Poetry Drawer: Introduction to the myth: Arethusa and Alpheus I & II: At the sea II: The prayer senso stricto: in Dreameries: At the oracle: End-sonnet by Paweł Markiewicz

Introduction to the myth

The myth has happened in darkness of forest,
near the old druidic altar with the stone.
It was foggy then, shrouded in last summer.
Here a fawn was born at dawn and morn – no woe!

Near the spring that belonged to the moony grove,
naiad Arethusa is sitting on grass.
Artemis – the soft goddess without trouble.
It is the dreamy time for the Blue Hours.

The Utopian time is coming with charm.
The naiad is musing about nightingales.
They were known and famous in the whole land.
Their song – for the sake of dazzling paradise.

Arethusa was not a mortal being.
Artemis is resting now, only dreaming.

Arethusa and Alpheus I

In the grove where the druid’s fire sparkled at last evening,
the Naiad dreams of the righteous, dear, beauteous time.
The glade should be cleaned up after the amazing meeting
of the Olympic gods and goddesses last pretty night.

The logic of Arethusa dreams of deductive wings.
At the edge of forest the God Alpheus is waiting
for the Naiad and apollonianly propitious mind.
Having stroked the forest-like fawn, she is to him – coming.

He has hunted for wildcats at midnight with fancy – here.
The love for her is such fabulous, gorgeous musing
about the ontologically perfect Golden Fleece.
The love is lost delight and only stardust of feelings.

She should become his amaranthine wife – the virgin.
for life in depths of unending artemislike timbers!

Arethusa and Alpheus II

If dear Arethusa miswedded,
she would sully tender crystal soul.
She is going home quickly – away,
dreaming of scintilla of the morns.

Don’t pick musing flowers of my hope!
Leave me alone and my wizardries!
Moony paradise seems to be lost.
The naiad escapes soon from the forest.

On ship towards Ortygia-island,
she meets the captain, former pirate
and three divers with pearls in their hands.
They want to dream and sleep, it is late.

The captain remembers the midnight storm.
Naiad’s homeland becomes indeed lost.

At the sea II

She must find motherland in exile.
Legendary seagulls are flying.
The country of sailors is the sea.
The waves of Poseidon are dreaming.

She can praise the morns – the charming dawns,
full of celestial spirits of spell.
The dreameries rest in new homeland,
which shimmers over the meek vessel.

Despite this Artemis´ forest lives,
where stags and does dance, muse forever.
She thinks about the ambrosial tears.
She listens to choir of pearl divers.

Naiad begins praying to Artemis
just in the most Apollonian ways.

The prayer senso stricto

Owl from the grove listens to prayer.
The most propitious and gorgeous words.
Let moony star-like memories fly!
Goddess sleeps in alluring forest!

Your roe is so appealing and grand!
Your hedgehog is handsome, good-looking!
Your bear is so cute and delicate!
Your squirrel is so fascinating!

Enrapture the beauteous diamond!
Beguile the splendid – classy agate!
Enthrall the angelic emerald!
Allure the bright – divine sapphire!

The wings of birds need to enchant world.
Star of philosophers – next to owl.

in Dreameries

Arethusa embellishes a dawn,
bewitches the fantasy of the moon
with ravishing, resplendent stars,
becomes bucolic dreams of the gods.

She is such a good, cute Eden.
or an apollonian Arcadia
land that was eternally Promised,
as the mirth of Eudemonia.

Be charm fulfilled such epiphany!
It is from an ontology – child.
I wish you were from eternity.
She would be the perpetual stream.

Sempiternity is immortal.
Her stream-becoming is eternal.

At the oracle

God Alpheus was at the Pythia.
He needed a plethora of feelings.
She looked at the ancient amphora.
Eudemonia would be clear in dreams.

The oracle wanted to help them yet
Pythia, having drunk, told the pure truth.
She told: The Naiad was on the isle.
She is spring – such a heaven, so blue.

Pythia wrote for Apollo poetry
about dreamiest mysterious from wind,
as well as of stolen Golden Fleece
about apollonianly soft mirth.

Long live an eternal oracle!
May poems be the most delicate!

End-sonnet

The poem is an obol.
The nightingale is singing.
The naiad needs from live more.
The lover is new dreaming.

Styx – river of destiny.
The God would be the river,
through the dreamed eternity.
They become philosophers.

I love the stoic sparklets
of Arethusa – naiad,
and of the brave Alpheus,
so beautiful is the time.

I want to finish sonnets,
in dreams of the Grecian myths.

Paweł Markiewicz was born 1983 in Siemiatycze in Poland. He is poet who lives in Bielsk Podlaski and writes tender poems, haiku as well as long poems. Paweł has published his poetries in many magazines. He writes in English and German.

You can find more of Paweł’s work here on Ink Pantry.

Poetry Drawer: Sonnet CCCII: Sonnet CCLXXXXIII: Sonnet CCLXXXXIV: Sleepy Whale 485 & 491 by Terry Brinkman

Sonnet CCCII

Wine country returning to Napa and Sonoma too
Camping to teach kids about safety in their rooms
Smart Home new service for the groom
Southern Oregon’s leaf strewed Kazoo
California’s wine country is bouncing back to-do
Larger than life instaurations of the sun at noon
Super powers of skin multi-sensory to bloom
Three generations sail through the Greek taboo
Camouflage armour identity of course
Be good win big in Alaska even drunk
Suppose now it did happen would he bleed remorse?
The Hearse on the Cross-Gun Bridge with a sleeping Monk
Haulage rope mud choked bottled Carron Horse
Only circumstantial odour from a Skunk

Sonnet CCLXXXXIII

Unshed tears were not dropping in her Gin
Sad plight Golden Rule Cajole
Philosophical assertion control
Faint sent of urine on her skin
Butterflies don’t play Violin
Hand-Maids of the Moon patrol
Bristles shining wirily around the May-Pole
Seated crossed-legged smoking a Coiled Pipe in Berlin
Reign of uncouth stars plot
Shadows lay over her Blindfold
Corps rising salt white from under a Robot
Loom of the Moon’s old
Stench of his Green-Grave Gut
Augur’s rod of ash Centerfold

Sonnet CCLXXXXIV

Little pool by the rock’s music
Bold as brass delicate high jump
Soft clinging white aristocrat slump
Her very heart in a limerick
Gnawing sorrow now she is sick
Cry nicely before the Stump
Stole an arm around her rump
Impetuous fellow strength of a hick
Spit fire blue in the face clever
She tickles tint tots’ Brains
Saying an un-lady like thing to the server
Long slow kiss after the Champagne
Wisk well like white of eggs forever
She wanted his ball having won again

Sleepy Whale 485

Relinquished his post arch wine
Ten Seconds surface of her land
Contemplate suppressed grand
King Street smells of pine
Frequentative erroneously swine
Pleasures derived with literature at hand
Drank jossers silence contraband
Supervision pantomime sign

Sleepy Whale 491

Her neonist wears an Opal Ball-dress to write
Improper overtures from men
Writing on Tortoiseshells with Pens
Lines between shutters light
Frost- bound coachman arrives to night
Drawn the limit of ten
Her caves in silk hose with them
Insulting any lady’s double-envelops white

Terry Brinkman has been painting for over forty five years. Poems in Rue Scribe, Tiny Seed. Winamop, Snapdragon Journal, Poets Choice, Adelaide Magazine, Variant, the Writing Disorder, Ink Pantry, In Parentheses, Ariel Chat, New Ulster, Glove, and in Pamp-le-mousse, North Dakota Quarterly, Barzakh, Urban Arts, Wingless Dreamer, LKMNDS and Elavation.

You can find more of Terry’s work here on Ink Pantry.

Poetry Drawer: The new Celtic Ode to the Dreamed Mother Nature by Paweł Markiewicz

You are an enjoyable juniper!
You are a pleasurable bush!
You are an agreeable poplar!
You are a delightful spruce!
You are a gratifying cedar!
You are an amusing birch!
You are a diverting corn!
You are a bonny pine!
You are a lovely palm!

Your sepal be alluring!
Your petals be delightful!
Your stamens be appealing!
Your carpel be graceful!
Your corolla be good-looking!
Your filament be pretty!
Your ovary be stunning!
Your ovule be foxy!
Your anther be ravishing!

You honour starlet-like dreamland.
You admire moonlet-like mirror.
You exalt moony fairyland.
You deify moonlit enchanted rose.
You praise starry gingerbread house.
You glorify starlit forest.
You apotheosize comet-like spell book.
You magnify spherical tower.
You gratify sunny Ovidian sword.

Pawel and the Neoceltism. This poem is a dreamy manifesto of the Neoceltism, the spirit in which Paweł has created his English poesy.

You can find more of Paweł’s work here on Ink Pantry.

Poetry Drawer: Friend by Brian Edeki

Only in war and trouble could I comprehend
Who was my foe or friend?
In times of tranquillity and peace it wasn’t clear
When all was well my friends were there

When the sign post showed clear blue sky
I consorted with friend and enemies but never knew why
Still a friend is one who will tell you the truth
Be by your side when there is no proof

Jealousy and envy is not in a friend’s heart
And a love rival will never tear you apart
They will give you a bed to sleep on at night
Be there to stop you from having a fight

Knowledge and wisdom always share with a friend
That unbroken trust and bond can’t end
A friend knows your secrets and should be quiet
But will follow you to war or political riot

Even when you doubt yourself, a friend gives assurance
And will carry your heavy load and bear endurance
Money, should never come between you and a friend
Never ask for interest when asked to lend

Jesus had twelve friends but knew one would betray
I do hope and pray that you never see that day
In years to come real friends shall remain by your side
Trust in a real friend, secrets don’t hide

You can find more of Brian’s poetry here on Ink Pantry.

Prose Poetry Drawer: older new friends by Stephen House

there is nothing in life like old friends, long-termers who have always been there aware of the entire journey one has taken, all the up and downs and round-abouts, the secrets of i can tell you anything at all, and i have a valued handful of them, greatly appreciated and much loved, with the warming comfort of familiarity, and two or three who have disappeared, though whose fault is hard to tell. new friends don’t come along as often as you get older i’ve read and been told; less chances to meet them and share time, not as many encounters as when young, situations for socialising not as frequent, but i’m going to throw that theory out, for there is something to be said for making new friends as old age creeps in as it does, and i’ve taken to it several times recently with some awesome friendship outcomes. being older you know your type and tribe, your values and attitudes are fully formed and the way of looking at what is and has been sits in a particular way, and meeting someone new to you gives a quick sense of suited or not. we can hold on to old friends for reasons that may be more related to history and time; we may no longer even share similar outlooks on life in the current world, for we have grown independently by ageing; and so, while we may have long time friends who mean much to us and who we want to keep forever, it is senseless to not embrace new friendships that in old age may come to be close and dear and in becoming so offer amazing experiences. as older new friends you both arrive with a past and an acceptance of it. two older souls meeting later in life opens a communication truth and related calm maybe not as possible while in the rush of youth.

Stephen House has won many awards and nominations as a poet, playwright, and actor. He’s had 20 plays produced with many published by Australian Plays Transform. He’s received several international literature residencies from The Australia Council for the Arts, and an Asialink India literature residency. He’s had two chapbooks published by ICOE Press Australia: ‘real and unreal’ poetry and ‘The Ajoona Guest House’ monologue. His next book drops soon. He performs his acclaimed monologues widely. Stephen’s play, ‘Johnny Chico’ has been running in Spain for 4 years and continues. 

You can find more of Stephen’s work here on Ink Pantry.

Pantry Prose: RNA by Gary Beck

As I rounded first base I felt a tear in my hamstring that shot up my leg with a stab of hot pain. It forced me to slow down, but I had to keep running because I was on the edge of the bubble and was afraid of getting cut from the team. I risked a glance to right field and saw that the ball would get to second before me. I tried a desperate hook slide into the bag, but the second baseperson blocked me and came down hard on my legs when she tagged me. A streak of fiery pain that made the hamstring feel like a tickle seized me in an agonizing grip and I writhed in anguish. I heard the second baseperson’s hoarse voice through the haze of shock: “Your season’s over, old man.”

The team treated me as I expected: abrupt removal to a third level med-center, since I only had a tier three contract. I was very lucky to see an intern, since tier three didn’t entitle me to a doctor. The most I could normally hope for was a med tech. Tier three didn’t include x-rays, but after moderately careful manipulation the doc informed me that the anterior cruciate ligament was definitely torn. So second base was right. The team’s HMO representative had accompanied me to the med center to ensure that I didn’t exceed my benefits. He announced my options: laser surgery and three days care in the open ward, with appropriate medications, then departure by public transportation; or laser surgery, transport to my residence by ambujit and one week of home care by a licensed nurse’s aide. All veteran ball players knew what open wards were like, so I didn’t even think about it before opting for home care.

The HMO rep was already indignant that the team would have to pay for a doctor and had me sign various forms exonerating the team from any liability. I had to sign, or risk losing my meagre pension. The HMO rep had more power than the coach. He tucked the documentation in his bizsac, authorized the doc to provide laser surgery and spoke into his comphone. A few minutes later a nurse’s aide entered and properly identified herself according to guild requirements. “Hello. I’m nurse’s aide Felicity, guild registration number 672, reporting for assignment. The HMO rep gave her the care restrictions. While she listened attentively I had a chance to look her over. She was tall, about 5’9”, with an athlete’s body and looked as if she could handle any kind of emergency thrown at her. She was around thirty years old, but her untroubled face, bright blue eyes and blonde hair cut in the short lezzie style made her seem much younger. I had worse caregivers over the years.

Nurse Felicity looked at me reassuringly while she drew a hypo. The HMO rep hovered fretfully and verified that she used the minimum Demerol dose. He was beginning to annoy me almost as much as my aching leg. The injection started to take effect and although it didn’t remove the pain, it made it bearable. I had nothing else to do while I waited for the doc, so I began to take stock of myself. I was a thirty-eight year old professional ballplayer with a body going on sixty. I had lasted years longer than most players because I still looked young on camera, the prime career determinant now that ball games were no longer played in front of live audiences. If I recovered from this injury, if another team wanted me, if a little hair dye could fool the judgmental camera, I might eke out another marginal season. After that I didn’t know what else I could do.

It felt like centuries ago when I graduated from George W. Bush High School, in Amarillo, Texas, as a star football, baseball and basketball player. I wasn’t college material because of poor academic performance, so I opted for a professional sports career. Fortunately the pro teams will take anyone who can play well enough, despite the lip service they pay about the necessity for education. Then I made the most intelligent decision of my life. I knew even then that I couldn’t do much besides play ball, so I chose baseball, because it was less of a contact sport than football or basketball. I thought I might be able to extend my career longer, if I didn’t get knocked around every time I played. It turned out to be the smartest move I ever made.

I didn’t often think about the past. I had some good years as a right fielder, including five with the Hiroshima Dragons. I had been very popular with the local fans, who easily recognized a distinct American from afar. My only regret was that I didn’t learn Japanese so I could talk to people. It would have been fun to jabber away in their language, but I never could remember enough words. I did like their manners. They still showed some respect for others. I would have stayed in Japan for the rest of my career, but they got a younger, faster token American. After that I came back home and moved from team to team, sometimes on the field, sometimes on the bench. I hung on when younger and better players were cut, because I could play any outfield position and first base in an emergency. It also helped that I could still manage to hit close to .250.

So here I was in a grubby med-centre with at least a season ending injury, probably a career sign off, with no ideas for the future. I didn’t have a nest egg. I never managed to save, despite a meagre life style. I was an ancient journeyman in a young profession, without name or fame that could be traded in for civilian security. I had no skills, no credentials and no experience, except as a marginal pro ballplayer. I wouldn’t even be desirable in a low life sports bar, because I lacked sufficient celebrity. I guess I had to start thinking about what to do with my life, but I wasn’t well-equipped for making a life plan. Too many years of just being a hit and fetch ball dog had worn away most of my thought process. I sort of accepted whatever came along, without worrying too much about the future.

Nurse Felicity brought me back to the present with a gentle pat. “We’re ready for surgery now.” She lifted me onto the gurney with surprising ease and wheeled me to the laser room. Despite all my injuries over the years that included broken fingers, toes, sprains, strains, as well as innumerable aches, pains and other ailments, I never required surgery. I was scared and it showed. Nurse Felicity crooned soothing sounds that were supposed to reassure me. The HMO rep kept getting in my face, babbling about how grateful I should be for receiving generous extra contract services. All I wanted to do was look at strong, shapely nurse Felicity, but the HMO rep kept blocking my view. I couldn’t insult him because he controlled health benefits, so I drifted into a fantasy, where I picked up my tungsten bat, swung for the fence and blasted the chub’s head clean out of the ball park…. I idly wondered why they called it a ball park.

Nurse Felicity looked at me as if she could read my mind. I instantly forgot about the HMO rep and tried to look innocent, because I wanted her to think well of me. I didn’t have a girl and it had been a long time since baseball groupies chased me. The thought of a week with a pretty nurse who could haul me around made me forget my fear for a while. At least until the doc came in. He looked too young to be an intern and I suspected they could be pushing a med student on me, but I didn’t dare say anything. If I offended the HMO rep he might cancel my treatment and I’d find myself on the street. So I carefully bopped my tongue stud on the roof of my mouth so it couldn’t be seen and didn’t say anything. A tier three contract didn’t allow piercings.

The procedure itself didn’t take long. Nurse Felicity curled me on my side, the doc adjusted my position with a clumsy hand that gave me a jolt of pain, then zapped the torn spot with a beam of light. He looked me in the eye for the first time. “Don’t put any weight on that leg for two months, then carefully begin to walk on it. I think we can give you crutches until then.” He looked inquiringly at the HMO rep, who consulted his handbook, then begrudgingly nodded yes. “With any luck you’ll be good as new in six or eight months,” the doc said. Right. Good as new. I wasn’t good as new when I was new. “Can you give me some pain pills, doc?” The HMO rep was there like a shot. “Your benefits package doesn’t entitle you to painkillers. You’ll have to manage with neurodumps. Now let’s conclude the treatment session and get you on your way.” This chub was really ticking me off, but I didn’t dare offend the power structure, so I gave him the same conciliatory smile that had worked for me for years.

The doc condescendingly waved goodbye. I guess he was a little miffed at treating a lowly tier three patient. Nurse Felicity lifted me back on the gurney and we headed for the ambujit. The HMO rep had me sign the fair care release, the med centre doors closed, nurse Felicity stowed me in the back of the ambujit and we pulled away from the curb. The ride to my crib seemed to go on forever. Every pothole reminded me of the current state of urban decay with a jab of pain. My only consolation was that at least the injury happened at a home game. If it happened when the team was on the road I would have really been torqued. I don’t know what they would have done with me, but they probably would have dumped me at the nearest tier three med-centre and left me on my own. My only option then would have been a dubious appeal to the players union, which like most other American unions, had been worn down over the years, or bought off by the bosses.

The neighbours didn’t bother to look when nurse Felicity rolled me into my crib. They were more accustomed to seeing people carried out, than brought in. She quickly and efficiently organized the small space so I could get to the bathroom on my crutches and easily reach the kitchen unit for meals. She adjusted the couchbed so I could watch the large wall TV, my only luxury. She was the first woman who had ever come into my crib. Well I guess the landlady counted as a woman, even though I thought she was a nasty old bag. One of my neighbours, a rabid sports fan, once told me she had lost all her assets, except this building, in the big technology crash of 2001. Well, no wonder she was bitter, living in a dump like this, if she was used to better.

As I watched nurse Felicity do things around the crib, I had an unaccustomed feeling of well-being. I wasn’t used to a woman’s presence, especially in this little room that I never thought of as home. The last real home I could remember was a foster home when I was five or six. The ortho parents wanted a bright, artistic child to enrich their lives. Instead they got a morose brooder, who they quickly tired of. After that I shuffled from one group home to another, until I finally graduated from high school, where I was never the life of the party. In fact, except for time on the ball field, I was pretty much invisible for most of my life. Well it just made me feel worse when I felt sorry for myself, so I just enjoyed the treat of nurse Felicity fussing around, trying to make me comfortable.

She finished her chores and got ready to leave and a well of loneliness rose in me. I urgently snatched at a reason for her to stay a little longer. “Could you just show me how to make a freeezemeal?” She looked at me with an understanding twinkle in her serene, sky blue eyes and my heart raced. She knew I didn’t want to be alone. It only took a few moments to prepare the meal and she was ready to go again. I wouldn’t shame myself by pretending to be in worse condition and I couldn’t find another pretext to keep her with me, so I said the only thing I could think of: “Do you want to have something to eat with me?” She smiled sweetly: “No thank you.” I got a pang of rejection. “Is it because I’m black?” “Oh no. Only the Chinese don’t like black people and you know they don’t like any Americans. In fact they have their own med centres and I’ve never even had one as a patient.”

I was getting desperate for her to stay and asked plaintively: “Then why won’t you eat with me?” “I don’t really eat.” “What do you mean? Everybody eats.” She shook her head. “Enhanced sentients don’t. I take liquid nutriments.” I didn’t know what she was talking about. “What’s an enhanced sentient?” “A flesh and composite being with A.I.” I looked at her, uncomprehending. “You mean you’re not a real person?” “Of course I am, even though the nurses union wants to prove that we aren’t human in its class action suit. I don’t think much about it though. I’m too busy taking care of my patients.” I was stunned. Was I being turned down by an android? After this what was I supposed to do, ask the ball boy machine for a date?

I was at a complete loss for words as she headed for the door. She turned with a bright smile. “I’ll see you tomorrow for your first day of home treatment.” I felt like laughing or screaming, but I did neither. I watched her leave with a feeling of despair that plunged me into a pit of self-pity. The only thought that kept racing through my mind was that I couldn’t ever seem to connect with anything real.

Gary Beck has spent most of his adult life as a theatre director and worked as an art dealer when he couldn’t earn a living in the theatre. He has also been a tennis pro, a ditch digger and a salvage diver. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines and his published books include 21 poetry collections, 7 novels, 3 short story collections and 1 collection of essays. Published poetry books include:  Dawn in CitiesAssault on NatureSongs of a ClerkCivilized WaysDisplaysPerceptionsFault LinesTremorsPerturbationsRude AwakeningsThe Remission of Order and Contusions (Winter Goose Publishing, forthcoming is Desperate Seeker); Blossoms of DecayExpectationsBlunt Force and Transitions (Wordcatcher Publishing, forthcoming are Temporal Dreams and Mortal Coil); and Earth Links will be published by Cyberwit Publishing. His novels include a series Stand to Arms, Marines: Call to Valor and Crumbling Ramparts (Gnome on Pigs Productions, forthcoming is the third in the series, Raise High the Walls); Acts of Defiance and Flare Up (Wordcatcher Publishing), forthcoming is its sequel, Still Defiant); and Extreme Change will be published by Winter Goose Publishing. His short story collections include: Now I Accuse and other stories (Winter Goose Publishing), Dogs Don’t Send Flowers and other stories (Wordcatcher Publishing) and The Republic of Dreams and other essays (Gnome on Pig Productions). The Big Match and other one act plays will be published by Wordcatcher Publishing. Gary lives in New York City.

You can find more of Gary’s work here on Ink Pantry.

Poetry Drawer: Tête-à-tête: COVID-19 Featureless: COVID 19 Charades: He snored away by Dr Susie Gharib

Tête-à-tête

What do you make of your first relationship?
Extremely pathetic.
How would you describe him?
A rogue but with a profession and a suitcase.
What did you learn from that experience?
That some men never grow beyond the teenage stage.
Was he handsome?
Beauty is in the eyes of the beholder.
What made you love him?
A sheer absence of companionship.
Did he love you?
In a narcissistic capacity.
How did you get over him?
By living on another continent.
Any happy memories with him.
The birds we fed.
If he were still alive, what would you like to say to him?
I wouldn’t want to waste my breath.

COVID-19: Featureless

He speaks of the dusk of each muffled sentence,
the quarantine of an adjectival clause,
the numbing of a tantalizing subject,
the feverish heat of a muddled metaphor,
in a mummified tone.

I turn to see who is sitting behind me,
a featureless man with a knife and a fork,
contemplating his plate of chips and pork.

I think a zip for a mask of cotton
could be a designer’s profitable call
should COVID-19 continue to involve
such a vast expenditure of cloth.

The masquerades of high circles
displaying a wide variety of looks,
a gorgon’s,
a Joker’s,
a Nero’s,
now boasts a new addition to its host:
a circle with multiple horns.

COVID-19: Charades

I compare the global, infernal arena
to our own horrific, domestic scene
and wonder which is more disheartening,
the lack of amity between nations
or the death of the fraternal
on each familial mien!

I creep out of my inner bubble
for a waft of fresh breeze.
They no longer starve us,
it is suffocation by contagious fear,
since a single sneeze
can render one’s cordiality impotent
and each word one utters
is a threat to be seized.

Our scars are too deep,
pledging eternal visibility.
They have become the trend that the elect and elite
wear on their masques on public charades
to boast their solidarity with the afflicted
in their own aesthetic way.

He snored away

He had snored away his honeymoon,
laying the blame on his nightwear
which his best man had bought for him
as a wedding gift,
with the colors that sedated him most,
even stripes of turquoise alternating with cerulean blue.

He snored away the advent of his first baby Annabelle Ruth,
whose wailing at night kept him awake,
inducing a very sullen mood,
so large doses of sleeping pills
were his last resort
to weather that familial storm.

He snored away his amicable divorce,
which had loomed in his horizon for long.
His wife, who had filed for it,
supplied him with the necessary amount of booze
to alleviate the hard feelings that a separation induced,
lulling him to sleep after only one glass or two.

Dr Susie Gharib is a graduate of the University of Strathclyde with a Ph.D. on the work of D.H. Lawrence. Her poetry and fiction have appeared in Adelaide Literary Magazine, Green Hills Literary Lantern, A New Ulster, Crossways, The Curlew, The Pennsylvania Literary Journal, Ink Pantry, Mad Swirl, Miller’s Pond Poetry Magazine, and Down in the Dirt.

Susie’s first book (adapted for film), Classic Adaptations, includes Charlotte Bronte’s Villette, Virginia Woolf’s The Waves, and D.H. Lawrence’s Lady Chatterley’s Lover.

You can find more of Susie’s work here on Ink Pantry.

Poetry Drawer: Exposing the Crux: All Will be Revealed: History by Zoom by Wendy Webb

Exposing the Crux

The glass roof overhead
is the environment of all,
steamed or clear or painted
to hide what anyone might see,
green as dandelions
or murky plastic ocean floor.
Opaque childhood dips in,
pulls out a plum/blackbird/or crab.
Safe as houses/nappies,
explosive contents float away
until forgotten. Gone,
like fluffy lambs/chicken yellow,
grown-up and practical.
Not many look at flimsy roof,
heartbeat faster/deep breaths,
contemplating heaven and hell.

Like parents
seeing a child
in glass coffin.

Shattered,
no safety net
to existence, ever after.
Pained or clear, with eyes steamed,
anyone might see, yet most hide:
blue as dock leaves/nettles
or sea creature in life’s tangle.
Bright childhood laughs, or paints,
says Humpty got cracked and broken.
Rules safe as Britannia.
A pink elephant balloon flight,
like laughing gas (run out).
Snow-white earth dwarfed apple-yellow,
grown old, impractical.
Parents see through flimsy life’s roof,
heartbeats racing, fight or…
contemplation. Heaven and hell.

All Will be Revealed

She waits in the shadows at the end of the day,
her curvaceous shape means you want to play.
She’s left in the silence of slow dark thoughts, to mull
her own show lightastic, poolingly full.

There is nothing imagined, that hides in the dark,
she knows you so well like a walk in the park.
You have waited all day and now have to get home,
on tube train or railway imagine that roam,

when you slam the door, stay polite and don’t ask yet,
imagine disaster if you then forget
to pace yourself slowly through dinnertime duty,
when all you want is that loverly beauty.

You hope that dull Newsnight is too boring to switch,
after bright-swatch interiors spelled to bewitch.
Finally retiring (hope for no distractions),
no needful new-fangled bedside contraptions.

Slide into bed slowly, for eye contact is all,
then flick her switch suddenly (like cricket ball).
Lie back and relax now. Oh heaven, it’s this:
bright light, pair of glasses, for reading is bliss.

History by Zoom

One day,
I will Zoom into Open Mike
and read softly a poem that demands
to exist, to breathe, to live.
One day,
I will pick that clementine from my bowl
and those poets – you know, the NAMES,
will gulp, or gasp, or breathe raggedly,
trying not to cry in public.
One day
I won’t need a rhythmic list,
nor comic dismissal of gravitas.
Earning a place on their table,
until vivid peel drops on their plate,
dribbles down their chin,
catches the back of throat denial
that a poet demanded to be heard;
that words marched on Trafalgar Square;
that a PM bowed and vanished;
that even a Queen could lie vanquished and great.
Bohemian, I will grab the mike;
rattle the Halleluyahs into submission;
listen to the chorus of praise
that, One Day, happened to me.

Wendy Webb: Born in the Midlands, home and family life in Norfolk. Published in Indigo Dreams, Quantum Leap, Crystal, Envoi, Seventh Quarry) and online (Littoral Magazine, Autumn Voices, Wildfire Words, Lothlorien, Radio: Poetry Place), First in Writing Magazine’s pantoum poetry competition. She devised new poetry forms; wrote her father’s biography, and her own autobiography. She has attempted many traditional forms and free verse. Favourite poets: Dylan Thomas, Gerard Manley Hopkins, John Burnside, John Betjeman, the Romantic Poets (especially Wordsworth), George Herbert, William Blake, Emily Dickinson, Mary Webb, Norman Bissett, William Shakespeare, the Bible, and the Rubaiyat of Omar Khayyam.

Pantry Prose: Click Bait by Balu Swami

Laila was a bush pilot, crocodile hunter, face climber, BASE jumper and, more recently, wingsuit flyer. She was also asthmatic, arthritic, and anaemic. According to her doctor, she also suffered from tinnitus – a diagnosis that she had a hard time accepting. Initially, the doctor thought that her condition was caused by damage to auditory cells. When tests showed no damage, he termed it ‘perceived’ tinnitus. What she heard, on occasion, is a muffled clicking sound that seemed to come from a deep well. The clicking had a pattern although she couldn’t quite map it. She sure as hell knew it was not ‘perceived’ or ‘subjective’.

When billionaire Carlos’s New Horizons Corp announced it was seeking astronaut candidates to work on a Mars-orbiting space station, Laila jumped at the opportunity. Although she did not have a degree in science or engineering, her pilot experience and her notoriety helped her leapfrog to the front of the line. The notoriety was a good bet. One of the cable networks dug up a photo of a naked Laila with a python around her neck. When a reporter asked her if there was any truth to the story that she slept with the entire football team in college, she corrected him saying, “the basketball teams – men and women.” All of this brought tons of attention to the mission and the company’s stock went up which, in turn, helped the company raise more capital. Carlos couldn’t be happier.

During the two years of training, Laila noticed that the clicking sound got clearer and more distinct every time she performed zero-g manoeuvres. But then parabolic flight does all sorts of shit to the body, so she filed it under the ‘who the fuck knows’ bucket and forgot all about it. During launch, she was all nervous energy and during different stages of ignition, she was too excited about the prospect of leaving Earth’s orbit to focus on anything about herself. It was the same thrill she felt BASE jumping or wingsuit flying: Rush, Rush, Rush.

The clicking returned several months later during her first spacewalk. This time, the sound was more pronounced and had the structure of an algorithm. She found the experience quite unnerving. She kept telling herself, “This isn’t happening. Sound waves can’t travel through space.” In the following days, as she worked with the crew on the building blocks of the space station, she trained her mind to shut out the sound. Once phase I of the project was complete, she called ground control and asked to speak to Dr. Allen, the chief astrophysicist. Dr. Allen didn’t have an answer for her, but she asked Laila to document, as much as possible, her auditory experience. Laila was sure Dr. Allen meant auditory hallucination.

Back on earth, Laila noticed that her vision had gotten blurry and the clicking had returned, only this time it was no longer faint. She underwent a battery of tests and it was determined that weightlessness in space had reshaped the structure of her eyes. Neurobiologists called it neuro-ocular syndrome. The tests, however, found nothing wrong with her hearing. There was a lot of babble about auditory cortex and neural responses, but the simple conclusion Laila came to was that her hearing had gotten more acute to compensate for the vision loss.

There it rested until she got a call, one morning, from Dr. Chandra, an acoustic scientist at UK’s Centre of Astrophysics. They wanted to record the signals Laila’s auditory nerves were sending her brain. They wanted to compare them to the gravitational waves from solar flares, supernovae and other cosmic happenings that the Centre had been recording for years. Laila thought the whole idea was bizarre but agreed to participate in the study.

Two years later came the answer: The clicking sound Laila had been hearing came from a black hole 1.5 billion light years away. Soon they were finding ‘hearers’ all over the world – a farmer in Uzbekistan, a monk in Bhutan, a 24-week-old foetus inside a pregnant woman in Romania. The foetus could hear the clicking that the mother couldn’t. In the traditional and social media, the headline was the predictable ‘Is anybody out there?’ For Laila, the question was ‘how can I get there?’

Balu Swami lives in the US. His works have appeared in Ink Pantry, Adelaide Literary Magazine, Flash Fiction North, Short Kid Stories, Twist and Twain, and Literary Veganism.

You can find more of Balu’s work here on Ink Panty.