Books From The Pantry: The Missing Girl by Jenny Quintana: reviewed by Kev Milsom

You disappeared in the autumn of 1982, when the leaves switched their wardrobe from green to burnished brown, and our mother made great pots of jam from the fruit we picked in the garden. I was twelve, with clumsy clothes and National Health glasses. You were fifteen, crazy-haired and willowy’.

As a wannabe successful author it’s always been my personal belief that if I was to complete the very, very, very difficult task of creating a stunning, debut thriller, the novel would need to have various qualities to it. Firstly, it would need to be readable, from the very first sentence and then hold the reader firmly to every page from there on, in much the same way as I was captivated as a teenager by Douglas Adams’ opening line in The Hitchhiker’s Guide To The Galaxy, who masterfully allowed us into his thoughts with, ‘Space is big’.

Secondly, the successful debut thriller would need to do exactly what it says on the tin…namely, to thrill the reader and keep them on the edge of their seats. Thirdly, the characters held within the pages would need to be relatable, relevant and non-cardboard-like in their delivery. Fourthly, if I were the author, I would need to hold the readers into that wonderful fantasy ‘grip’, where they become enchanted by my writing, especially all that descriptive stuff that sounds so easy to produce, but actually really isn’t.

Jenny Quintana’s 2017 debut novel, The Missing Girl, achieves all of these above qualities, which is probably why it has been acclaimed so much and been excitedly promoted by publications such as The Sunday Times, institutions such as Waterstones, and even lauded by the formidable sofa-king and queen combo of Richard and Judy.

Let’s start with the plot line. It’s the modern day and Anna Flores is returning to England from her home in Athens, because her mother has passed away. A part of the reason that she resides in Athens is because of long-standing fragilities within the family home, especially since the mysterious disappearance of her elder sister, Gabriella, in 1982.

Coming home to less-than-sunny England naturally evokes some strong memories for Anna; most of them unpleasant and revolving around what may have happened to Gabriella, over three decades on. In returning ‘home’, Anna must confront remnants of her past, which systematically begins to reopen old doors. Now, with both parents dead and her sister missing, Anna feels very alone, surrounded only by mounting prompts to try and solve the family mystery once and for all.

Jenny Quintana demonstrates, with ease, what a strong writer she is on every page of this novel. As a reader, you find yourself being carried along effortlessly from page to page. Jenny skilfully manages to involve us at every twist and turn and at absolutely no point do we feel left out of what is occurring. There is a gentle build up of pace, to establish the characters and story-line and then, just as we’re feeling comfortable, the pace quickens and we’re carried along to the next, invaluable piece of the ‘jigsaw puzzle’. What’s most important about all of this is that we want to get there, because we care about the main character and her story.

This is a very difficult book to put down and it makes me realise two things. Jenny Quintana can write extremely well. Furthermore, I now want her to finish her next project so I can read more from her creative, skilful mind. Over to you, Jenny.

Inky Interview Special: Wayne Holloway-Smith: with Claire Faulkner

(Photo credit: Mark Sherratt)

Wayne Holloway-Smith teaches at the University of Hertfordshire. His poems have appeared in a variety of magazines and anthologies. His first book-length collection, Alarum, was published by Bloodaxe Books in 2017. In 2018 Wayne won the National Poetry Competition for ‘the posh mums are boxing in the square’.

Wayne, thankyou for agreeing to speak to Ink Pantry. First of all, I’d like to say thankyou for the daily emails you have been sending out during lockdown. They’ve been a real help to me, not only introducing me to other poets, but also giving me ideas for different approaches towards my own writing. What inspired you to do these? Have you been surprised by the reaction?

Hiya. No problem, it’s nice to talk.

I’m glad to hear the daily emails are helping in some way, and that they’re introducing you to interesting work. Erm, I think what inspired them was that I was seeing lots of people commenting in various ways about a loss of connection during this time, and boredom – and various anxieties manifesting in all types of ways. I have wanted to challenge myself to be more thoughtful and generous for a long while. And I guess I see this as one way of testing that.

I’m aware that I have a certain level of readership, and thought if people enjoyed the work, then maybe I should give them things to keep them occupied. I was worried that this might seem like a self-indulgent exercise too, though. I put out a gentle offer on Twitter – expecting perhaps between 5-50 takers, and was shocked to find I’m now emailing over 250 people on a daily basis. The feedback has been really amazing, actually. People have been very enthusiastic, and it’s so nice to see people posting work online that didn’t exist until a couple of hours ago. Some very good and interesting things.

Has poetry always been a part of your life?

I grew up in a house with no books at all and failed all of my GCSEs. My careers advisor ‘advised’ me to work in a factory or in the voluntary sector. I didn’t actually know that poetry existed, at that point, in a contemporary sense. When I started writing, I thought I was the UK’s first contemporary poet. Lol.

How would you describe your work?

How I think about my own work changes all the time, and is always influenced by the last thing I wrote and what I’m reading, what I’ve seen on TV, the song I’ve most recently listened to. I’m much more interested to hear how other people see it. Someone said the other day that I bleed onto the page, then mop it up. The stains that are left is the poem. I won’t tell you who. Haha. I think he/ she/ they were taking the piss.

When I read your work I find it open and personal. If I was reviewing, I’d describe your style as direct but also vulnerable, and as a reader I sense an honesty in your poems which I can connect to. Do you set out to share such vulnerability or does this naturally develop during your writing process? (I’m thinking of ‘the posh mums are boxing in the square’ which I find deeply emotional.)

I think I only want to write vulnerably, and honestly. I have no time for irony, or distancing or whatever. Other people have said it better than me, but basically conventional English is limiting, and poetry is a means through which we might find another vocabulary for our emotional experiences.

The idea and notion of identity also features in your work. The poem ‘Some Waynes’ made me question if you can ever really be one ‘identity’, or whether we are mix of every assumption or every ideal placed upon us. How do you feel the theme of identity fits within your work?

I don’t think identity is fixed. It’s an ongoing negotiation, and contingient upon your socio-economic circumstances, your friends, your background, and also, partly, pure chance. So each time I write, I’m working out, or trying to work out a bit of how I see the world and myself in relation to it at the point that I’m writing.

Can you share any details of what you’re working on currently?

Love Minus Love is coming out in July, from Bloodaxe Books. I’m excited about that. I think it might be the best thing I ever make. I’m also writing new things, feeling my way into how I might write next.

Are there any poets you are enjoying reading at the moment?

I love Natalie Shapero, Anthony Anaxagorou, CAConrad, Rachael Allen, Helen Charman, Holly Pester, Hieu Minh Nguyen, Raymond Antrobus, Terrance Hayes, Ross Gay, Paige Lewis, Rebecca Tamas, Selima Hill, Morgan Parker, Richard Siken, Jericho Brown, Jenny George. Also new writers to look out for: Arji Manuelpillai, Emma Jeremy, Katie O’Pray.

A lot of our readers are new and aspiring writers. Do you have any advice for them?

I think that the biggest thing is that there is no objective good poem, and no set way of doing things. Read the writers you love and try to learn as much from them as you can. Talk to others. And write what makes you feel energised.

Do you have a poem you can share with us?

Here’s one from my forthcoming collection.

Is there anything else you would like to add?

Stay safe and well everyone.

Inky Interview Special: Debz Butler from Testify: with Claire Faulkner

Debz Butler runs Testify, a community organisation which organises open mic nights and writing workshops in Chester. Testify prides itself on delivering poetry without the pretension, and whether you’re a first timer or an experienced performer, everyone is welcome. We were delighted when Debz agreed to talk to us about Testify…

Have you always been interested in poetry?

Not really. I’ve always written short stories and really loved reading, but poetry wasn’t really on my radar. I thought that because I didn’t know about form, that anything I wrote could never be ‘proper’. It was only in 2016 that I gained the confidence to call what I was writing poetry.

What made you decide to share and perform your own work?

I wanted to see if what I was writing was ‘real’ poetry so decided to go to an open mic night. I went to Sale Write Out Loud and was instantly hooked. I went, not intending to perform, but got up at the very last minute and loved it. It was such a great buzz to share something so personal. It was so inspiring to hear other people perform, I think a really important trait of being a performer is learning from others. With open mic nights, sometimes you have to kiss a few frogs before you find the right supportive space for you. I was very lucky that I landed on the right one for me on my first go.

What inspires you to write?

My own life experiences mostly. I try writing what’s happening in the news but my personal feelings always end up in there. I have to do a lot of editing on my work to make sure it’s not just me ranting to the sky. In 2018, I was diagnosed with breast cancer and apart from journalling, I couldn’t write throughout my treatment. I’m only just managing to confront that experience and write about it. I think its an important lesson in giving things time.

I’ve seen you perform a few times now. I love what you do, I think my favourite at the moment is Moon Cup. But I was also very moved by some of your work about nursing. You bring a realism and share experiences in poetry which many women can relate to. How do audiences react to your work?

I’ve generally had good responses to my work, people say they can relate to it. You have to gauge your audience though, sometimes the mood in the room dictates what I perform. At Testify, I always perform first to ‘warm up the mic’ and how many people are there/how enthusiastic they are, has a big influence on what I perform.

You organise and run Testify, (when we’re all allowed out), a poetry night in Chester, which is great, by the way. I think there was definitely a need for a regular performance poetry night in the city. Can you tell us a bit about Testify and the reasons you started it?

I had found a couple of open mic nights I loved but they were predominantly in Manchester. I found Chester Poets but it is on a Thursday, when I didn’t have regular childcare. I continued to go to the Manchester nights for about a year, then during the Chester Literature Festival I got talking to the artistic director about how the Storyhouse would be the perfect venue for a regular open mic night. He told me that he’d give me the space if I ran it – and so Testify was born!

After 2 months, we outgrew the space in the Storyhouse and so moved to Hanky Panky Pancakes – our forever home.

What has been the reaction to Testify?

Overwhelmingly positive and supportive. We have a good group of regulars now who show up, as well as a constant stream of new people. Testify isn’t for everyone and that’s fine. There are other groups out there. Some people disagree with Testify’s ethos of ‘be supportive to everyone’ and say we shouldn’t applaud mediocre work. I disagree. I didn’t start the night to make people feel shit about themselves. The number one rule of Testify is ‘don’t be dick’ and if you can’t abide by that, then we aren’t for you.

Since the lockdown, Testify has moved online. You’ve been sharing ideas, poetry and prompts. Can anyone join the Testify Facebook group?

Absolutely. Even if you never have any intention of coming to a Testify night or are going to leave straight after lockdown is over, you are welcome in the group.

Do you have any advice or recommendations for new poets?

Keep reading, keep writing, keep watching. Your first work will be shit. That’s fine. Find an open mic night or writing group that suits you and stick with it. Whenever I feel blocked, being around other writers always inspires me. Always read the submission guidelines.

Who are your favourite poets? What are you reading at the moment?

Thats a hard one! My all time fave is Dominique Christina who is an American poet and slam winner. Her work always makes me cry.

Leanne Moden’s work always blows me away, as does Maz Hedgehog. Nick Degg is bloody brilliant as well. Rosie Garland is always an absolute master in performance and writing.

I don’t read a lot of poetry, I prefer to watch videos on YouTube or see people live, but David Subacchi’s latest collection, Where is Wales, is beautiful, as is, When Women Fly, by Sarah Pritchard.

Where can we find more of your work?

I have a page on the website with links to my published work.

I’ve also been featured in ‘These are the hands’, a poetry anthology featuring NHS staff. All profits are going to the COVID-19 emergency fund and people can buy a copy here.

Poetry Drawer: Untitled by Rus Khomutoff

Overthrow he self/an airborne disease, a beautiful thing that never happened/glistening in the rays of a distant supernova, mercurial staff take your breath away/pirate blood/nautical dawn/wild blossom/intercept canvas redux, church of trees scream in silence. There was superimposition & worry at a certain hour of the day/hyena season genesis grasp secret psalm in search of duende/this eventuality’s carnival row exit in memory reclaiming time with unexpected grace notes/vagabond of the margins/burning up the green guardian/assignations crestfallen between music & silence/carnivalesque Xerox & infinity/ dimension horizon stasis leak everlasting/cherub chance the undying matter anticipating nowhere/theramin cost victim of illusion priceless channel /follow me into the reprieve best private fantasy times two/taste of holiday gross hesitation/to dance in the dark without fear/imperial violets distant shore/venerable plight/checkered koan/the other side of no tomorrow/the lost symbol/doctor tomorrow naked reflections complex crossed/prism walls infolio segmented balsam flex/new letters renaissance hum/a guessing game of infinity/ fastpass body everything/a painted sea of semiprecious stones interrupted by the illusion of time/sentimental rove the beginning/depthcruiser hour of pearl wayward son dispatches/ skin of wind, skin of streams, skin of shadows, the secret of numbers unscrambling the distortions/infinite perimeter/melancholy body sacrilege/tattoo highway insomnia punk/passion post of the absent everyday/venus endeavour ministering blithe spirits/wonderment cyclorama/lost in the omnipresent origin echo unlimited

Rus Khomutoff dreams up the contemporary world  into surprisingly familiar cosmic landscapes reminiscent of those suggested by the most idiosyncratic avantgardists—think Artaud, Char, Malraux, Panero, and other moderns unafraid to acknowledge the material quotidianity of mystical experience. Poems in Radia function as un-coders (rather than decoders), allowing the words to shine in their full resplendence while approaching each other artfully, almost naked, in unexpected ways, to take advantage of the oneiric gears hiding everywhere under the apparent simplicity of life – German Sierra 

Poetry Drawer: Waiting Only For Spring: Diane: When They Go: The Chemical Fire: The Next Day by Holly Day

Waiting Only For Spring

We point out all the different birds to each other
like teenagers naming constellations:
anhinga, gold finch, chickadee
tiny juncos
entranced by the influx of new life along the river
summoned by the melting ice.

The air is filled with their tiny songs of joy
as clouds of insects rise from thawing mud
as though they had been frozen in just that spot
dormant and sleeping all winter long.

Diane

When I was 13, my best friend was a rock. I used to carry it with me everywhere
small and round in my hand, dream of having the courage
to hurl it at people who said nasty things about me. My palm polished it
to a near-reflective point, I could almost see myself in its surface
see myself the way I wanted everyone else to see me
or really, not see me at all.

If I had been cooler, my best friend would have been a rock
but I’m just lying, because really, it was just another girl
who didn’t actually like me, got me into all sorts of trouble
things she could walk away from but I couldn’t. If I had had a rock for a friend
instead of that girl, the one who ruined everything
things would have ended up differently. It would have been better.
I would have been better. I know I would.

When They Go

I open my arms and call my children to me, remind them
that nothing bad ever happens so long as I’m holding them.
My daughter wrinkles her nose at me and rolls her eyes, my son
just ignores me and walks away. I am no longer regarded as sanctuary
a bulwark against precocious misery and frustration, they don’t need me at all.
I close my arms, wrap myself in an empty embrace

dream of being the sort of mother children flock to unquestioningly
a fish mother who opens her maw to engulf hordes of trusting fry
a scorpion mother carrying her ravenous children across the hot desert
a snake mother nested in a knot of wriggling coils of tiny tails and teeth
all of these things but what I am: incomplete without a tiny hand in mine
a sweaty head pressed against my chest, the constant need that only I can fulfil.

The Chemical Fire

they found the dead janitor in the back of the warehouse
curled around himself as if against the cold. His skin
came off in handfuls of ash when they tried
to move him

black, greasy ash that would not wash off.

the two boys who first found him had gone through his pockets
only to have what remained of clothes, his wallet, disintegrate as well
dried out past leather, his face was barely recognisable
as human

mouth stretched out in a forever scream.

The Next Day

The alarm went off and we found that the world
hadn’t ended, that all the ramblings of the church elders
weren’t true. My husband sighed and rolled out of bed
found there were only dirty clothes left for him to wear
sighed again, dressed, went to work.

I could hear birds chirping in the yard
a squirrel on the roof, cars
passing on the road out front.
I held onto my dreams of apocalypse
for a few moments longer, savouring vision
of the angels, the devastation
that could still be waiting just outside the door.

Holly Day’s poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her newest poetry collections are Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).

Poetry Drawer: In the meekest dreamery by Paweł Markiewicz

the dreamed red sun of the morning –
thus I get tender letters.
On wings of the morning glow –
I fly into lands of butterfly-like hearts.
In my vans – the poesy is indeed fulfilled.
I am looking at starry starlit moonlit night –
each starlets enchanting me on ways into ontology.
The silvery fantasy – heralds my ways to the dreamiest moon.
I am seeking the brightest star – the philosophical
as well as druidically poetical.
I will become blissful and Apollonian.
A meek elf showing me the moon
full of comet dust – the ambrosia
for dreaming souls.
Long live my auntie – the sibyl
with propitiously weird
magic!


Paweł Markiewicz was born 1983 in Poland (Siemiatycze). His English haikus and short poems are published by Ginyu (Tokyo), Atlas Poetica (USA), The Cherita (UK), Tajmahal Review (India) and Better Than Starbucks (USA). More of Paweł ’s work can be found on Blog Nostics.

Books From The Pantry: We can order the same or taste each other’s (Part 3 of 3) by Mark Anthony Smith

Spiced lentil soup

I am in awe when Marie video calls me. She lives about four hours away in the car. Yesterday, she showed me the old trees in the deer park. The gnarly oaks have been there far longer than we have. The phone reception isn’t very good where she lives. I blame it on the space conkers.

I looked for other places of interest in her locality on the internet. There are some hills where a music festival takes a place and a village green where a film was shot. There are towns with cobbled streets and buildings with their own historical characters. Some of them are magpie houses.

She phones me today from the quarry I mentioned. She had forgotten about this beauty spot. Marie is glowing after the bike ride. The slight breeze is fanning her hair as the sun bounces off the brilliant white chalk. I am flabbergasted. “That is so thoughtful and romantic,” I say.

Marie takes me everywhere with her video phone as I sit in my high-backed orthopaedic chair at home. “I must get back now,” she smiles. “There’s not many people about.” It is quiet. I sit feeling warm and in love. What a romantic gesture!

She texts me after an age. I have been worrying because the country roads are perilous for cyclists. She had popped to the post office on the way home and is now sat at her table with a bowl of spiced lentil soup. That memory has really stuck as it is steeped, as the hills, in a strong emotion.

Coleslaw Wrap

“You normally have to turn the oven on to cook,” I laugh. Marie is so appreciative that someone has made her tea after work. “No-one has done that for ages,” she says. We eat our wraps filled with coleslaw, cucumber and slices of cheese. Marie has her obligatory sweet chilli sauce. “Tell me what happened again,” she continues.

“I’ve got cervical myelopathy but I didn’t know. I went all through the army without a glitch and worked in care for over 12 years. That’s including working with people in mental health with The National Health Service. I was alright until I started running three years ago. Then I started getting pins and needles. I went to the doctor’s. I went to the doctor’s again. I thought it was residual stress or something psychosomatic. At last, the doctor sent me for an MRI. Then I got a phone call on a Friday afternoon. I couldn’t take it in because of my pains and the shock.”

“The doctor told me I had cervical myelopathy. I was born with it. It’s congenital which means it happened at birth. My neck is too narrow in the middle and all the nerves seem to get sore. The pains affect my peripheral nervous system because the nerves run from the brain to my arms and legs through the narrow part in my neck.”

I told her about the operation. I was so scared that I had arranged my will and a funeral plan. But on the day, I was trying not to watch morning television in the waiting room as I lay on the bed. They gave me oxygen. Then, five hours later, I woke up from swimming with dolphins, elsewhere, back on the ward. I was gagging for a brew. I tried to lift my head off the pillow but my neck felt really weak. I was wired and bandaged with a tube protruding from the front of where they’d removed two discs. There are two discs outstanding. One of the ‘actioned’ discs decompressed but the second one didn’t. I just take it day-to-day. It’s degenerative but I try to be positive.” Marie tells me how strong I am. She says that she feels safe when I’m with her. That makes me feel stronger.

Vegetable Samosas

We have pet names but Marie knows I’m a private man. After she finishes work, I meet her outside with salad, vegetable samosas and her birthday prosecco. I remember cutlery and two tumblers from my kitchen. She is pleased to see me.

We head to the squirrel park through narrow roads and heavy traffic. I turn her radio off. She’s used to that by now. “Oh my goodness! I could have been raped today,” I said. “It’s a good job I didn’t answer the door in the buff. I didn’t think it was you.” It was a diminutive old lady with glasses. She said, “I’m Linda” and burst in looking for a leak in the bathroom. She totally caught me by surprise.

Marie laughed as I continued to call her “Londa.” It was a standing joke since Marie had texted ‘Hoya’ for ‘Hi-ya’ once. We managed to park eventually but the ticket machine required a PhD to enter the registration number and other details.

We laughed at the squirrel antics and tried to coax one with our cucumber. “I should have brought some nuts,” I laughed. Apparently, if you drop nuts on hard standing, the squirrels come and get them. The park was sunny and busy. We ate our food then walked to the old remains. I felt really stiff as Marie pointed from the diagram on the board to where the pantry used to be. There wasn’t much left of the castle now.

One of our favourite pictures was taken in the squirrel park. Marie says she looks like an elf and I look like a giant at a festival. She takes really interesting photos.

A Chocolate Rabbit

It is round about Easter when Marie brings her daughters to visit at my flat. I struggle to open the carton of cranberry juice. “Are you struggling?” I tell Marie that I have become more clumsy as I drop things, stumble and feel stiff when it’s cold. My pains are unbearable at times, too, and I sleep more because of the increased medications. “I’m alright,” I say, “I’m a strong chap.”

I pour the juice into tumblers for Katie and Joanne. They are always smiling and polite, I notice, from having said “hello” a few times on video calls. Joanne hides behind her mam on the sofa whilst Katie talks about school and the youth club she attends. Marie’s eldest is throwing and catching a bouncy ball as she talks. Joanne peeks out and takes some interest.

The ball has an iris printed on it. Katie catches the blood-shot eye. I joke about bouncing it off the ceiling. Marie mentions about how much of a person’s eyeball must be hidden. I say it’s like isostasy in mountains. We only see the tip above ground. “There’s a lot we don’t see.”

People don’t see my pains. Sometimes, I wince or cry out but people either don’t see it or choose not to. We can never really know what is going on in a person’s life, below the surface, unless they choose to tell us. Marie can see that I’m deteriorating. I mask a lot but I’m a positive chap. The girls are full of life and make me laugh.

I find some Easter eggs I chose the day before and the girls are really appreciative. Marie gives me a chocolate rabbit. “Do you know what they do with the rabbits that don’t get sold? They snap an ear off and cover them in Santa Claus foil.” It was nice to see the kids at last.

Baklava

The last time I had a date with Marie was just before she visited with her children. Being a man, I didn’t have enough toilet roll in so we passed through all the Saturday night revellers for our necessities. We were hungry, too. I hadn’t been to the Turkish Restaurant since I took my kids on my birthday.

I was in pains but I felt like a rock star. I was also more than aware that Marie wasn’t wearing any knickers. They were on my bedroom floor. It was freezing but she said, “I’m wearing stockings.” We joked about one of the Mr. Men with long arms as we were seated near the window. Marie and I tore through the vegetarian kebabs with rice and a side portion of chips.

Looking back, our selfie looks like we were on holiday. Marie is looking over her shoulder with a huge cocktail in view. The glass has brightly coloured straws and parasols which were in keeping with the mediterranean decor of the restaurant. I had my usual latte in a glass mug with a tiny handle. We had the sweetest baklava afterwards. I can still taste the almonds and honey. What did we talk about? We mentioned horse racing and fox hunting. Some of the horses had been injured on television during the steeplechase. I think the vegetarian option had prompted animal welfare chat again. Our last date was so varied and colourful with great food.

Nil by Mouth

I am on peg-feed now. I don’t really have any concept of night or day. It’s more a fleeting timelessness. Sometimes, I feel like I am floating, but beyond that, I can’t feel any sensations, even when I’m being bathed or hoisted. I am only anchored to this life by the weight of my memories now.

I think I can smell Marie’s favourite scent. But is her perfume a memory as she brushes her fingers through my hair? I only know she’s trying to comfort me because she is giving one of her commentaries. “I am stroking your hair and thinking about our lives.” I listen to her. Listening is all I can do. It hurts that I can’t communicate or tell her “I love you.” I’m just lucky that she spends time with me in my bedroom that I can’t see.

She tells me that she remembers that I went to Canada, with the army, and fed gophers some biscuits on the sub-zero prairie. She says how brave I am to have driven a wagon through cross-country snow. I feel happy but I can’t raise a smile.

She talks about how we each juggled separate university studies whilst raising young children. “That’s temerity,” she says. Then she is laughing about the time we had to nip out, late at night, for a plaster. “The garage forecourt assistant must have thought we wanted contraceptives at that hour.” I feel happy but I can’t convey that.

Marie sings our favourite songs and reads from children’s books. Then after I try to follow the competitive squirrels, that finally learn to share, she might read an excerpt from a novel I like. She has all the time in her world.

She knows me well enough to know that I’d still want to share my experiences. It hurts me that I can’t communicate that. But I’m happy that she persists and keeps me updated. Marie knows me well.

Marie talks about what she has eaten and what the girls are doing. Joanne volunteers with rescue animals and is studying for a veterinary degree. Her eldest, Katie, is still happily finding her feet. “Have you ‘seen’ your girls?” I can’t answer her. But my eldest talks to Marie and keeps her up-to-date on their visits and my health. My children keep me safe in this disappearing life.

Marie sings. She sings until it’s time to go. She kisses me, pulls her coat on, and I drift until her next visit.

Angel Delight

I feel weightless as I head towards the pin-prick of light that grows brighter and wider until it engulfs me. My smile gets bigger as the last of the pain melts and I am weightless. It is all bright. The brightest.

I look for the narrow gate. But he asks me softly, “What difference did you make?” I felt confident. “I loved and acknowledged others.” He smiled. He saw what is in my heart and told me to return another day. I visit my girls. I go to Marie.

She is sobbing at her kitchen table. She looks so small because I am not governed by material laws. It would have broken my heart before. But now I am no longer following the same rules. She blows her nose. Marie dries her reddened eyes. She looks confused. I whisper. I whisper but she can not hear me on an auditory level.

Marie senses something and smiles. She laughs. Then she gets up from her chair and goes straight to her car keys. “I knew they were there all along,” she tells Katie. Then I wait for her. But it doesn’t feel like waiting.


Mark Anthony Smith was born in Hull. He graduated from The Open University with a BSc (Hons) in Social Sciences. His writing has appeared in Spelk, Nymphs, Fevers of the Mind and others. In 2020 he is due to appear in Horror Anthologies published by Eerie River and Red Cape Publishing. ‘Hearts of the matter’ is available on Amazon.

Books From The Pantry: We can order the same or taste each other’s (Part 2 of 3) by Mark Anthony Smith

Carrot Cake

The chiropractor asked if we are married. Marie said we weren’t. I smiled as I was able to remind Marie about her past medical history. “I’m not interrupting, am I?” Marie laughed despite her back ache.

Afterwards, she said she felt bubbles in her veins and had to walk about for a bit. I was pleased to walk, however awkward my legs were, as I’d sat through her hour of treatment. Marie said she could feel the benefits after just one session. We ordered carrot cake and shared some dandelion and burdock at an art installation cafe.

Then we watched a video in darkness. The screen projected large fingers with cardboard hands on each. They clapped like finger puppets. I wondered why I was restless. It was like not being able to sleep when Marie stayed with me. I wanted to be awake every moment as our time together was limited.

Marie was used to sleeping alone. So, we didn’t cuddle all night. We held feet instead of hands so she had space and didn’t get too hot. She no longer had to put a pillow between us to support her back. The chiropractor had been a really good experience and we felt intimate.

It always amazes me how Marie remembers song lyrics. Then, as I’m recalling her history to the chiropractor’s questions, I realise that I do listen. I just respond to the song’s melodies more than the words. I do attend. But it depends on the context and the purpose. I switch off when listening to music. That’s why I ask Marie to turn the car stereo off. I attend to her instead.

Beef stew

“It’s not my cup of tea,” she texts as she later says she had mushrooms and fried eggs for tea. I know that you wouldn’t eat beef stew. You’re a vegetarian, I text. Later, she asks me why I left my partner. It was the little things, I reply.

“I’d have pulled the gate off its hinges and burned it,” she says. I feel sad because I know Marie would do no such thing. She is being incongruous. I wouldn’t even need to ask her to close the gate a second time. Even with her hands full of shopping bags, Marie would go back and shut the gate. It is different with her.

She listens and remembers. I do tidy up after Marie. But it’s no hardship. I just like to be organised. I think that’s from being in the army. Marie still insists she’d have burned the gate.

“No! You would not.” Marie texts some laughter faces. She is teasing me. I can’t believe how tetchy I’ve been. I just know I listen more to her. I am older than I was. But I just give back what I receive. Marie has shown me love. And I have fed those loving acts with thoughtfulness.

The Full English

“I am absolutely gagging for a fried breakfast. Sausages, fried bread…” Marie laughs. Nothing else enters my mind as I help her with her coat. We head over to a cafe that takes me back to my truck driving days. I locate a squeezy bottle of mayonnaise and Marie finds a table. “They do vegetarian sausages,” she beams. “Don’t you like ketchup?” She knows I think tomato sauce is for girls. I growl like a man and she laughs.

The breakfasts are brought over and I am consumed by the extra large plate full with three slices of toast on the side. I go straight for the black pudding, mushrooms and beans. I chew as a tension is relieved. I can taste it. My eyes are closed as I slowly savour my mouthful.

“Why do you love me?” I look at her. I smile. “You should never ask a serious question when a man is eating.” I put my fork down and multi-task. It’s not a distraction because I do love Marie. “I love our patience,” I say. “We both have that.” She smiles and listens.

“When you’re outside, your dark brown hair looks almost ginger or red. You look so girly on bright summer days. It reminds me that you take risks and let your hair down sometimes. I love how youthful you look.” She smiles.

“Then, sometimes when you wear your glasses, you look like a school teacher. Do you remember looking like a surgeon, in scrubs, with that apron you wear at work?” Marie nods and laughs.

“Well, you remind me about how responsible you are as a mother and at work. I can’t believe you spin so many plates. You say I’m more laid back. But I’d wobble if I had to live your average day. You’re an enigma.” I think. “You’re my star!”

I tell her that she is preferred without make-up and that I will love her no matter how she looks. “It comes from within.” I tell her that eye liner almost makes her look oriental – or at least, Spanish. I talk about her face shapes and how long or round her cheekbones look at different angles. “You could pass for three or four different women.”

I love her because she listens and second guesses what I’m thinking. Marie seems to be one step ahead of my needs or wants. She always has time for other people too.

I take a few mouthfuls of my breakfast as she beams. Then I talk about the time she video called me on the train. There was a noisy crowd of football supporters who intimidated an older lady by shouting and climbing on the seats. Marie wasn’t afraid to confront them in a non-threatening manner. They calmed down before the conductor came. Then she reassured the lady. “I do fear that you’ll come unstuck,” I say, “but you do right not to ignore it.” Too many people turn a blind eye nowadays.

“I also really love the ways you spend time with your kids. You teach them traditional things. I mean, you can easily afford to ‘fob them off’ but you don’t. You bake, make jigsaws and craft. Your girls care about other children and they apply themselves instead of fritting their times away.”

“They do have fun,” she answers. “Yes. But they take a real interest in the environment and other’s difficulties. They’re beyond their years, really.” Marie smiles. She smiles a big smile.

“I think I love your deep, dark eyes best of all. Do you know where my favourite place in the world is?” She shrugs and scoops up some beans. “Your left shoulder.” We both laugh.

There is a happy silence as we eat. I tell her how I drifted through painful days for months. I talk about seeing everything brand new again and I talk about my writing. I love to write about the human condition; about social commentary but I’m also attracted to the escapism of horror. I just don’t quite know how to marry the two. I don’t want to be pigeon-holed. I want to write about anything that feels real, alive or…dead. I laugh.

“Ah! The Horror – yes!” She loves to listen to me talk about books. Marie says I come alive with my passions. “I know you say it comes from within but it’s nice to have a muse,” I reply.

She smiles again. “Marie! You don’t need to worry about me. I have this knack of overcoming adversity because I have a strong faith. I believe in you too. You give me hope. And I’ll always look out for you. I always will. As much as I can promise…”

There is a silence as we comfortably eat together. She passes the mayonnaise before I even reach for it. She knows that I love her. It’s just nice to hear it sometimes. She can see how much I care by my purposes in life. Marie says, “actions speak louder.” And it’s true. I was bowled over by the milk-tray pillows and the trips out with the video calls. She always seems to choose the right presents, too.

I love to scrub her back and brush her hair. I like to moisturise her legs and make her green tea. These are all acts of love. Sometimes though, it’s just nice to hear “I love you.” It’s nice to hear words because words make things happen. We finish our breakfasts. I am stuffed but managed to finish the extra large plate. “I think we’ll skip puddings,” she laughs.

Spinach

Marie gives me strength and convinced me to try spinach. I wrote her a poem:

Girl, 46

“Was your day OK?” It’s just you
look away and I don’t bee
line to your honey smooth
forehead. I don’t see your worries –
those collected in blemishes or bags or
even uneven sags that I don’t see.
You are not Exhibit A or B
or even C to be looked at like
a commodity. You are more,
my eternal amour. You
are my best sounding-board friend
and the perfect true love; my lover in dreams
and in each creamy rich chocolate
waking hour and day. The only
one with that timeless girl’s heart – like
the laughter of bicycle rides –
and that sunrise smile as you nurture
other smiles around you.
You wear it loosely, care-free
as you ‘pay it forward’ or tightly tied
back on those few fraught long days.
Your happiest actions
outshine all that is outward
as they come from somewhere
softly ageless and inside. So,
let me now ask you, please.
You are important to me,
“Are you alright?”
“Was your day OK?”

Haddock and chips

It’s a lovely summer evening so we head to the park with wrapped fish and chips. There are lots of dogs running free. I think people are more tolerant here. People in London would probably have their dogs on a tight leash. We get lots of “hellos” and eye contact. Marie and I find a park bench overlooking a quiet football pitch.

“Did you order extra chips?” There is a mountain of them. The server didn’t skimp on salt and vinegar either. I start laughing. “Bloody hell! That’s a heart attack waiting to happen.” Marie’s eyes widen. The haddock is absolutely swimming in fat. It wasn’t even drained from the deep fat fryer. She chuckles and says, “I think you’re supposed to catch it first.” We eat off the same white paper which is threatening to tear beneath the sodden fish.

Mitzi ambles over. She looks like a white Yorkshire Terrier. The owners vaguely call her but leave the dog to sniff at our tea. I’m not sure if to throw some chips on the grass. I ask Marie if I’m quite reserved. She smiles and strokes Mitzi. My fingers are really greasy. “I think you think about your actions on others,” she replies.

At last, the owners call their dog. We look over the field onto the horizon. Marie nuzzles into my shoulder. “We can’t just ride off into the sunset,” she says. “We both have responsibilities.” I feel sad. I’m going home early in the morning. I agree – although I’m trying to find a workable solution. There is silence. Then we find a bin for the daft amount of left-over chips and hold hands back to the car.

Macaroons

“We really should have had some tea,” Marie says. I fall back onto the pillows trying to catch my breath. “Yes. But the macaroons were tasty.” We have just made love again like we invented it. I feel like a teenager despite the aches. Marie has thought about everything.

The hotel room has a large window which overlooks the bar and eatery with a glass roof. I talk about listening to the rain on windows. “It’s like being in the womb. I love being snuggled up in bed whilst listening to the rain on the window.” Marie agrees. We make love again. Then cries as I moisturise her legs. “No-one has ever done that for me before,” she says. “Well, you ordered the array of ‘milk tray pillows’ for my neck,” I reply. I like to scrub her back in the bath, too. I like to show her a maternal love as well as the more manly kind.

I cuddle Marie and she drifts off. I am too busy with my thoughts. The hotel room has oriental-like sliding doors to the bathroom and a writing table. I think about making a quick coffee. Marie awakes as the kettle boils. I make a coffee. She is grumpy as she stomps to the bathroom. “I’m not Jesus, you know,” she barks, half asleep. Marie has to be up early for work.

I later ask her if she remembers that night. “Of course! But I don’t remember mentioning Jesus.” I smile. “That hotel room had the world’s loudest kettle.”

Cheese and Ham Baguette

The first time it happened was on my very few trips into town. The short bus ride really makes my neck and arms sore. There’s too much braking, swerving and accelerating and too many potholes. I don’t enjoy going out. It’s purely functional and I’ve had enough after two shops. I really can’t browse CDs – the pains distract as it feels like I’m standing on children’s building bricks.

I am sat eating a ham and cheese baguette with a latte. I bite into the hard crust and then there’s a shock. I wipe the sweat from my brow. I spit the tooth into the palm of my hand. My tongue searches for the new gap and I think about getting older. I finish my sandwich as I text Marie. “When did you last go to the dentist?” I frown. I am sweating more.

The second tooth presented itself on my tongue as I woke up at my children’s house. It really freaks me out. Marie talks about flossing and black plaque. I buy some flossing tape but it doesn’t become a habit because my arms hurt and the novelty soon wears off. “You should really go to the dentist,” she says. I hadn’t been for four years. I tell Marie that I’d rather saw my leg off.

I finally get to the dentist after a six week wait. Even for me, that is a long time not to see a specialist because I’m anxious about my tooth loss. I joke in the waiting room about the drill being a lawn mower outside. Something else in the clinic room sounds like a hedge strimmer. I wipe my brow. Marie is there, on the phone, to compliment me for being responsible.

A few days later, I am eating a chocolate bar that is cold and hard from being in the fridge. I feel my top left incisor free and covered in the chocolate I’m eating. I feel faint. It’s the third tooth in as many months. Marie is incredulous. “At least you’ve still got a nice smile,” she says. I brush my teeth more than once a day now.


Mark Anthony Smith was born in Hull. He graduated from The Open University with a BSc (Hons) in Social Sciences. His writing has appeared in Spelk, Nymphs, Fevers of the Mind and others. In 2020 he is due to appear in Horror Anthologies published by Eerie River and Red Cape Publishing. ‘Hearts of the matter’ is available on Amazon.

Books From The Pantry: We can order the same or taste each other’s (Part 1 of 3) by Mark Anthony Smith

Sausage rolls

As a girl, I can’t see her now. Sometimes, I think I can see her back then. But memories are fuzzy things. They are elusive or become mixed up with something else. Some of my reminisces are concrete. They are set in a strong emotion like the first time I was mesmerized by a spaceship on the big screen. Others are composites like a cut-and-paste photo-shop. Try as I might, I cannot take myself back to my school days. I can’t see Marie in the school dinner queue as she ritually pays for her daily sausage roll and beans. That is the only constant from all those years ago. That we both ordered the same for our dinner each day. I didn’t know this, then. It’s only since talking with her that we realised we ordered the same school dinners. I look back.

Marie says she was quiet at school. It’s hard to imagine her like that. She did well and she didn’t like boys. They were too angry all the time. She is a lot more confident now in her mid-40’s. I still see her vulnerabilities, at times, but mostly, she finds an answer to most problems. I look at our recent photos. We are always happy together. And I tell Marie that she could pass for three or four different women depending on how she wears her hair or the angle from which the snap was taken.

She’s changed a lot since how I vaguely remember her outside the classroom in her school uniform. Her hair is longer and she’s a lot chattier. Marie is a manager at a fashion company. I think that has brought her out of her shell a bit. That, and the passing of time. She’s had children too. So have I. Two girls who are now at secondary school. They’re at the ages when I first knew Marie. I can’t really picture her.

We eventually left school and went our separate ways. I joined the army and Marie went to college. I never thought I’d ever meet her again. Nor did that question even enter my mind. I didn’t think about her. Then, she came back into my life 30 years later as I try to recall how she was at school. But I can’t really. I must have bumped into the teenage Marie. I’m sure I did. I just can’t think of a concrete situation where that happened. I just vaguely recall seeing her sometime, from recognising her back then, from an old school photograph. I want to think that I’ve always been there for her. But I’m sure she existed for 30 years without me. She probably didn’t even give me a second thought as I went through army basic training.

Now she has come back into my life, I don’t want us to go our separate ways again. I want to think that she is my one constant in this ever changing world. All those years ago, we ordered the same school dinners.

Scrambled eggs and mushrooms

I remember Marie seeing my newspaper article on social media. That’s when she contacted me and offered her help. She lives down South. But she could organise a supermarket delivery if I was short of food. I felt really blown away by her generosity. She always helps other people and she tries not to judge.

I remember us, much later, walking past a homeless guy. I was in pain and wanted to go home. I felt angry with myself because I had little patience. Sometimes, I give someone in need some change. But I was skint. He was the public face of the government’s social policies. I wanted to feel angry at the politicians yet they are faceless. So, the vulnerable people, on the streets, take the wrath instead. It’s not usually their faults. The notion of a meritocracy is a myth. I had to be reminded of this as Marie found time for him.

The homeless guy was called David. He had been a successful musician until he went bankrupt because of a few accidents at a gig. He hadn’t seen his children for six years. He said it was tough. Marie made him smile. She gave him some change too and never questioned whether he’d spend it on drugs or alcohol. “Live and let live,” she said. I agreed.

That’s the trouble with people nowadays. They don’t realise that a smile can make a difference. I try to smile and say, “Hello,” even when I’m in pains. It might be the only warmth someone has received that day. I try to make a small difference to others. Marie agrees. It’s the small gestures that make a big difference. I just get really annoyed that people see my pains but don’t make allowances for my unseen disability. They carry on talking even as I’ve lost the thread. I can’t keep up.

Marie saw past the difficulties reported in the newspaper article. She said I wasn’t weak at all. I was strong because I was standing up for others as I added my ‘case study’ to the mounting evidence. Those with disabilities are struggling like the increased homeless folk. Marie said, “don’t look at what you can’t do. Look at what you can.” Her understanding was like a ladder that lifted me out of a pit of unending days. I could look forward to her video calls. She made me feel sexy again. She genuinely listened and I was her sounding board. She never judged me. Her scrambled eggs tasted good. I wasn’t in the dark like a mushroom. Marie gave me my appetite back. I learned to love my world again as I adjusted. And Marie expanded the premature end to my travels by taking me with her when she video phoned.

It feels like fate. She is exactly the right woman to come into my life at exactly the right time. I began asking questions. I am still in pains but the world is new as I have lost my preconceptions about other’s appearances. Marie has awoken me. Her interest makes me question and listen again. It feels like a good thing.

Veggie Supreme Pizza

She doesn’t like the ways animals are treated. I went without meat for two days but wanted to gnaw someone’s leg off. I said I’d never eat meat if we ever lived together. I felt trepidation after saying this. I’m not sure I could stick to Marie’s principles. I like pork too much. We share a veggie supreme pizza for tea.

Marie tells me about cows that are constantly impregnated to produce milk. I find that horrifying, too. And she is nervous about confined spaces. We didn’t dwell on battery hen conditions. That can’t be a good life. Being cooped up in a small cage. I’m not sure chickens know any different though. We should be more ethical towards life.

I agree that all life is equal. But I believe in God. Man was made flesh to rule over the earth. So, I think all lives are equal. But only mankind was made in God’s image. That makes us his highest creation. But with knowledge comes responsibilities. So, just because we can cage a bird, it doesn’t mean we should. There is plenty of space to let farmed animals roam. It’s about maximum profit, I tell Marie.

“You believe in God?” I tell her I do. Nothing is an accident. There’s too much order about for our universe to just be the effect of a random explosion. You only have to look at the beauty of a rose to see that there’s a creator behind it. And I don’t think that when our physical body dies that that is the end. We live on, I’m sure. We have the capacity to love and think up poetry. I’m sure those attributes don’t die when our proteins wither. Einstein said that energy can not be created or destroyed. I think we just take on another form.

I said to Marie that if I go first, I’ll look out for her. In death, I will order her toiletries and find her car keys. I’ll fold her clothes and stop her if she doesn’t see the car as she’s crossing the road. I will always watch over her. She thinks that’s sweet. “But don’t you think it’s a bit creepy?” I think.

It’s true that I’m quite a private chap. I struggle to use public loos if there’s other people about. And I’m quite tactile in a relationship. But I don’t need to see my girlfriend’s ablutions or watch her shave her legs. I think about this. Or rather, I try not to. “OK,” I say, “Then I’ll always be within ear shot.” We both laugh.

Marie thinks there’s something more but she hasn’t made her mind up as much as I have. She asks me to explain God and I struggle. Not everything can be explained. If I knew all the answers then I’d be God-like. But I’m only made in his image. I’m not totally sure what that means. God is male. And yet women are made in the image of our Heavenly Father too. I think it’s more to do with the Trinity. So, it’s less about appearance because our eyes can deceive us. We rely too much on our eyes at the expense of our other senses. I think ‘in his image’ means we have a spirit and a soul as well as a consciousness. But I’m not all knowing. I don’t need to know everything. Love doesn’t need to be quantified to be looked on with awe.

Enchilada

Marie looks beautiful as we go on our first date. She calls it dinner even though she’s a Northerner. It sounds more formal than tea. She knows I have my dinner at mid-day. This is an on-going joke as I begin to sound ‘di…’ before I mock correct myself with tea. We go out to eat anyway. She chooses a Mexican restaurant.

She is wearing a short sleeved dress that I say looks oriental. The eatery is busy. We find a table for two near the window that looks out onto the street. I already know I’ll order a latte. Marie looks at the vegetarian options. I watch her as she traces the menu with her index finger and looks flummoxed. “I’ll order the same as you,” I say. She smiles. “You don’t have to order the vegetarian option. You like your meat.” She decides on a green mojito and a vegetarian enchilada made with mushrooms.

“But I want the same experience,” I remark. I talk about travelling alone, which is fine, although there is no-one to share the experiences with. Photos only go so far in painting a conversational picture. She listens. “Well, we can order the same or taste each other’s,” she suggests.

I order a latte and a burrito filled with ground beef. Marie won’t try mine. The portions are large and we end up taking half of it with us when we leave. It is really busy and I’m in pains. She helps me through the weave of tables. I think about the connotations and we laugh at something private.

Smashed Avocado

Marie orders smashed avocado on toast for breakfast. I quite like them. I’m not sure if an avocado is an aphrodisiac but I really don’t need a chemical high to feel aroused when she’s about.

There’s a mother berating her kids. She seems unaware of other customers as she swears and tugs at the boy’s hood. I tut. Marie says that she’d never talk to her girls like that. “Some people lack empathy and awareness for those around them.” I say it’s because everyone wants to be a celebrity. But, in truth, it’s probably more to do with socialization and parents. Either way, social media pulls people away from parenting and promotes people who are famous just for being famous. I drift.

“Have you ever had a car accident?” I mention the time a woman pulled out in front of me from a junction. She said she didn’t see me because the sun was in her eyes. Luckily, I was only doing 30 miles per hour. But she wrote my car off. I was alright. But the lady had popped home twice whilst I was waiting for the recovery vehicle and she didn’t even offer me a drink. “Again. That’s a lack of empathy,” I say. I ask if Marie has ever had a car accident.

Marie tells me about the time, in her twenties, before having children, that she skidded and her car left the ground. Her scarf had been cut in two by the shattered windscreen. She was lucky not to have more than a few cuts from glass shards. My mouth goes dry. I can see her back then. I go quiet and think about my own mortality and hers. I don’t know what I’d do without Marie. I don’t know why I picture her smashed up car when she’s alright. I ask her why we put ourselves through imagining past events that make us feel uncomfortable. “Why do motorists crane their necks to look at accidents?”

“People want to feel.” We are so unfeeling in our everyday lives as we rush about. We are taught to use our heads more than our hearts at work. I think people look at those less fortunate because it gives them reprieve from their own worries. We can feel better about our lives.

Marie makes me feel better as she says she takes less risks with driving now. “I’m more experienced and more responsible now I’m a parent,” she comforts. I smile. Being a parent does make a lot of people think of others outside of their own difficulties. It’s nice to care about others. The smashed avocado is a winner!

Pre-packed Salmon sandwiches

I hate travelling backwards. I tell Marie that the little boy I look after has never been on a train. “Well, he loves buses. Maybe you could take him. A train should be smooth on your neck.” This sounds like a good idea. I’m stuck in a chair every day on tablets. I could pace myself. “As long as they aren’t salmon sandwiches,” I say. She looks puzzled.

We talk about ‘best before’ and ‘use by’ dates. I always get them mixed up, I say. I don’t really. I just like listening to Marie being the confident expert as I pretend to be helpless. It’s a great way to flirt.

I was on a train once, coming home on leave, and a woman stank the carriage out with some supermarket sandwiches that were out of date. She was trying to describe the greyish salmon, over the phone, to customer services. Everyone was changing their seats as they held their noses. She opened the window. It was freezing on the train.

Marie wrinkled her nose. “I like trains,” she said. “I like the feeling of not being in control. You have to totally trust the driver. There’s nothing you can do if it crashes.” I think about rollercoasters and shudder. I think about staying sober on nights out. “I like to be in control,” I surmise. “Maybe your world is safer than mine.” We talk about ontological security. How safe are we in the world? “It depends on your safety net,” she says. “Whether you have people around you that are dependable.” I think. I say that past experiences definitely shape how you react to adversity in the present. She agrees. Then she asks me why I’m smiling.

“It just sounds like something a woman would say. Enjoying the feeling of not being in control, on a train, as the scenery hurtles past. Is it a sexual thing?” Marie smiles. “Most things usually are,” she winks.

Shepherd’s Pie

I remember the first time I saw Marie since leaving school. It was dark when she finally parked in the street. It seemed to take forever as she had a long drive. I could hardly eat my shepherd’s pie because I was so excited. Marie even had the confidence to pick me up from my ex-partner’s. We had texted and talked for almost two months over the phone.

I should have asked her what car she was driving as she announced, by text, she was here. I grabbed my bag of medications and felt anxious. I didn’t want to tap on the wrong car window in darkness. She saw me first. The distance between us seemed longer than it was. My chest was somersaulting. We hugged after thirty years. I wanted to remember every detail.

Marie drove smoothly. She eased her clutch instead of snapping at it. I didn’t even need to remind her about my neck. I asked her to turn the radio off. “Why?” I said that I wanted to focus on her with the least distractions. “You are funny!”

She parked in what was to be christened ‘her parking spot’ outside my flat. We held hands. We always do. “You looked like a rock star as you walked up the street,” she remarked. I laughed and offered her a green tea. We put some music on and she kneeled down at my feet. I leaned forward and rubbed her slight back. I couldn’t help laughing. “What are you laughing at?” I said I was just pleased to see her and that my mind was in neutral. “I wasn’t thinking of anything,” I said. Then, I laugh again. “A rock star? Well, what do I normally look like?” We laughed.


Mark Anthony Smith was born in Hull. He graduated from The Open University with a BSc (Hons) in Social Sciences. His writing has appeared in Spelk, Nymphs, Fevers of the Mind and others. In 2020 he is due to appear in Horror Anthologies published by Eerie River and Red Cape Publishing. ‘Hearts of the matter’ is available on Amazon.

Pantry Prose: Plastic Breath by Alfredo Salvatore Arcilesi

After seven days of intolerable confinement, Izzy decided that this foggy afternoon was the right time to free herself. And, if she could manage, Clara.

She had been testing her crippled body since the morning darkness, inundating her extremities with signals to flex, and, with any hard-earned luck, move. Her weak arms appeared up to the task; she guessed her weight to be just shy of one-hundred pounds. Her legs, however, remained stubborn, anchoring her to the bed. For all the training she had subscribed to these counterparts, none was more rigorous, more vital than her breathing regimen.

Izzy’s relationship with oxygen had always been of a toxic nature. A university athlete who had relied upon her immaculate lungs for victory, it had been an unreliable ankle that decided ten metres from an important finish line was the time to snap, end her career, sink her into the depths of depression, and enrol her in a new, lifelong sport: smoking. Three packs a day, four when she was feeling particularly good (or bad), for fifty years.

And now the ghosts of cigarettes past were preventing her, in spite of her cooperative arms, from liberating herself, and, more importantly, Clara.

Izzy exhaled a laboured breath, painfully inhaled another. She should have been accustomed to it by now, but the air filtering throughout her sanctuary still tasted as artificial as it smelled. She felt the rather stale intake race through her mouth and nostrils, hoping to reach the pair of black bags that kept her going for no real purpose.

Save for Clara.

The clean dose of oxygen reached her ashen lungs, then exited her mouth and nose in another laboured exhalation. Izzy imagined the polluted molecules warning the new wave of respiration about what corruption lay within her.

She looked to her right, locked eyes with the never-blinking Clara, and, with a look that said “Don’t you dare move now”—she couldn’t risk precious breaths on her roommate’s deaf ears—began the arduous journey.

Izzy watched as she willed her right arm across the centimetres that felt like kilometres of bed. The feeble limb made pitiful progress before stopping entirely so she may regain what energy she could.

A surge of anger propelled her arm against the plastic sheet dividing her and Clara. Her hand slid down the thick material until it landed in the crevice between the sheet and edge of the bed. Using this newfound leverage, Izzy began pulling her weight with her right arm, while pushing against the mattress with her left. The juicy idea of giving up had crossed her mind, just as it had when her former severely fit self, besieged by physical and psychological cramps, had desired to slow her run to a crawl at the three-thousand-metre mark. Her conditioned lungs had burned then. Now they were volcanic.

But the agony and certain death would be worth it. Not only for herself, but Clara, who had never felt a pang in her endless life.

Izzy now found herself at a ninety-degree angle: the top half of her body sprawled laterally across the bed; the bottom half remained affixed to where it had been since she embarked upon this suicide mission of sorts. After a quick mental team huddle with her barely-working parts, she used her right hand to push against the plastic sheet. The damn thing was like a wall of concrete. Her reluctant body threatened to pull the plug on the whole operation, but a little bit of that wholesome anger, and a lot of thinking about what would happen to Clara if she failed, helped free the bottom of the plastic sheet from between the mattresses. Izzy exhaled so deeply, the fog outside of her only window found its way to her eyes.

One breath.

Her vision slowly…

Two breaths.

…slowly…

Three breaths.

…returned.

She felt her old nemesis oxygen assisting her rushing blood to restore her vision. But she knew better; death had brushed past her.

Move it, she urged herself.

Izzy hadn’t intended to escape by falling on her head, but as she shimmied herself closer… closer… closer, then over… over… over the edge of the bed, it seemed the only way. Her head free of the plastic sheet, the faint aroma of cooking bombarded her olfactory. She couldn’t help but sacrifice a valuable breath to take in the recipe she had shared with her daughter long ago. You’re using too much garlic powder, she thought, the seasoning burning her sinuses. But that was Isabelle: too much or too little of everything.

Her shoulders hanging over the edge of the bed, thinned blood rushing to her head, Izzy wondered—not for the first time—what Isabelle would think when the time came to trudge upstairs, check on her dying mother, and find her however she ended up. Hopefully, with Clara in my arms, she thought.

She wondered if her daughter would even care.

The pair of Izzy’s had lived a life of few kisses and plenty of bites. Izzy had made the cliche attempts to live via her namesake (Isabelle’s ankles were still intact, after all). Her daughter had indeed run; not on the track, but away from home, turning the typical one-off act of rebellion into a quarterly sport. When she was home, Isabelle would blame Izzy for all of her life’s unwanted biographic details: the casting out of her father, the selfish act of naming her after herself (never mind the tradition), the reason for her isolating unattractiveness, the asthma and other varieties of respiratory ailments courtesy of her chain-smoking. That her only child had decided to punish her by never marrying, never having children, was not lost on Izzy. Still, when Izzy had become too ill to breathe on her own, it was Isabelle who rushed her to the hospital; and it was Isabelle who brought her home, tucked her into bed, and made sure the oxygen tent kept her alive.

But after seven days of intolerable confinement, seven days of embarrassing baths and changes, seven days of no words exchanged save for begrudged greetings and farewells, Izzy had decided that this foggy afternoon was the right time to free herself. And, if she could manage, Clara.

Beloved Clara.

She could no longer see her only friend, but knew she was right where she had left her. I’m coming, she thought, hoping the suffocating air out here wouldn’t render her a liar.

Like in the old days, when slower competitors somehow cruised past her, good old-fashioned anger fuelled her cause, and she writhed her dangling body further over the edge of the bed like a fish out of water. A fish that wants out of her damn bowl! she goaded herself, and grew angrier at her handicap. The fingertips on her right hand touched something cold, hard. It took her a moment to realize she had touched the floor. Her left hand, still pushing against the bunched-up comforter, worked alone to send her over the rest of the way.

In the space of seconds, Izzy saw the ceiling, then her abdomen, then her legs, the latter two crashing down on her. Within the same seconds, she had felt emptiness beneath her, then the same cold, hard floor forcing itself into her neck and spine. Precious breaths were knocked out of her, and the fog returned, this time most certainly accompanied by death.

It took her a few moments to realize that death smelled an awful lot like garlic. A few more moments, and Izzy understood she hadn’t died… and that her daughter wouldn’t have heard a thing if she had. She remained alone. On the floor. Alive. For now.

Alive enough to save Clara.

Slowly, surely, Izzy wriggled away from the bed until her dumb legs hit the floor. Still, her daughter remained downstairs, oblivious, or willfully so. But in case obliviousness turned to awareness, Izzy needed to move as quickly as her lame body would allow at this late stage in the race. Last one-hundred metres, she implored.

Since sitting herself up was impossible, she needed to figure out how to get Clara to come down to her level. Could’ve just grabbed her, and brought her into the tent, she scolded herself, save yourself this stupidity. But she knew it wouldn’t have been fair to Clara, to have her lifelong companion go from breathing one brand of plastic air to another. No. She wanted Clara’s first breath to be one-hundred-percent, certifiable oxygen… even if it was tinged with garlic.

Izzy flexed the fingers on her left hand, expecting to feel a break, akin to that long-ago ankle, that would prevent her from crossing this finish line. Everything felt in working order. Hand shaped like a spider, the fingers crawled along the floor until they found the nightstand’s feet. They climbed past the bottom drawer, then the middle, then-

She stopped, having reached as high as she could go. She looked at the progress her hand had made, and was angered and disappointed to see the tips of her fingers so close to the top. So close to Clara.

No longer able to uphold itself, her arm fell to the floor for her daughter not to hear. Her shallow, disparate breathing became shallower, more disparate. The retinal fog grew thicker. And she was certain the last time she would see Clara was in the memories she had very limited time to relive:

Sneaking into her late mother’s bedroom—this very same bedroom—to sneak a peek at Clara, high on her shelf.

Receiving Clara on the eve of her mother’s passing—in this very same bedroom—on the condition that she pass Clara on to her daughter, should she have one, when her own end was near.

Asking Isabelle to take Clara off the shelf, and sit her on the nightstand; the plan to release Clara had been confirmed, all the more so by her daughter’s routine sneer and remark: “Ugly thing.” Even had Isabelle loved Clara as much as she had, Izzy felt it her duty to finally free her.

Come on, you useless cigarette-holder. Last fifty metres.

Her nicotine-stained spider-hand rediscovered the nightstand’s feet, and, once more, began its ascent.

Past the bottom drawer.

Forty metres.

Past the middle drawer.

Thirty metres.

Past the bottom of the top drawer.

Twenty metres.

Finding the top drawer’s knob…

Ten metres.

…where it hung…

Come on.

…unwilling to move.

COME ON!

Her hand sprang back, the drawer with it.

Sliding.

Sliding.

Sliding.

Until the heavy piece abruptly stopped, having reached its limit. The nightstand leaned slightly forward, and Izzy glimpsed her legacy as the dead meat filling of a floor-and-nightstand sandwich. But the nightstand had other plans; before it settled back into place, it made sure to shake free the tall, glossy box.

The impact was painful, a sharp corner hitting her perfectly in the eye, but nothing compared to the torture her lungs were putting her through. Instead of fog, there was rain. Izzy blinked the burning tears away, bringing not the nightstand into focus, but a face.

And what a beautiful face it was. Skin made of meringue. A faint smile on pink lips barely formed. Rosy cheeks forever pinched into dimples. Black eyebrows arching over a pair of unblinking bejewelled eyes. Had they seen Izzy? All the Izzy’s? From Grandma Izzy to this sorry-excuse-for-an-Izzy?

They stared at each other for some time, Izzy refusing to blink, like her little friend, lest she slip into death during one of those slivers of blackness. The smell of garlic was fading. She couldn’t tell if her daughter was altering the recipe in some way, or if her senses were gradually shutting down.

Last ten metres, she thought. Perhaps her final thought.

Izzy used the left hand that made this final reunion possible to locate the pristine cardboard flap above Clara’s head. Not with anger, but love, Izzy tore open the lid that had sealed the doll in her prison for three generations, and watched as Clara took in her first-ever breath of fresh air.

Alfredo Salvatore Arcilesi spent a decade penning an eclectic bibliography of award-winning short and feature-length screenplays, before transitioning into the world of prose. 

His work often explores the lives of everyday people who find themselves trapped in the complex labyrinth of physical, mental, and emotional illness and isolation, self-doubt and self-reflection, and must find a way–if any–to confront themselves and the world around them, in real and surreal settings. 

Currently, several of his short fiction pieces are enjoying stays in multiple publications.