Poetry Drawer: There Are Three Of Us by Michael Murray

 

There are three of us here together

myself, the window, and the garden  

as if one, a looking moment.

And the same light falling on each

though differently through tall

and skeletal trees.

 

The garden readies itself for the Spring surge;

a bird-shaped smudge on the glass – blackbird

or hawk? prey or predator –

throws the hue of old hydrangeas through

the whole spectrum, as that old owl

Newton had named it.  

 

I am blinded equally by colour

and clear air under a strengthening sun.

They confuse and exhilarate

with their profusion; their commentary

adding textures that contextualise

everything, everyone.

 

Pantry Prose: Red by Andrew Williams

The bus pulled to a stop. She trudged off, shopping bag in one hand, pulling her scarlet hoodie closer to her against the cold. A faint smell of stale vomit and cheap cigarettes greeted her. She wrinkled her nose in disgust. This was not how she’d wanted to spend her Saturday, but there had been no arguing with Mum.

“You always loved visiting your grandmother, Jessica,” she’d said. “I don’t know why that should change now.”

Jessica! Only her mother and her teachers called her that. To everyone else she met, she was Red.

“Granny’s old and can’t get out much these days. I just need you to drop off some shopping for her and then you can do what you like. But it wouldn’t kill you to spend some time with her, you know.”

Mum hadn’t spent any time with Granny herself for at least a year. She was always too busy, always caught up with work. Always sending her daughter to the Darkwood Estates instead. Red wasn’t surprised. Granny wasn’t exactly all there these days; she was half deaf, and if you spent too long with her she’d be going through photo albums of baby pictures – some of Red, some of Mum, some of people she didn’t even know – as if she hadn’t seen them all a million times before. No, it wouldn’t kill her to spend time with Granny. Not unless she died of boredom.

But that wasn’t why Red didn’t want to go. It had never been a good neighbourhood. Even as a little girl, Red remembered gangs of youths and boarded-up shop windows. It was worse now. These days the only people you saw out in the daytime were either selling or doing drugs. Or both.

A pack of druggies were watching her as she got off the bus, wide eyed and twitchy. “What you staring at, you perverts?” she yelled. They didn’t seem to hear – or care. She walked past them towards the block of flats where Granny lived. They wouldn’t follow her. Well, probably not. Best not to hang around. She wondered what they actually saw in their chemically addled brains – if they saw her at all.

She ignored the security intercom. It hadn’t worked for months. Nor did the lock on the main door. She pushed the door open and headed inside, straight for the stairs. She never used the lift. It was old, and slow, and smelt of piss. She wasn’t planning on getting stuck in there.

The first floor flat was home to a foreign woman, one of those weird little countries that used to belong to Russia or something. She lived there with about sixteen children in just three or four rooms. At least one of the little brats was usually running about on the landing – but not today. She carried on up.

The second floor flat was home to the Axeman. At least, that’s what it said on his T-shirt with the sleeves cut off. She’d never asked his real name and didn’t care to. He wore a bushy, grey beard and some faded jeans, like he thought he was some sort of rock star. He stood in his doorway, watching her, fingers lightly caressing the neck of a battered, old guitar.

“Hey there, Red,” he drawled.

“Hey,” she replied, flatly. Just another pervert staring at her chest, though there was nothing there worth staring at, and wouldn’t be for a year or two yet.

“Wanna hear my latest song?” He strummed a few chords on his guitar.

“Not now,” she said. “I’m off to see Granny. I can’t stop.”

“You’re a nice girl,” he said. “Not many nice girls round here.” He strummed another chord.

Red ignored him and carried on up the stairs.

Granny’s flat was on the third floor. A tattered “welcome” mat sat outside, along with a small potted plant. Granny called it her garden. Despite all the efforts of the foul air, the occasional dog and Granny’s clumsy care, it still clung to life. Rather like Granny herself, thought Red.

As Red went to knock on the door, it swung inward. It was unlike Granny to leave her door open. Red suddenly felt sick. She carefully stepped inside the flat, placing the shopping bag inside the door as she went.

The flat was dark and cold, but that wasn’t unusual. She’d never known anyone as miserly as Granny. “Why waste all that money on central heating?” she’d say. “I can easily put on another jumper, and that costs nothing.”

Red shivered, not just from the cold. She hugged her hoodie tighter around her and headed through to the bedroom.

“Granny?”

The bedroom was in darkness. Feeble, pastel curtains blocked out most of the daylight, dull and grey, but still let in enough light to make out the furniture. Most of the bedroom was taken up by a double bed, covered in pillows and cushions and enough blankets to smother an army. Amongst the furnishings, Red could dimly make out a frail figure.

“Granny, it’s me. I’ve brought you some shopping.”

“Thank you, dear.” The voice was raspy and choked, not at all like Red remembered it.

Granny sounded really ill.

“Granny, are you all right?”

“Come closer, dear,” Granny replied.

Red took a step towards the bed. All she could make out were Granny’s eyes, wide and bloodshot.

“What red eyes you have, Granny,” she said. “Have you been at the Pernod again?”

She took another step forward. Granny reached out a hand, snatched at her. Red screamed as the hand grasped her around the wrist, a grip far tighter than an old woman should have.

“Those are some sodding great big hands you’ve got,” Red yelled, trying to pull away.

The figure climbed out of bed to follow her. He was scrawny and filthy, his clothes stained and tattered, and he smelt very bad. He was gibbering nonsense that she couldn’t make out as he came for her. Red fought to escape from his grip; he was too strong, pulling her closer.

“Pretty,” he cooed, his face close to hers, revealing a rapidly disappearing set of blackened, rotting teeth. They reminded Red of the posters in her school, warning them about drugs. “This is what meth does to you!” they had exclaimed.

“What disgusting breath you have,” she gasped.

His other hand grabbed her around the throat.

The posters at school hadn’t mentioned meth turning you into a deranged psychopath. Right now, Red felt that was its most important feature.

She clutched at the hand around her neck as the meth-head pulled her back towards the bed. She kicked out in terror. He didn’t seem to notice her feet hitting him. She tried to scream again, but the grip around her throat was too tight.

She felt herself thrown onto the bed, heard his wheezing laughter. Her vision was growing dark, and her lungs were on fire. Then, suddenly, there was a loud crash. The hand loosened around her throat and the wheezing stopped. There was a thudding sound as a body hit the carpet.

Red fought herself upright, coughing as she fought for air. She looked down at the creep sprawled on the floor, blood seeping from his head.

“Are you okay?”

Red looked up. The Axeman stood over her, still holding the remains of his guitar in one hand.

The police came and took statements. An ambulance came for the meth-head. Red sat numbly while it all went on. The Axeman, whose name was Dave, offered to look after her until her mother came to pick her up.

Granny was fine. She’d spent the last hour visiting the foreign woman on the first floor, cooing over sixteen sets of baby photos. She didn’t understand a word the foreign woman said, but she couldn’t hear her properly either, and the two women had simply talked to each other in their own languages without listening to a word the other was saying. Granny said it was the best conversation she’d had in years.

Mum was in a panic. She promised that she’d never send Red to this hellhole on her own again and, after checking that Granny was safely back home and the flat secure, they drove back to civilisation.

Mum forgot all about her promise, of course, the next time work caught up with her and Granny needed some shopping. Red didn’t argue. She just smiled as she took the carrier bag. It would be nice to see Granny again.

Besides, she didn’t need to worry. She’d be perfectly safe.

She stepped off the bus, smiling at the druggies as they watched her walk across to the flats. They wouldn’t meet her gaze. She watched them slink off with their tails between their legs.

Word had got round. The Axeman would look after her.

You don’t mess with Red when she’s in the ’hood.

 

Poetry Drawer: First Light by Michael Murray

On the first day it rained.
How can you get anything done –
rain is the leveller, disturbing boundaries,
mixing sky and earth
into one element, mud.

And on the second day again;
listlessly the ripening thoughts spoiled,
the cold damp languor stealing-in
with its night of cloud.

And on the third again the same.
This must have been when they made
the Northern Quarter:
to be always waiting
and never to be called.

Another three days of this,
helpless behind steamed windows, mind
in stupor, body in torment; body in stupor,
mind in torment –

I walked out then,
without a coat, and Can you
still doubt me? I called.
Didn’t wait for a reply.

Pantry Prose: Fine Dining by Andrew Williams

“Why, look at you! I could just eat you up!”

The young boy beamed, revealing a set of crooked teeth.

“What’s your name, cutie?”

“Timmy.”

“Hello, Timmy. I’m Carol.”

She sighed. Timmy was the cute, little boy she’d always dreamed of mothering. She’d offer to take him home right now, but there was no way Malcolm would stand for it. She couldn’t even talk him into coming to the orphanage tonight. Adoption? He’d kicked up a fuss at the cat shelter. Malcolm was happy with his columns of numbers and didn’t want anything messing them up.

What was she doing here? All these poor children… it had felt like the Right Thing To Do, a chance for her to Make A Difference. All the wealthy people were helping the poor these days, and if she wanted to move up the social ladder she needed to show her charitable side. Not that Carol had much charity to offer. Malcolm’s salary wasn’t in the same league as these wealthy benefactors, and her efforts to dress the part had left quite a dent in their credit cards. She was still hiding the monthly statements from him.

“Why, hello darling!”

Carol turned to find an old woman heading her way. Despite her small frame, now somewhat withered and bent, she powered through the other guests with the unstoppable force of a juggernaut. Younger, more beautiful ladies gave way before her. Tall, powerful men moved aside to avoid crossing her path.

“I heard you talking to that young boy.”

Carol’s eyes swept over the woman’s dress, a sleek affair that somehow accentuated curves where the curves themselves had long ago disappeared, and which Carol suspected cost more than her own house. She’d spent what she’d considered a small fortune on her own dress, but she was dressed in rags in comparison. And there was something familiar about the old woman, something that Carol couldn’t quite put her finger on.

“I… I was only…”

“It’s all right, dear. I know what you were doing. And I feel the same way, believe me. Did you say your name was Carol?”

The woman put a kindly arm around Carol’s waist – she couldn’t quite reach her shoulder – and led her through the orphanage.

“Y-Yes,” she stammered.

“A lovely name.” The old woman smiled, a faraway look in her eyes. “One of the little girls I raised a few years back was a Carol. She was so sweet… I’m Felicity, dear.”

Felicity? Carol thought back and remembered a magazine article from a couple of months ago. Of course! Felicity Cardwell! One of the wealthiest women in the country… and famous for her charity work. And something else, something that she couldn’t quite recall…

Oh well. There were always rumours about the fabulously wealthy. People could be so jealous.

“It’s such a shame,” Felicity said, as they walked through the crowds. “All these poor, unwanted children. All going to be shipped out of here, moved to other institutions, just because no-one has any use for them. Such a waste.”

“Surely all these people… this is a charity fundraiser, isn’t it…?”

Felicity smiled sadly. “It won’t work, I’m afraid, my dear. The orphanage is closing its doors for the last time, and the local government has already decided to demolish it. I believe Mr Tesco is hoping to build one of his ghastly supermarkets here.”

Carol paused, calculating just how much sympathy to put into her voice. She wanted to sound caring, but retain that aloofness that rich people were supposed to have. “Oh, those poor children…”

Felicity didn’t seem to notice. “Well, my friends and I have plans. Would you care to join us, Carol my dear? I’m sure we’ll get on famously.”

“O-Of course!” Carol could barely speak with excitement. Join Felicity Cardwell! Even dour-faced Malcolm couldn’t moan about that. Thirty years of working at the bank had done nothing for his social mobility, and now here she was, hobnobbing with the nobs!

A hush fell over the crowd as the host of tonight’s event spoke up.

“Ladies and gentlemen, your attention please. I am delighted to present tonight’s special guest… Lady Felicity Cardwell.”

Carol dumbly joined in the applause as her new friend made her slow but stately walk to the speaker’s podium. Despite her small size, she seemed to fill the room.

“My dear friends,” she began, “thank you all for coming. As you all know, tonight the local council has rejected the final proposals for the continuation of the Green Hill Orphanage. Already they are making plans to parcel off the children to nearby institutions – mere livestock to balance against their books.”

Carol wanted to let a single tear fall down one cheek at this point, but the best she could manage was to make her eyes water a bit. She wished she’d had more time to practice.

“Since they won’t let us save the orphanage, I have another proposal – we fund our own home for these children, and save them instead. I have the perfect place for them, and all I need is your support. With our combined influence, we can ensure these children all have the opportunity to remain healthy and well fed.”

There was a round of applause, and Felicity stepped down.

“Felicity,” Carol said. “I loved what you said, and I really want to be a part of this… it’s just, Malcolm and I don’t really have the money to…”

“Hush, dear. It’s quite all right. I’m just glad you came along tonight.” Felicity winked. “After all, I think we have a lot in common. Let all these good people worry about the money. Your company is all I need.”

“Th-thank you, Felicity…”

“Not at all, Carol my dear! Listen, would you be available next month, say, the twelfth? I have no doubt that our little event tonight will be a rousing success, and I’d like you and your husband to join me at our celebration dinner.”

“Well, I don’t know… Malcolm isn’t keen on these social events…”

“Just you, then. I quite understand if you can’t make it.”

“No, I’ll be there.” Carol smiled. There was no way in Hell she was going to miss an opportunity like this. Dining with the rich and powerful!

When the twelfth came around, Malcolm declared he was unavailable – he had to stay late at the bank, etc. etc. Carol knew it was all an excuse. Well, to Hell with him. She was secretly glad to go alone – the new dress she’d bought was twice the price of the last one and had maxed out two credit cards in one go. Malcolm would be frothing at the mouth when he found out. But it didn’t matter right now.

News of the orphanage sale had filled the press. Felicity was praised to the heavens for her efforts with the children, while the local council’s only comment was something bland and official about funding reductions. She was the darling of the press (and not for the first time). And yet Carol still had a vague recollection of some scandal, years ago. Something to do with her husband’s death?

The taxi dropped her off outside the address Felicity had given her. A large house, hidden behind heavy, steel gates, looked imposing against the setting sun. But she pressed a button, announced herself over the intercom, and the gates rolled aside to let her in.

Once she arrived at the house itself, she was surprised to find it filled with children as well as the guests. She recognised many of the faces from the orphanage event amongst both the children and the adults.

“Darling! You made it!”

Carol turned to see Felicity sailing her stately way across the room, the crowds parting at her bows as she approached.

“There are so many children here,” Carol remarked.

“Yes! All orphans,” Felicity replied. “Some of them you might remember from our last event. They closed that orphanage down, I’m afraid, but we pulled some strings and arranged for them all to come here. Isn’t it marvellous?”

Just then, Carol spotted a familiar crooked-toothed smile amongst the children.

“Timmy!” she cried.

Timmy looked up at her, still beaming.

“I think you’re my favourite,” she added.

Timmy laughed and ran off.

“Yes, I see what you mean,” smiled Felicity. “I might have chosen him myself, except I prefer girls. Shall we go and mingle? Dinner won’t be for a few hours yet, I’m afraid. Do go on ahead, my dear. I just need to have a word with the chef.”

Carol wandered through the crowd, a little in awe of the company. Amongst them she recognised more than a few celebrities, a few Hollywood actors, a couple of high-profile businessmen, even a few politicians. Most of them ignored her; some regarded her coolly, but didn’t deign to talk to her. For all her efforts to be a social climber, Carol had never felt so out of her depth. She sipped at a cocktail, even the waiters slow to serve her, and wondered what she was doing here. Even the playful children seemed to have abandoned her.

Perhaps Malcolm had been right all along. They should just be content with their lot rather than dreaming of better things. He was just a branch manager, after all, not the chairman of Lloyds. And she was just a housewife.

“My dear, are you all right?”

Carol looked up from her melancholy to find Felicity at her arm.

“Come along, dear. It’s nearly time for dinner. Shall we sit down?”

The smell of fine dining soon had Carol feeling much better. Two enormous dining tables stretched along the enormous room and she took a seat at the first of these beside Felicity. An array of cutlery gave her a brief moment of panic, but she’d studied several books on etiquette and she knew the rules. Start from the outside, that was the way.

The first course was a rich, dark soup. It was quite unlike anything Carol had ever tasted, yet somehow familiar, and she considered asking Felicity what it was – but no. There was no sense in showing off her lack of culture. Instead, she picked up what she hoped was the right spoon and began to eat, blowing on each spoonful just as the man opposite her was doing.

But it was hard to focus on the soup. That half-remembered scandal Felicity was supposed to be involved in still nagged at her memory. Something about Sir Cardwell, and the mystery surrounding his death all those years ago…

Red wine was served, and plenty of it. Carol drank a glass down in one, if only to steady her nerves, but resolved to take it easy after that. There was no sense in getting drunk and making an even bigger fool of herself.

“Ah, the main course!” Felicity beamed. The waiters began bringing out plates – each one giving pride of place to an enormous, rare steak, garnished with a small quantity of artfully placed vegetables.

“Eat up, my dear!” grinned Felicity. “This is what we’re all here for, after all!”

The guests around the table rapidly stopped their conversation, eagerly digging into the meat and gulping it down, their faces a mix of carnal desire and exquisite, rapturous pleasure. Carol cut a small piece from the end of her steak, gently chewing and savouring the flavour. It was quite unlike any steak she’d eaten before, yet tender and cooked to perfection.

As the empty plates were taken away and the desserts prepared, she turned to Felicity. “That was a wonderful meal,” she said. “Where are all the children? Do they eat this well, too?”

Felicity eyed her strangely. “The children are well fed, if that’s what you mean,” she replied. “We don’t give them any of that processed rubbish they got in the orphanage.”

Carol sensed she’d committed a faux pas, and changed the subject. “I think it’s wonderful that you provide a home to all those children,” she said. “There are so many unwanted children out there.”

“Indeed,” mused Felicity. “We do all we can to bring them in. I’m amazed that more of high society doesn’t do what we do. Such a shame to let them all go to waste.”

Carol nodded.

“Listen, my dear. We’re heading for another orphanage next month in Yorkshire – they have so many children there, and we always have room for more. Would you care to join us?”

“I’d love to,” Carol replied.

“If only my late husband had been as keen as you are, my dear. The tough old goat never did agree with me, even after he was dead. Ha!”

Of course, some of the more sensationalist rumours about Sir Cardwell’s death had been a little… macabre. But those were just silly rumours! No-one actually believed it could be true!

Carol looked around. Where were all the children? A horrible thought occurred to her.

“Where’s Timmy?” she asked.

Felicity smiled but said nothing.

Carol’s eyes widened, and she fell back against the wall. No! It couldn’t be true!

She slid down the wall and began to sob.

Felicity looked down at her. “My dear,” the old woman smiled, “I can’t let you go home like that. Let’s get you cleaned up – I think you should stay for supper…”

 

Inky Interview: Poet Faye Joy

Can you tell Ink Pantry about your journey as a poet? What lead you to write poetry? 

I am currently doing an online part-time course in Creative Writing, specialising in Poetry, with Manchester Metropolitan.

Art and Art History were my main concerns as a practitioner and teacher, but I wrote a few poems over time, taking it further a few years ago when I chose a two-year Creative Writing Course with the Open University as part of an Open Degree. I have also enjoyed and been stimulated by several excellent Arvon courses in Lumb Bank, Yorkshire. I like the idea of a target, of the support and opportunities the aforementioned have given me.

Do you write prose? Have you thought about screenwriting? Radio?

I have written a few short stories and a radio play. The latter I found challenging and interesting so have decided to try and adapt a group of recent poems into short plays as part of an MA project.

What is the poetry scene like where you live? 

I live in a small market town here in Normandy. There is no “poetry scene” as such, so online courses and the contact with other poets met on Arvon courses provide stimulus and exchange, plus I have a good critic in my daughter who reads my work and offers constructive advice.

Who inspires you? Have you a favourite poet?

I remember reading TS Eliot as an art student and being quite awestruck by its fragmentary construction, then later Ted Hughes’s powerful visceral language. Seamus Heaney has a profound impact, not only his poetry, which is so grounded yet carries a strong mythological sense, but his writing on poetry too. More recently I have been inspired by Michael Symmons Roberts and Dorothy Molloy. Luke Kennard and Ian Seed are more recent “discoveries”. I like the energy and vibrancy in Kennard’s work and the sense of a theatre of the absurd. Seed’s unsettling prose poems have encouraged me to experiment with that form.

What do you care about? What themes keep cropping up in your writing?

There are several recurring themes and topics in my work which I have been trying to group together recently; e.g. my feelings re. la chasse here in France; the birth and early months of my grandson; the surreal in my daily life; and the small occurrences and exchanges in this rural town with neighbours, shopkeepers, etc. I also realize “loss” is an overriding element in many poems since the death of my husband seven years ago.

Have you any advice for budding poets?

I would only suggest to anyone wanting to write poetry, read a great deal of poetry, more than you write and across many styles and times and just experiment. The Arvon courses mentioned before are a wonderful stimulus and possible support system.

What are you reading at the moment?

I have quite a wide poetry collection and dip into it regularly. I am reading the novel The Yellow Birds by Kevin Powers after reading through his “Letter Composed During a Lull in the Fighting” – a group of very affecting poems deriving from his part in the Iraqi conflict.

What is your creative space like?

I live in a small half-timbered house. The first floor is a large open-plan space, and I work on an old, oak table in one corner; it’s a solid, Cornish farm table I have had for many years and its substance is reassuring. I have a view across to a line of tall poplar trees bordering a river which is also reassuring – and stimulating.

Can you share with us a couple of your poems?

Little Warheads

They slivered into the proffered tin,

ice sprinkled around torpedo slicks,

sky reflected in the puissant gleam

of their prismatic scales. I thanked him,

bearded man at the dechetterie

giving away his morning’s angling. (fishing)

I had gone to recycle cardboard

and came back with a tin of five fish.

 

The State of the Pavements

The tyres scuff and skew, but strong springs cosset him.

I walk him in his bebe confort along roads and lanes I know

more intimately now, by narrow pavements, shuttered windows

with broken bergeres and rusted hinges, past stone-wedges of doorsteps

blocking my way, over odd kerbs, palimpsests of successive

community decisions, past precarious plantpots with dried out herbs.

Past the house that will be a brocante,

the house that was the doctor’s surgery,

past Isabelle’s sewing room,

the one-time mercerie,

the house attached to a shed,

and the cobbled alley of broken windows, tilted slates and slanted walls.

 

He lightly pitches stray notes and trills.

I push past slag coloured pigeon shit piles

and empty houses freighted with them,

past a memory of a man walking a dog,

a torn towel over his shoulder, loud parrot on top.

A shutter swings open, a cage covered in a scrap

of cloth barely conceals the screeching bird.

 

A shadow passes over winging. Those piles

spool up flapping and cooing in low tones circling

slip-slated rooftops in search of other takeover zones.

I wipe his hot head with a moistened towel.

Must tell the mairie about the state of the pavements.

What is next for you? What plans have you got?

I hope to complete the MA course in the next couple of years and there is a possibility of a small publication of some of my work, but it is the process of writing that is the most fulfilling thing. I will also be joining another Arvon course at Lumb Bank in July.

 

Poetry Drawer: Bog by Ali Hepburn

Underfoot, the peat sprang back

leaving watery footsteps

behind – there were no greens

or browns, only earth-colours

and moss-colours and a sense

of refuge from the inky pools beyond —

the kelpie-lairs and deeper fathoms

where dwell the ones who never made

the crossing. Ahead,

it shone as if lit by fool’s fire, white

with the coolness of old death,

hollow eyes long vacant, but staring,

knowing now the perils

of the mire. Horns,

regal and incredulous

in passive defeat, hung

with fronds of lichen

in gaudy decoration, the bog

speaking in warning,

in reclamation.

Books From The Pantry: Love by Robin Barratt: Reviewed by Natalie Denny

Love. The four-letter word that has captured creatives for centuries is the defining theme of LOVE – A Collection of Poetry and Prose on Loving and Being in Love, the second of the Collections of Poetry and Prose book series compiled by Robin Barratt.

LOVE is a varied assortment of poetry and short prose from contributors around the world from Australia to England, from South Africa to Sri Lanka to the USA, to name a few. The origins of the pieces are very prominent in the submissions as they switch between contemporary and traditional styles with distinctive cultural influences running throughout and a real sense of place in many of the stories.

The book is part of a series, the first a replica of the same idea but with loneliness as the theme. The foreword from Barrat explains the main aim of this project was to provide another platform and avenue for creatives across the globe to have their work published and read, regardless of their defining characteristics or biographies. Barrat isn’t a poet and had, by personal admission, accepted nearly every submission and in its original state. I think this shows somewhat in the overall quality of the pieces.

The title boasts over 150 submissions of varying length from over eighty writers and poets. The content takes us on a epic love story from infatuation, the new spark of a relationship, brief sweet encounters, the tender familiarity of an all-time love, to the mundane, everyday tasks that bind two people as one; but it also balances more darker themes of unrequited love, jealousy, vulnerability in love, finding love online, love fading and the painful moving on from a relationship to pastures new. There’s also platonic love depicted between siblings and animals, and religious love, as well as the love of sentimental objects, capturing a wide variety of meanings and relationships.

Whenever dealing with love you will always run against the tide of clichés. I think even these viewpoints should have a level of endearment awarded. As a love-struck, dopamine-addled fool you feel that no one else in the history of the world has felt this feeling. I’m sure we can all remember times in our lives when love has made us conform to our more cringe-worthy selves. So despite my salubrious scepticism, I do believe there is a place for poems like that, though there does seem to be a generous amount within this collection.

Despite that, there’s some absolutely beautiful pieces contained within these pages. My personal favourites include:

‘Today’ by Rachel Walker, which has a lovely descriptive normality – being with your favourite person in the world, of those little blessed moments that add up to something infinite. Walker’s second poem, ‘7 years 4 days 11 months’, is also a heartfelt calendar of love and how it can haunt and liberate a soul.

Molly Donald’s ‘Tell Me It’s Real’ banishes all pink hearts and butterflies in a poem about authentic love that is ‘more than a Hollywood movie’.

Keith Nunes’ ‘Meeting on a Footpath’ details how ‘lovers effortlessly crush each other’ even when the relationship is no more, and ties in nicely with ‘The Tone of Your Voice’ by Martin Redfern depicts witnessing the heart wrenching observation of the one he loves loving someone else. This could also be grouped with ‘Black Cream for Ruined Hearts’ by David Hollywood, which has an excellent use of sounds and visceral, vivid language.

‘A Little Tin’ by John Stockdill resonated, as it told the story of responding to hate with love; ‘only kind words’ can be more effective than anything else in reaching a person.

‘Cruelty’ by Lonita Nugrahayu dissects the nature of love, namely how ‘we fall in love … we rise in hate’ when healing from a relationship.

‘One Word Only’ by Sarah Spivey was a grand and beautiful testament to self love in the face of any flaws glimpsed in the mirror at the age of thirty-seven having just woken up.

The short poem ‘Love’ by Andrew Hunter sums up the sentiment of the collection perfectly likening the heart to a strange muscle that ‘beats us up’.

There is something for everyone in this book. I was delighted by the variation in writing styles and subject interpretation. If you’re looking for new writers with fresh perspectives, from a range of places, then this collection is worth your time.

 Get your own copy of Love 🙂

Pantry Prose: Eat At The Weather! You Chin-Tie Fanfold Rainhood Squadron Member You! by Lavinia Murray

I’ve got spoons in my drawers like everyone else, but their unusual shape is because they’re a 1/24 scale rendition of my pelvis on a stem — that’s dessert spoons — and a 1/12 scale rendition of the top of my skull — teaspoons. My knives are all cambered exactly like my ribs. Fun at mealtimes guaranteed and what a talking point when guests struggle to control what covers their plates and I charge them for the dry cleaning they’ve necessitated! Oh yes, my home is decked with ad hoc mock marvels. I’ve got a packet of ‘Instant Iceberg’ purchased from my local outdoor pursuits shop, plus an ice cornice and crevasse in my freezer, part of the Global Glaciers Collection which me and my buds play swapsies with down at the ice rink or the local’s market meatsafe. We enjoy exchanging geological features, especially these intermediary sorts that are really solidified weather. Talking of which, we intend to bring out a range of Weather On A Stick popsicles so whatever it’s doing in the wide yonder, you get to carry your own temp and meteorological preference around with you. Hot irradiated lollies with a UV range equal to that of a 3 day heel-to-toe trek along the Equator, sticky lollies with a humidity level found only in former cotton-weaving towns, established mildew blooms and rainforests, and gum-jamming spit-robbing droughtpop with ash-like dip and dehydrated liquorices dipperstick. Drippy drizzle and dogspot dropping and dripdrip strangely regulated rain that wobbles just before it lands lollies, the wrapper doubling as chin-tie, fanfold rainhoods. And grey lollies, part household dustbunny, office airscrape, commuter fug trail and extract of exhaust puther and after-lunch breath for that mid-city mid-season midday weathermug.

I’m going to loose my Instant Avalanche on a friend this afternoon. I have my little searcher’s probe ready to jab at the slab and locate her — as have my fifteen friends — so it’s hide and seek — and she’ll be supplied with a little hot-weather lolly which she can use to tunnel through and shift her location if she doesn’t want to be found — this melt-then-refreeze strengthens the tunnel structure so we may not be able to get her out. If that’s the case then it’s heigh ho, we’ve created our seventh snow queen in a row.

 

Books From The Pantry: The Changeling’s Child by Rachael Lindsay: Reviewed by Shannon Milsom

‘I is different, my Dear Ones,’ Hobnail agreed. ‘I strives to be different! My aunt, long time ago, is teaching me skills and magical uses for my extra fingers. She is teaching me big lots: most of alls, how to live when others wants me gone. And now I lives and lives.’

As a child, some of my fondest memories are from happy, sun-dappled afternoons spent exploring the wilderness of my garden; making glorious muddy messes and checking for treasures hidden under rocks and tucked away in crevices. A shy girl, I found companions in the animals and insects that made their home in my tiny, private jungle.  

Upon reading The Changeling’s Child by Rachael Lindsay, I was immediately transported back to that magical, childhood place. Rachael Lindsay’s writing evokes perfectly the enchantment and strange wistful wildness of nature. Laugh-out-loud funny in some parts, and touching in others, it is a perfect read for an imaginative child (or indeed, a child of any age!)

The Changeling’s Child by Rachael Lindsay tells the story of Hobnail, an ugly and unloved misfit who lives in the forest with her two ‘Dear Ones’, Warty Toad and Slimey Slug. Outcast by even her mother who thought her strange daughter to be an evil changeling fairy child, Hobnail is taught magic by her aunt and then finds herself a home in the quiet solitude of the forest with only her pets for company.

However, even in the forest there is nastiness afoot. The cunning Leaf-Man and his spies hatch a clever plan to try and get Hobnail out of the forest for good; a plan that involves a human baby.

The characters in The Changeling’s Child are engaging, funny, and have a real sense of depth to them that gives the story warmth and soul. Hobnail’s past is presented to the reader through the bedtime stories that she tells to her pets, which is a lovely and poignant touch.

Rachael Lindsay also puts lots of expressiveness into the dialogue of her characters, especially Hobnail:

‘My dears! This is no time to be larking-fun and playful in a pool! Time and the dimsk are against us. We must hurry on our way.’

I also found the exchanges between Warty Toad and Slimey Slug to be highly amusing. The two pets each jealously vie for the attention of their mistress; often trying to outdo each other in their endeavours to please Hobnail, and usually with hilarious results!  

This, as well as some beautiful descriptive writing and gorgeous illustration, really helps us, as readers, to paint a picture of Hobnail, her friends, enemies, and the enchanted, peaceful haven of the forest they all inhabit. (Although that picture could possibly be a little slimy and splattered with woodlouse jam).

Get your own copy of The Changeling’s Child