shirt. The
green one. The one that says:
“Emotional Support Person
for My Rescue Chihuahua.”
Close enough. Right? Yeah.
That’s what I’m thinking.

Laura Stamps is the author of over 50 novels and poetry collections. Most recently: “The Good Dog” (Prolific Pulse Press 2023) and “Addicted to Dog Magazines” (Impspired, 2023). Recipient of a Pulitzer Prize nomination and 7 Pushcart Prize nominations. Lover of feral cats and Chihuahuas.

You can find more of Laura’s work here on Ink Pantry.

Poetry Drawer: Moon Boon by Dr. Anila Pillai

Reading the philosophers
From sun to moon rise,
Transcended to ages
Amalgamating
the Infinite pain.

Memories radiate along,
With Blaring Roars and fierce Glints
through the pathway of deluge.
Serenity alluring through
Just like,
The absolute circle that radiates
taking the light of gleaning flame.

Memories with their cluster of pain
Gazing from the clouds
Emerge to reveal the blaze
Of Warmth in the dark.

Was then
The moments of sight
Still sharp and defined
A ball of brightness
In a feel of trance.

Smudged with emotions heavy
A smoulder I saw
Life in my hands
The torment, pain of life process –
Call it by any name!
Was no less than bliss
To see
My celestial boon.

Dr. Anila Pillai is an assistant professor of communication skills. She teaches in the land of Lions- Gujarat, India. Her passion is to pen her emotions in verse. She has published her literary creations as well as academic articles with national and international publishers. Kailani is her collection of poems published in the year 2022.

Books from the Pantry: Falling and Flying by Jeff Phelps reviewed by Neil Leadbeater

Prize-winning poet, acclaimed novelist, editor and playwright, Jeff Phelps, is the author of two novels Painter Man (2005) and Box of Tricks (2009), both published by Tindal Street Press and the poetry pamphlet Wolverhampton Madonna (2016) published by Offa’s Press. He is a founding member of Bridgnorth Writers’ Group and was recently a ‘poet on loan’ in West Midland libraries. He is married with two grown up children and now lives in Wiltshire. His website is www.jeffphelps.co.uk

Falling and Flying is an impressive first full-length collection of poems. The presentation and running order of the 57 poems contained in this volume is well thought out. The falling poems and the flying poems provide a strong opening followed by a series of poems that cover subjects at ground level and beneath the ground. Further in, there are groupings of poems about the moon, birds, saints and churches, memories from childhood, current affairs, music and art.

The collection opens with two powerful poems titled ‘Cadman’s Leap’ and ‘Cadman’s Wife’ which narrate the tragic early death of an 18th century showman and rope slider from Shrewsbury and the subsequent loss felt by his wife. The second of these poems achieves through rhyme and repetition a sense of sustained lyricism in its poignancy.

In ‘An Avebury Stone’ the distant past struggles to come alive where ‘one frozen circle dancer / [is] waiting for the music to begin’ and in ‘Devizes White Horse’ the animal that may have once ‘cantered across this sweet meadow / of orchids’ is now ‘a stranger to itself’. A preoccupation with the more recent past is evidenced in ‘The Lost Village of Imber’, an uninhabited village that forms part of the British Army’s training grounds on Salisbury Plain where the entire civilian population was evicted in 1943 to provide an exercise area for American troops preparing for the invasion of Europe during the Second World War. To this day, the village remains under the control of the Ministry of Defence.

Staying on the subject of war and the ravages of war, ‘On the Bommy’, Phelps’ concluding stanza makes us think about some of the bigger consequences of history turning a poem about a children’s playground among bombed-out buildings into a more powerful statement about the futility and cost of war:

Damage brings forth damage in its turn.
Each generation pays the next with interest.
We plundered that barren patch with no concern
for that family so cruelly dispossessed.

One of my favourite poems in this collection is titled ‘Waterway’. Its subject matter, an old canal, is only hinted at and not named. The details are sketchy and the location not given. A lot is left up to the imagination and the disconnection between what might have been there then and what is there now is handled well:

Now I haul myself up
expecting water or a towpath
and find only derelict gardens,
no sense of direction.

For all its evasiveness, it is a poem full of atmosphere and mystery.

Other poems range widely in both subject matter and location: a visit to an eye hospital, bicycles outside Oxford station ‘ranks of them waiting, flashing / in the sun like Wordsworth’s daffs’, dowsing with a ‘Y-shaped hazel, alder or goat-willow’, poems in praise of the moon, an ekphrastic poem based on an oil painting by Joseph Wright of Derby and a poem about Cornish saints. Some pieces are light-hearted, such as ‘Gerald the Ginger Cat’ and ‘An Idiot’s Guide to Freedom’ while others are more serious such as ‘I have been a stranger’ and ‘Yes I have wished.’

Several poems make reference to music, in particular, the ‘Psalm for Musicians’ and the ‘Schubert Variations’. This is not surprising given that Phelps’ son is a classically trained musician. The prose poem ‘Schubert Variations’ is a very fine piece of writing.

Here is the opening section:

When I heard the sound of coal tumbling into the cellar under my window I imagined black notes falling from a piano in a cascade of sharps and flats. The streets were full of horses pulling coal carts, heading to the country where there were operas in huge palaces. And that was how I came to run after them, pulling up my borrowed breeches, my spectacles thumbed and greasy.

Even here, attention is paid to form. Each of the six paragraphs begins with the phrase ‘When I heard the sound of…’ It might be a knock on the door, someone’s voice, a piano or the ‘symphony in [his] head’. As a composer, every sound is important to Schubert and it carries with it its own connotations. What is more, all these sounds are already present or hinted at in the first paragraph. Each one of them is expanded upon and explored in its own right in a poetic equivalent of a set of variations on a stated theme.

Stylistically, the collection covers a variety of forms including sonnets, tercets, a prose poem and visual poems. The circular ‘Heartwood’ poem, reminiscent of tree rings, is a dendrochronologist’s dream because the exposed stump of the tree does all the talking. A number of poems follow strict rhyme schemes which are well executed. Helpful footnotes are provided where appropriate.

This is a wide-ranging collection that takes us through a good deal of history while at the same time raising questions about some of the more pressing issues of our own time. Highly recommended.