Poetry Drawer: Sleepy Whale 385: Sleepy Whale 417: Bluest Irish Eyes: Portugal Red Brick by Terry Brinkman

Sleepy Whale 385

Alabaster rich silk crucified shirt
Fan shoals above oval face
Playing her acoustic Base
Ghost woman’s maladroit silk skirt
Sitting on treeless grave dirt
Tobacco shop-girl’s stocking’s lace
Blue Irish blue eyes embrace
Shattered window pane insert
Gyasi unshed tear drop, eyes
Twilight walking in her sleep
To find pouter perfect lies
Tide over sand sheeting sweep
Jess of sunshade, sunrise
Over her shoulder Bar Keep

Sleepy Whale 417

Her boat left stuck in the mud last fall
She allowed her bowels to ease without compromising
Smelling like fresh printed rag paper from Budapest
Darkness shining in the brightness from the touch of the nurse
Shadow lay over the rock hiding her Purse
Fly bristles shining wirily in the weak eyes light infest
Her hat left hanging on the floor of the Hearse

Bluest Irish Eyes

I met her at the Wayside Inn
Her Ilk Horns Parrot Zodiac tattoo
Was on her breast
Half-life awe whenever we met
Her Bluest Irish Blue eyes
She left my love Pollinate paraphernalia
Limp as a wet rag
Her alabaster white navel jests a totty grace.

Portugal Red Brick

For Sale Cotton-ball Barron’s Moccasin
Humours in the morning after being Catholic
All wind and piss in the air like Arsenic
Third race gloaming grey muddler did win
The sun rises in the west of Berlin
Timeless as Portugal Red Brick
Fashionable exquisite charmingly low music
Nobbling with her beer grin
Red Bank Oysters for the bride
Gullet and gob are still his
Largest trees found world wide
Where the booze is cheaper quiz
Beamed Mud Cabin between the divide
The beer that tastes like Bear Wiz

Terry Brinkman has been painting for over forty five years. He started creating poems. He has five Amazon E- Books, also poems in Rue Scribe, Tiny Seed, Jute Milieu Lit and Utah Life Magazine, Snapdragon Journal, Poets Choice, In Parentheses, Adelaide Magazine, UN/Tethered Anthology and the Writing Disorder.

You can find more of Terry’s work here on Ink Pantry.

Poetry Drawer: Has the Train Arrived?: I Have Your Skin On My Mind: I Long To Be Loved: Our Hair Reposed: Quatrains by John Tustin

Has the Train Arrived?

I am sitting here alone, hair shower-wet,
Carefully digging the pebbles out
From the bottoms of my feet
(Where they’ve been embedded)
With the little sharp digging tool
Found folded in a cheap nail clipper.
I think about breakfast in the morning,
Wondering if I will wake up to make it,
Wondering if I will wake up to eat it.
Then,
Going to the window for the tenth
Time
With three questions in my mind –
Has the rain arrived?
How furiously will it fall?
How long will it linger?

I Have Your Skin On My Mind

I have your skin on my mind.
I have your sadness in my eyes.
I wear your apprehension, a pure white cloak
I work day by day to shed.
I hold you in my imagination.
I want you the way I have always wanted.
I long for you and the twisted smile
I see when I close my eyes.
I see it grinning over me as you ease me in.
I see you going slow on top of me.
I feel you dripping down each thigh,
My hands in your hair,
My mouth on yours.
I want to make you happy.
I want to see you smile just like that.
I know you know this wish to make you content is all about me.
I feel your hands going through the hair on my chest.
I shiver in compliance.

I would feel better with your body up against mine.
I have your skin on my mind.
I have your scent in my imagination.
You have me on a string.
Please pull me toward you.
I closed the door.
It’s just us.
You can still be invisible, just not to me.
I promise.

I Long To Be Loved

I long to be loved
And understood
And wanted

And that is why

The moon, the sun, the dirt beneath them

The wind and the clouds
And the depths of the ocean

The splashing on her rocks and sand
And the falling of the rain
Will always be more powerful

Than I

Our Hair Reposed

Our hair reposed on the same pillow,
You face away, I face toward,
My fingers clenched on your hip,
My body heaved to yours.
Smelling the evening in your hair
And on the back of your neck.
Just glorious.
No more worried lonesome blues.
You sigh and turn to me
And our mouths meet again,
Tasting hot and wet,
Just like the first time.
I grow hard against your leg
And your breasts strangle into my chest hair.
Now it’s hands and eyes locked
And tongues and lips,
Bodies moving as one.
The chains fall,
The music begins
And the room is burning
Like a star.
It’s time to show each other
What love feels like
Again.

Quatrains

In these poems I read
I see women compared to the moon, the sun,
A lovely spring morning
And even the ebb and flow of The Milky Way

But whenever I think of you
I just see a beautiful woman
Who is unaware of her power,
Uncertain of her beauty.

Not a force of nature,
Not a season or the impetus
For the growth of crops
Or the cycles of the ocean tide.

No, It’s just you –
A human woman so indescribably gorgeous
Whether waking from sleep or sitting alone
Or looking back at me with such kindness

And unfathomable love.
To me, that is more astounding
Than the movement of the tides
Or the aligning of the stars.

You can find more of John’s work here on Ink Pantry.

List of John’s work.

Poetry Drawer: Composting: Early November: An Aah Poem: Taxi: Lake Harmony, May 2020: Camping, the Safety in our Numbers by John Grey

Composting

Earth’s been composting for centuries.
Ted just hastens it a little.
That wire-mesh bin is at the heart of it,
five-sides and shiny wire,
cut and assembled it himself.
Twigs and roots, grass and rotting fruit –
he stirs it together like making broth.
Sure the smell is fierce
but he’s the kind of man who’s invigorated
by foul odours.
His nose connects them to plump red tomatoes,
golden turnips, melons fat as pregnant sows.
Indeed, the stench is a bridge
from his nostrils to the kitchen table,
from sweaty brow, strained hands,
to the McCreedys gathered together
for a delectable Sunday dinner.
So earnestly, he hurries nature along.
All for growing family in its own good time.

Early November

My breath-smoke greets yellow leaf
with silent echo, invisible ripple,
just this whisper made mist
in clusters of cold.

Keep moving through pallid light,
wild-honey froze tree trunks,
by cold metal fences,
blood and air, a crisp, wary mix.

There, in the distance,
the sniff of a chimney,
the pucker of faces
through window’s frail shine.

The onset of hearth,
the dusk hoops of flame,.
the flight of ash, the hug of fire,
and a house thawed of indifference.

An Aah Poem

Stream constant
in its flow,
its sounds,
no wonder I fall asleep
on the banks.

My nature incursion
pauses in a patch of soft grass.
And I don’t breathe as much
as swallow a long draught of air.

There’s a tear
in the clouds, the treetops.
Sun shines through inexorably.

Taxi

Taxis ignore me
on a dismal, rainy night.
No matter how far I stretch my arm,
the cabs speed by,
blurs of yellow indifference.
Snug in the back seat,
warmed by engine air,
that’s all I ask.
A short trip to my apartment.
five miles at most,
that’s all I need.
And I’m even willing to pay.
Look at my face,
dribbling with water.
my shirt, drenched
to the chilled skin.
Doesn’t that say big tip to you
in every language.
Finally, a taxi does stop,
a miracle.
but a woman appears out of nowhere.
pushes me aside
with a brusque “Excuse me. sir,
but I’m in a hurry.”
More rain, more soaking.
Patience will be lucky
if it doesn’t catch pneumonia.
Only a rush, a dash, keep dry.

Lake Harmony, May 2020

Daylight mops up after rain,
puddles ripple faces of drinking sparrows,
grass glitters, trees glow like glass,
new growth, flush with moisture,
welcomes sunshine into its fecund mixture,
the afternoon rolls out like a towel
drying its way into coming darkness,
where the moon waits behind Earth’s curve
ready to launch the night.

Camping, the Safety in our Numbers

They’re out there somewhere,
bears, wolves, maybe even a cougar.

The fire is dwindling down
so the cold also joins the pack.

But we have the tent, the bed rolls,
and the body heat that moves between us.

Protection comes down to your kiss,
my hug, your hair spilled on my shoulder.

A coyote howls. A great horned owl hoots.
You’d think they’d learn.

John Grey is an Australian poet, US resident, recently published in Orbis, Dalhousie Review and the Round Table. Latest books, Leaves On Pages and Memory Outside The Head are available through Amazon.

You can find more of John’s work here on Ink Pantry.

Poetry Drawer: Man Out Of Time by Ray Miller

Man Out Of Time

Here’s where I get it, stood in the playground
next to parents who attended school
with my eldest, or when the new teacher
enquires if I’m her granddad.

Here’s where I get it, taking the youngest
to the cinema, bumping into an ex- colleague
I’d not seen for ages, who assumes
I’ve embarked on a second marriage.

Here’s where I get it, at the G.P. practice,
explaining Foetal Alcohol Syndrome,
quickly adding, that of course, she’s adopted –
otherwise what would they think of my missus.

Here’s where I get it, on Christmas morning
when she stops me from unwrapping
the present with Daddy written upon it,
because it’s intended for her real father.

Ray Miller is a Socialist, Aston Villa supporter and faithful husband. Life’s been a disappointment.

Poetry Drawer: Worcester Airport: April 2021 by Robert Demaree

Worcester Airport

In the ’80s you could fly
Piedmont into Worcester, Mass.
Weary Friday-night salesmen joked,
Helped the attendant pronounce the name.
This was my parents’ penultimate
Summer in New Hampshire,
My father agitated,
Convinced they had left
Without packing, and hoping
He could get a shave
At the barbershop in the lobby
Of a Days Inn motel,
My mother, exhausted,
Glad someone else would drive
The rest of the way.
The other day I bought a postcard
On eBay, outbidding someone
Who must have wondered
Why anyone else
Would want a souvenir
Of the Worcester Airport.

APRIL 2021

1.
On television every day
Several people tell us
That the images we are about to see
Are disturbing.
Shocking.
Dispiriting,
Though that is my word,
Not theirs.

2.
On our street at Golden Pines,
Red lights flashing more often now:
We’ve been here 15 years.

Robert Demaree is the author of four book-length collections of poems, including Other Ladders published in 2017 by Beech River Books. His poems have received first place in competitions sponsored by the Poetry Society of New Hampshire and the Burlington Writers Club. He is a retired school administrator with ties to North Carolina, Pennsylvania and New Hampshire. Bob’s poems have appeared in over 150 periodicals including Cold Mountain Review and Louisville Review.

You can find more of Robert’s work here on Ink Pantry.

Poetry Drawer: You Woo Me: Nostalgic: Lucia: The Lamp by Dr. Susie Gharib

You Woo Me

You speak of a coast that’s so pristine,
where the sand is decked with shells and pearls,
where the fish that venture into the air
are safe from spears and goring hooks.

There the trees that hum to the eager wind
have never been bled, or to fires fed
and nestlings whose parents fly all day long
are safe from fangs that crave for blood.

The ripples that lap its ancient rocks
know not the taste of flotsam or waste,
have never been whisked by engines whose grunts
can agitate the souls of the deep.

There I would romp with my shepherd dog
and walk barefooted along the bay,
and feed the dolphins as I do the swans
every urban but blessed weekend.

You woo me with a notion,
I scrutinize my map,
but startled wake up to the alarm clock:
my dog has been departed for over twelve months,
and your headstone is covered with ivy and moss.

Nostalgic

Castle Street,
the shop where I used to purchase my pint of milk,
the telephone booth that conjured up my next of kin,
the oldest house in Glasgow that nourished my medieval bent.

On Cathedral Street,
our window commanded an imposing view
of the historic cemetery where the gentry repose,
shielded by monuments of stone,
which are now a metaphor for tranquility and hope,
my shelter from a never-ending war;
the inn where I consumed my very first scone
with a Scot who wore no kilt
but was Celtic to the bone,
my very first friend in Glasgow.

Sauchiehall Street,
the window-shopping of gorgeous stores
the Glasgow Film Theatre whose exotic films enthralled
aided by John Doyle’s jellies and popcorn.

Lucia

She sat in a cage matted with wood shavings
opposite a cat who pranced with fright,
I wondered why he had placed them thus.

I was walking to escape our dose of darkness,
a three-hundred-minute power-cut,
periodically robbing evenings of work and fun.

A whimper then a scream of remonstrance
made me retreat to the very same spot
I always avoided with utter disgust.

With a stick, he was terrorizing his products:
rabbits, chickens, and all sorts of birds
to be docile and curb their wants.

I shun all dealings with whoever trades with lives,
but gazing into her eyes, I was utterly mesmerized,
a seven-month Loulou Spitz, mere merchandise.

He made me pay double the price she brought
for alarm was resonant in my voice
that had a pitch in the presence of abuse.

I called her Lucia, she brought me light.
Her name’s pronounced with the Italian tʃ sound
as in charming and cheering, the traits of my new friend.

The Lamp

The lamp that illuminated your pensive face,
kindling freckles that dot unadulterated benignity,
gilding the auburn that crowns your head,
rippling above a well-nurtured suavity,
cascading over your variegated lips,
suffusing wan cheeks with cordiality,
imbuing each iris with fiery rays,
redeeming each dilation from obscurity,
has been auctioned for sale.

Susie Gharib is a graduate of the University of Strathclyde with a Ph.D. on the work of D.H. Lawrence. Her poetry and fiction have appeared in multiple venues including Adelaide Literary Magazine, Green Hills Literary Lantern, A New Ulster, Crossways, The Curlew, The Pennsylvania Literary Journal, Ink Pantry, Mad Swirl, Miller’s Pond Poetry Magazine, and Down in the Dirt.

You can find more of Susie’s work here on Ink Pantry.

Poetry Drawer: Maverick by Ray Miller

Maverick   

She’s stubbed out her last cigarette,
we marvel that she managed it;
a sixty-a-day inveterate,
a Marlboro-mad smoking stick
who craved not only nicotine
and the repertoire of motions,
from hand to mouth and back again
essential to devotions,
but had augmented the habit
to flatten flames that burnt within,
by applying lighted nub-ends
to the stubbornness of skin;
to steady flight and cushion fall
and obviate oblivion;
to moderate the mercury
indifferent to Lithium.

She caught us glancing at her arms
for pale uneven patches,
rolled her sleeves and turned the palms,
her burns exchanged for slashes;
the scars of broken beer glasses,
scores of jewelled and jagged edges,
brooches, blades and coloured plastics,
crampons spiking every crevice.

At the weekly self-harm classes
we will sterilise her weapons
with a sigh at further damage
and an eye upon infections.
She plays the part of maverick
and scoffs at antisepsis,
seeks the tear of fraying fabric
and heightening of senses.
She’s courting her intrusive thoughts
when she doesn’t take the tablets,
like the thrill of sexual intercourse
without the prophylactics.

Ray Miller is a Socialist, Aston Villa supporter and faithful husband. Life’s been a disappointment.

Poetry Drawer: Simple by Robert Allen Beckvall: Answer to Simple by Vera Wang

Simple by Robert Allen Beckvall

I have a simple life
A simple wife
A simple kid
Some simple strife

I like a simple meal
A simple book
A simple look into the workings of the USA

I have a simple outlook
A simple philosophy
And, simple friendships

Simple man, not simpleton
Simple mystery of life:
Be kind to all, and to all a good life

Answer to Simple by Vera Wang

The simple man has simple demands,
Get me a simple beer, and
Get me a simple bag of chips,
Get me some simple crackers, and
Some simple cheese!
Ah, a few more to add on,
How about some simple chocolate and simple ice cream?
“What, you are not?”
“All I ask is every Friday some G. D.
simple treats!!”
Why?
“Because I’m simply a simple man with these simple demands, and
If my simplest list is not fulfilled
I will simply yell and scream,
Amen!

Poetry Drawer: Dear Poem: A Letter to Tali: Untitled: Kohenet: It’s Almost a Decade Since: To My Father’s Surgeon: Sabbath by Tali Cohen Shabtai

Dear Poem

I offered congratulations from this morning to tomorrow
even though I was corrected regarding the date of birth.
How do I explain that a person
has no idea when
he will end his life this time around?

I write to my mother, my love for her
in the most unexpected moments
of tribute

how will I explain that perhaps it is the penultimate
greeting of a daughter to her mother before the present
cuts
the latter and not the resurrected midwife
from the year ’80
the umbilical cord between me
and her placenta and not to give birth
to me again? But to kill.

I look at my father and cry for another
twenty years or so
that he will not be here
I was ahead of the artist to “grow and sanctify her great name”
in the Kaddish prayer in the twilight hour in Sacker Park.
I shed a tear.

If you live in consciousness as I wrote
“God does not pass over life from man, as he does not
pass over death.”

You are the most miserable person there is, with such insight
you do not enjoy a single piece of bread and no
drink.
You are dead.

A Letter to Tali

There’s a whole world
waiting for you
around the darker
corner of life

in which
you are adept enough to sort clothes
of the same
ethnic group of
the black cloth
of your life.

If you hadn’t been a little better
than the decorations that would add
figurativeness

so as to decorate the rhetoric
of the black cloth of your life

I promise you that you would
get
to see
a star fall in the dark!

Untitled

I planted you, my love, I planted you
And how come what flowered was not what was planted/and the bearing did not yet give birth
What was born

How come what did not wane could be weakened
And on the other hand, the trouble is.

And only into my life they husked this mix
Of how and why, the slips I saved
From your eyes.

Kohenet

You are willing to come
To Jerusalem
Where I kill myself
Every single day –

You can’t live in a place
Where the Transfer is
Conceptually different
For you –

As much as you warned me
About America

Where people don’t realize
The difference between Poetry
And Song,

I want to go back to
Europe – where people live
By caricatures

You say you like Jews

You thought I came from
Those countries – where it is forbidden
To uproot
My Ghetto

So I am going to the hospital
What the hospital asks
Is one less lady
Who smiles.

It’s Almost a Decade Since

She saw you in the Irish pub that night
With your Japanese wife

Wearing westerly clothing
You held her Kimono
The one she hid

While she imposed the “Misogo”
Instead of the Mikve.

Her name the same as the Filipino
Domestic of my dead
Gramma

You know, many Jews died since
You left, more than Gentiles,
But you,
You are my best lesson
It is not forbidden to walk with an
Ilk of “Geishas”-

It was your best deal
To leave me alone, when I
First died in my
Twenties.

To My Father’s Surgeon

I’ve realized how it
works: It is announced that …
and it’s known all of a sudden! *

You know that suddenness has
an action plan that is comprehensive
and detailed – it’s
a strategy within itself.

When it (the suddenness) receives existence in a person’s
ears
it is experienced as a malicious trick indeed it has no
advance warning or alert before taking
action.
Did you know that I had to
dismantle this trick
of suddenness

On the 27th day of January, 2015
on the 10th floor
of hearts in question marks
under full anesthesia
and full monitoring
in waiting
very exact
for waiting for the
cardiology ward.

After all, the obvious suddenness
is no longer
understood
and has many consequences, it is the realization
that we are winning something that we
would not necessarily be entitled
to
when
my father is on the operating table
at a supervised temperature
at which
you bypassed the blockage with an
additional route
in his heart

and I could not
offer you assurances
at this time
my father!

And
I was to the Traveller’s Prayer
and the chorus in the Book of Psalms, from “Blessed is the Man”
and to
the verse
“And all that he does will succeed.”

Did you know
that I have connected to every special quality
for any trouble that may
come
obsessively?

And I was for every letter
of the letters of your name
in Psalms

and I searched for any mention in those hours
of heredity

Did you know that my father has three
daughters of wonderful Semitic beauty
will you recognize my father in them?
When you operated
with this suddenness on father.

And is charity not just a theological term
for gratitude
to be
considered –
please accept this (from me), surgeon!

*Heart bypass surgery, decided on within three days of detection!

Sabbath

When I don’t have cigarettes,
it determines my
Sabbath fate.

Nevertheless,
it all begins with a cigarette on
Sabbath
with an exhale just
before sunset
until the inhalation
the next day when the stars
emerge
with the blessing “That distinguishes between sacred and profane”

This is the most important day
to consume cigarettes, because the day when
God rested
from all his work is not an idea.

That every business is closed
in Jerusalem, even if they made
enough from tobacco
consumption during the week.

Really, there’s a woman for whom the cigarette is
her language
and the way she counts
in cigarette butts
corrects her phobia
with numbers.

I need a cigarette that does not exceed 10 centimeters and is no more than 7 millimeters in diameter
The effect of the nicotine substance found in tobacco on the human brain
inspires in me at the same time
the quality of writing on the Sabbath.

It should be seriously considered

that there are withdrawal
symptoms arising from a lack of
nicotine in the brain that is prevented from me
to contain them
when a person does not consume cigarettes
on the Holy Sabbath.

Accordingly, the biblical saying will come here that
“the Sabbath may be broken when life is at stake”

Should I silence any thirst
and adhere with the Creator blessed without
any adherence to an object
for an entire day?

Generally the week enters on the Sabbath.
For me? On Sunday.

Tali Cohen Shabtai is a poet born in Jerusalem, Israel. She began writing poetry at the age of six, an excellent student of literature. She began her writings by publishing her impressions in the school’s newspaper. Her poetry was published in a prestigious literary magazine of Israel ‘Moznayim’ when she was fifteen years old.

Tali has written three poetry books: Purple Diluted in a Black’s Thick, (bilingual 2007), Protest (bilingual 2012) and Nine Years From You (2018).

Tali’s poems express spiritual and physical exile. She is studying her exile and freedom paradox, her cosmopolitan vision is very obvious in her writings. She lived some years in Oslo, Norway and in the U.S.A. She is very prominent as a poet with a special lyric, “she doesn’t give herself easily, but subjects to her own rules”.

Tali studied at the David Yellin College of Education for a bachelor’s degree. She is a member of the Hebrew Writers’ Association and the Israeli Writers’ Association in the state of Israel.

In 2014, Tali participated in a Norwegian documentary about poets’ lives called “The Last Bohemian”- “Den Siste Bohemien”, which was screened in the cinema in Scandinavia. 

By 2020, her fourth book of poetry will be published, including Norway. Her literary works have been translated into many languages.