Nantwich Speakeasy Poets: Debbie Breeze Davies

debbie-davies-head

Debbie Breeze Davies is a Nantwich based poet and artist. She has been a member of Nantwich Speakeasy since June 2016. A qualified Art Teacher with 25 years experience in working with traumatised and challenging young people, she currently works with pupils who have been excluded from mainstream education. Her active engagement with writing began in August 2015. Poets that have particularly inspired her interest include David Whyte, Lemn Sissay, Hollie McNish and Sunny Patterson.

 

I’ve Snaffleaffulled the Fuffenhuffers

I’ve snaffleaffulled the fuffenhuffers

Eaten every one

I’ve snaffeaffulled the fuffenhuffers

And now…

Well…

they are all gone

 

Seeing the crackly-wrappery-packet was how it all began

With images so enticing

of spicy dome shaped biscuits,

smother-lovelied in thick hard icing

 

The pictures seduced me

Taste buds produced juices

My tongue got slippy

Then licked my lips – see

Some were dippa-lippulled in chocolate

Can you imagine such a sight?

 

And I know I shouldn’t have

I know it was wrong

But I thought, ‘I’ll just have one little bite’

 

And hardly-breathing-I-eased open the packet

So as not to make a sound

 

It was then the aroma of;

Vanillary-Spicy-Sugary-lemony

Deliciously-risky-biscuits, entered my nose

And once I sniffa-whiffulled them

My tummy was grumble-umbling

My mouth ready for the textured surface crumbling

I reached in and touched my different options

Some hard and smooth, some slightly-stickily-softer

some rough with deep cracks, revealing moistness underneath

ready for teeth

ready for my teeth to sink in….

 

I quicka-lickulled the topping

Nibble-ubbled the edges

chompa-lompulled up the middle

muncha-crunchulled the next…

and the next

and the next….

 

I’ve snaffleaffulled the fuffenhuffers

Eaten every one

I’ve snaffeaffulled the fuffenhuffers

And now…

Well…

they are all gone

 

And what shall I say to Mum?

What on earth will placate her?

It’ll be no good to say:

‘I was just going to have the one and then save the rest for later’

 

I’ve snaffleaffulled the fuffenhuffers

Eaten every one

I’ve snaffeaffulled the fuffenhuffers

And now…

Well…

I’m really sorry Mum.

 

 

 

Nantwich Speakeasy Poets: Claire Bassi

Claire face

 

There are fruits aplenty,                                    Seeds blow, clematis breaks free,

though the lawn is tall                                        plums and pears ripely fall,

and brambles choke the trees.                         though brambles choke the trees.

 

Runner beans knot sweet peas                           Empty plates for china tea,

and trellis hangs from walls.                                no answer when I call.

There are fruits aplenty.                                       There are fruits aplenty.

 

Redcurrants hang in canopies,

stacked crates of apples in the hall,

yet brambles choke the trees.

 

Sorrow grows on without me

that nature will outlive us all.

There are fruits aplenty,

but brambles choke the trees.

 

Fast Friends

Big Mac loves company –

a quarter pound of flesh

and frothy hopes for youth.

Devouring deep fried dreams,

they fret about fat,

but can’t resist the flurry of friendship,

shaking and moving

in late night drive-thrus,

cream of the crop,

sustained by things Mama used to make.

 

Spring Soup

Pushing the start of season,

new shoots sprout with dorsal ease

from winter seeds,

split by late frost and noon sun.

I hope for future crops,

to taste success,

to prune and reap.

For now I love

the end of sleep;

the freshness of spring soup.

 

Coffee Shop

Almond milk, organic, steamed, poured over shots

of hot, smoked Arabica,

steeped with shards of cinnamon,

flown from India, peeled by the blind.

I stir, scoop foam.

A solitary coffee bean, alone,

polished, shined, reminding me

where I am, why I care.

 

Seventies Store

Jammie Dodgers

Peek Freans treats

Dundee biscuits

Shredded Wheats

Instant Whip

Wagon Wheels

Super Noodles

Vesta meals

All Stars crisps

Bazooka Joes

Bitsa Pizza

Cheese Ringos

KP Griddles

Rowntrees jelly

Double Dips

Gino Ginelli

Hubba Bubba

Chambourcy mousse

Galactic Space Dust

Um Bongo juice

Mojos, Pacers, Quattro, Screwballs

Whickers, Piglets, Noodle Doodles

Which ones bring back memories?

How many pleasures cease to be?

 

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Nantwich Speakeasy Poets: Helen Kay

Helen face

Hula Hoops

I hunter gather in the corner shop

by the towers and flats of cardboard city

with its own creole of rustle and crunch,

while silver-clutching kids niggle my nostalgia.

 

YOU GETTA A WHOLE LOTTA HULA FROM A HOOP!

 

It’s not just a 30p, 30g, two E’s

and two hundred calories

packet of oral bliss, but the ring

of a ritual unwinding from work to rest

 

which punctuate the weekly fix

of Coronation Street. I lay my exhibits

on the catwalk of my chair, they trundle

my playtime thoughts: quoits or bangles,

 

paper chains or drains or chimney pots;

an assault course of potato pleasure.

An up and under finger sweeps. A tongue

squeezes inside like an ugly sister.

 

While love and drama swim my eyes and ears,

jaws crunch and crunch. A jousting spear

picks off each ring – then only the bits remain

remind my unwound self of a want to rewind.

 

I getta a whole lotta hula from my hoops!

 

Porridge 

This food has history, Goldilocks

Oliver, doing time. A bowl of moon mud

hugs a winter tummy. Its goodness

seeps, a tasty, toasted superfood.

 

I’m told my grandad cut a slice or two,

wrapped in paper, ready for the pit

with a can of cold sweet tea and sweat,

back bent by the higher-pay seam.

 

Mum waltzed the spoon around the pot,

ate her oats thick with Lyle’s treacle.

Before the diabetes Dad slurped breakfast

with isles of syrup, an estuary of milk.

 

My sister beads its woolly skin with bling,

seeds, blackcurrants, even nuts.

I like it just right, not too hot, not too cold.

Jumbo flakes and milk splutter together.

 

I puzzle how granddad could cut slices,

how they clouded his dust black fingers,

how he ate where he’d seen his father die

crushed inside the earth’s intestine.

 

 Cheese Show

This is the pilgrimage of cheese,

Of every shade and race and shape.

Unpacked and laid on trestle altars.

Cooled, aligned, smoothed out and scraped.

 

Sexy Gouda, sealed halloumi,

Swaddled bundles, rusted blues.

Set to be smelt and felt and tasted

In oil, in foil, full moon, half-moon.

 

The cheese iron burrows the skin,

Uncorks a flubbery pillar

Whiskered judges nibble, discuss

The balance, fruitiness and colour.

 

Apples clean the expert palettes

of years of tastes. The quest is on

to find the king, the best in show.

The cheese of cheeses, the chosen one.

 

Making Tarts with Laura

The morning is thrilled by lemon curd.

Your impish hand dives in the yolky pool

 

of yummy love and deeper, spooning

down clouded glass sides, scooping

 

the corners of my youth. ‘It’s like

chic bath gel, mum, ‘ she smiles.

 

She tugs at its checked shower cap.

Cottage logos and curly fonts

 

evoke a different past from mine,

a phlegmy kid smearing grey tarts

 

licking gluey dregs from fingers.

Assuming there is always more,

 

she crams the cupped pastry palms

The scoop and dollop wipes away

 

my bitter, frugal aftertaste,

the rustic roses grow on us.

 

Coffee with Pat

“A coffee please.”

“Mocha or Americano? One shot or two?

Latte or expresso, milk, cream or soya?

Skimmed or semi-skimmed or will full fat do?

Sugar? Crystals, lumps, rocks or sweetener?

 

Decaff  or caff,  white or brown, large or small-

or regular is popular? Take in, take away?

Syrups – caramel, nut or none at all?

Cocoa topping, swirly top? “It was taking all day.

 

The yuppies behind us became agitated

and seize-the-day Pat -who is terminally ill

doesn’t want the illusion of choices

in a round of Mastermind at the till.

 

It drove me so potty I bought a biscotti

but when I sat down I forgot where I put it-

went to the counter feeling very dotty

to ask for another-and the wrapper, couldn’t cut it.

 

Imagine the embarrassment two hours later

in the loo, when I found, in my bag, one crushed

biscuit. Back to the counter for two shot

explanations and all over strawberry blush.

 

Felt like marshmallow melting down the glass,

but Pat is far from ready to melt away,

and has ordered a second larger than, triple-topped,

chemo free, marshmallow, death by hot chocolate day.

 

Listening to Music in Enzo Café     

So I conjure composers: baroque

drawing room recluses, locked out of sight,

locking out words; but this girl in docs

 

and jeans took flight in our café, right

by my table, gifting a tune.

The keyboard was unboxed, set alight

 

and as she played, she swayed, a spoon

stirring sweetness into the air. There’s me,

wanting the comfort of chords festooned

 

with lyrics, suddenly feeling these

patterns I don’t understand, unfold

a script in my brain, turning this coffee

 

and this chic Enzo bistro to one gold

moment touched by her spidery thread,

weaving stories waiting to be told.

 

Welcome to the drawing room she said.

Feel the prelude frothing in your head.

 

2008: What Mum Loves Best

In summer she is armed with chicken spears,

breaded bites and fiery turkey sticks

to feed her hungry brood. Open the beers,

the barbie sizzles. Sharp tongs take their pick.

 

Come winter and her life is neatly packed

with furred up festive gifts, in tempting wrappers:

furred mushroom baubles; painted tikka snacks;

samosa platters; shrimps and brandy snaps.

 

But best of all are chocolate strawberries dipped,

cased lipsticks, robbed from summer, boxed away

in the dark underworld of frozen dreams.

They wait to brighten up cold nights, let rip

splash out, rekindle hopes of sunny days.

Persephone, uncoated, smeared with cream.

 

Young Girl Eating Physalis

Today her tomorrow is orange,

not ribbed segmental hours

and pips, but as this amber shine

that doesn’t know its beauty,

a Cinderella shedding torn

petticoats to add its magic

to two scoops of pub ice cream

 

Her finger and thumb twizzle its stem

as if this fruit could spin her choices:

Chinese lanterns, cape gooseberries,

ground cherries, golden strawberries.

Each name occupies a different world.

She bites firmly, chews things over,

Breaks to her first orange smile.

 

Helen Kay’s FB Page

Nantwich Speakeasy Poets: Mark Sheeky

Mark Sheeky head

Mark is an artist, painter, piano player and poet, and radio presenter, with one self published poetry collection, one poem per day for a year, and an illustrated collection of William Blake poems.

Milk

Milk, warm thick fatty

nourishment like heaven’s

breath, the fuel of life

that radiates and sparks

this new delight.

 

This sensation of life,

liquid breath, butter sun

love from my mother, what

delights await these sky-blue

eyes and tiny nostrils

in this world of swirling

scents and sensations, lights

like delightful milk,

warm thick fatty nourishment

like heaven’s breath,

liquid breath, butter sun

love from my mother.

 

Hunger

The whisper of blood,

and the pleading of bone marrow.

The stretch of thin fingers, grey

towards crumbles of caramel biscuit, golden

sticky-toffee flavours, in mouth

moistening hope, in anticipatory dream

of the sugary aroma, cracks with teeth.

 

I wander the streets.

I gaze at stalls, deep eyed and sallow

like The Scream.

 

My wool coat squeaks when chewed.

The hope of a lardy nutrient.

 

I close my eyes and circle the rim of an imaginary plate,

glass bone, a bed for a warm shape to fill me.

Reality squirms in my lonely knotted guts as they weep and plot to kill me.

 

The whisper of blood, and the pleading of bone marrow.

I make a wish, and I wait.

 

Ready Meal

These potatoes and meat were cooked for me, for one,

with salt and sweet butter carrots,

and green sprig.

 

I eat in silent stare, away

in some mythical land of carefree care.

Each trembled fork is slow, and grey.

A million meals of yesterday.

 

What would it feel like to cook food for a friend?

A surprise message arrives.

 

These potatoes and meat were cooked for me, for one,

with salt and sweet butter carrots,

and green sprig.

 

Assam

Oh, like tea,

do you remember the ice-thin china,

sharp on the lips and sweet-cream milk,

in rich Assam, large flake

bitter and dark in the transparent pot

brown breath astringent universe,

like seas of people seeking love

in rust-iron skies of a warm Autumn storm.

 

I tasted my lips, and yours,

and we sipped and silent smiled at the calm day,

and every October floss cloud paused,

then cracked, and pulled in wisps away.

 

Food

If I had the time I would pile

sweet creams and delights

of edible architecture upon the white glass plates

that you bought for me on the day that we first met.

 

I would offer you caramel brown sauces,

and mint scents, red jellies and courses

of elaborate designs, like crystal spires

of crisp sugar scaffolding,

that sparkle like child-eyes.

 

If I had the days, or just a morning for love

I would paint for you such patterns

of aroma and anticipation, in roasted meats

and earthy roots, with warm fatty juices

and sups of rich wine.

 

I would climb out of bed and be happy, again,

and look, with a kind light upon the white glass plates

that you bought for me on the day that we first met.

 

I would climb out of bed, with strength,

and cook spaghetti, with green oil,

and mascarpone meringue, drizzled with chocolate in fine lines,

like time on the skin,

like the time that I don’t have now

for food.

 

 

 

Poetry Drawer: Sunday Mornings by Raine Geoghegan

sun

He plays for me on Sunday mornings,
his own compositions.
His shoulders rise and fall as he
deftly runs his fingers across the keys.

My body sways tentatively,
drinking in the melody.
It falls into discordant notes,
a painter venturing into dark shadows.

I am cloth, unravelling.
Like a dervish,
I whirl, my heart opens as
the music builds into a crescendo.

A sweet essence flows back into my blood,
as if it were remembering the warmth of youth,
of wellness.
Of being in the sun.

Raine’s Website

Poetry Drawer: There is a River by Raine Geoghegan

Poetry Drawer: The Last Day by Raine Geoghegan (for my father James Charles Hill)

Poetry Drawer: The Cursed Crane by Alex Watson

jap

I stood as ever stood, my head bent o’er.

My long suffering twin stared back in silence.

Above, a mechanical bid drenched the senses.

It was ever thus.

 

As the din receded for a moment,

My twin twitched; she fluttered her virtual wings

And spoke from her watery heart.

“Master Crane, for decades you and I have

Drunk together, froze together, endured together.

Today, I set you free.”

 

My wings fluttered, my metallic frame grew soft with down

My legs stretched, my toes stirred,

Nothing had prepared me  

But I knew my destiny.

 

I stood, as never stood, my head alert.

The herd of deer, the laughing girls, the quarrelling men.

 

I preened as never preened, my heart in bloom.

The wearied mums, the dashing kids, the brimming shops.

 

I flew as never flew, my eyes so bright.

The dashing waves, the endless sea, the fretful gulls.

 

I reached as never reached, my lungs on fire.

The bullet train, the temples stone, the paddies green.

 

I soared as never soared, my life reborn.

The islands green, the fishers dots, the cirrus soft.

 

I climbed as never climbed but hopes were crushed.

Those hideous birds, their engines black, their windows closed.

 

I wept as never wept, my tears in streams,

And cursed my twin who set me free.

 

Inkspeak: The Orgastic Future by Deborah Edgeley

Orgastic pic

 

 

Gatsby stood

glancing over dark water,

like Kant at his church steeple, gathering thoughts…

 

Curious tremble.

Arms outstretched towards emerald light.

The orgastic future,

that-year-by-year-recedes-before-us.

 

Pursuit of a moment;

love frozen in his past.

His feminine jewel, his green, shimmering, feminine jewel.

Sipping chartreuse from fluted crystal.

Daisy, the dainty, docile, debutante, desired by young Americans.

The dream icing….

Surely a man could reclaim what was once his?….

 

Fifth avenue.

Dust. Car horns. Heat.

Yard-long billboard eyes

of bespectacled Dr. Eckleburg

watch Gatsby hand over

illegal liquor swag

for the mansion across the bay from Daisy…

 

Dr. Eckelburg doesn’t care.

 

Traffic lights say green! Go!

Go, go, green, run, faster, green, go, rev, light, run, go, fast

Fade.

 

Green, go, rev, green, fast, go, go, go…

Fade.

 

Daisy drove the death car that killed Myrtle.

Daisy let YOU take the blame….

 

Chartreuse frozen in fluted crystal.

 

Boats against the current,

bourne back,

ceaselessly into the past.

 

 

 

 

 

 

 

 

 

 

 

Books From The Pantry: Lonely by Robin Barratt: Reviewed by Shannon Milsom

 

Lonely

Lonely is an often poignant and touching poetry and short story compilation, put together by publisher and writer Robin Barratt. In the compilation there are 118 contributions from 57 writers, each with their own unique and culturally different way of writing.

Why a compilation on loneliness, one might ask?  Robin’s answer is simple:

‘Whether we admit it to ourselves or not, and no matter what sort of lives we have led, or are leading, most of us at some point have felt, or feel, lonely or alone.’

Loss, is of course, a key theme, and one which many of the writers in Lonely chose to describe, such as in Courtney Speedy’s short story ‘But I Loved You All the Same’.  The story describes in vivid and unusual rhyming prose the loss of one man’s wife to mental illness. The reader gets a real insight into how bright and wonderful and chaotic everything was before the woman’s mind deteriorated, and how, even though he has moved on, the narrator still yearns for her.

‘I can still smell you on my pillow and taste you in my morning coffee.’

Dadby Maire Malone explores the theme of loss of a parent in her short but sweet poem.  Gentle memories of a father lend the lines a dreamlike quality that lets the reader observe small yet poignant snapshots of someone’s life.

‘I was a child again running down the lane

For your ounce of Condor or packet of Gillette’s’

Although lots of the poems and stories are full of descriptive, emotive and provoking language, some of my favourites are those which are subtle and thought-provoking in the way they almost matter-of-factly describe the feeling of being lonely.

Lonelinessby Margaret Clough illustrates this in such a way.

‘I hold a book that I have read before. My fingers, as they turn a page, can feel the emptiness between the lines.’

The poem gives the reader a look into the seemingly joyless and bleak life of someone living alone. The monotonousness and mundaneness of the descriptions emote a feeling of hopelessness and despair. Then the last line, in its simplicity, makes you stop and pause:

‘I have stopped listening for the phone to ring’.

One day in Spring’ by Kathleen Boyle is another piece of writing with artful subtleness. Kathleen’s short story deals with death and loneliness. The world is described to you through the eyes of an old woman, Joan, who knows her time on this Earth is nearly up.  The descriptions of what she observes in her last day are poignant in their beauty, for you are aware, as the character is, that this is the last time she will see them:

‘Joan acknowledged that this day, with its puffs of white cloud drifting high above the little town, the intermittent sunshine brightening pink blossomed trees and crocus strewn grass verges, was a different day.’

Joan’s transition into death is again, subtly written and moving. As the reader, you get attached to the character of Joan throughout the story. You feel her last day is lonely and not without sadness and regret, but also that she is ready and acceptant of death. The last line, understated and exquisite, gives Joan her final release.

‘Pain free, she stood and stepped away into the dark.’

Loneliness is the most human of emotions. So simple and yet also so complex in its many forms. Lonely manages to capture the essence of this, with each writer painting their own intricate picture of what they perceive loneliness to be. The reader is privileged to be able to dip into the book and step into one of these snapshots of human emotion at any time; each so different from the next.

Ultimately, this is what makes this compilation so engrossing, magical and utterly relatable. As human beings we have all felt some degree of loneliness. Whether it be the heartbreak of losing a spouse or family member, or the quietness of solitude when living alone; what makes Lonely so brilliant is that it explores these feelings from all angles and backgrounds.  

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Inky Interview: Author Sheila Renee Parker by Kev Milsom

She

Hello Sheila! It’s great to meet you! I’d love to start the interview by learning about the foundations of your interest in literature. Who are/were your literary heroes, and what types of writing/authors inspired you as a younger reader?

As a young reader my love for scary stories and suspenseful tales began to emerge. I was quickly drawn to the masterful creations written by Stephen King and Anne Rice. Another author I became a huge fan of was V. C. Andrews. And my all-time favourite poet has always been Edgar Allan Poe.

Are the characters in The Spirit Within based on real people, and is there anything of Sheila Renee Parker in the main character, Cassy Blakemore? Additionally, what sparked your initial inspiration for planning and writing this novel?

The characters in my novel The Spirit Within are characters relatable to everyday life. I wanted to write a story that seemed realistic enough to pull the reader in, making them feel like they were a part of the story as well. I put all my heart into creating every character. So, is there anything of me in Cassy? The answer is yes, because even though Cassy Blakemore is a fictional character, she finds the strength to overcome life’s crazy obstacles by discovering the spirit within. 

Spirit

Your book focuses strongly on aspects of parapsychology and the paranormal. Have you always been interested in these subjects and is this something that has been created by personal experiences? If so, then has this changed your life and outlook in any particular ways; spiritually, emotionally or mentally?

The paranormal has always been a part of my life, simply meaning not only have I been interested in the subject but because I’ve had paranormal experiences ever since I was a small child. I’ve had encounters with shadow people, a terrifying Ouija Board experience, been touched by spirits and have even heard them as well. I’m also an empath. I can easily detect the energies of both the living and the dead. Writing about and researching the paranormal helps me to find answers to my own questions regarding the unknown. It has definitely changed my life by opening my mind and expanding my perception of things in every way possible.

Could you give our readers an idea of how you prepare for writing, Sheila? Is there one specific area or location that you always use for creative writing, or are you more flexible and spontaneous in your approach? Also, are you one who writes via computer, notebook or bits of both?

Oh, I am definitely flexible about where I write. My process begins with paper and pen. I jot everything down in a notebook then I transfer it all onto my laptop. Why do I do it this way? Simply because I find it much easier to carry around my notebook and pen wherever I go. It doesn’t matter where I am, if I get the sudden urge of a great idea, that’s when I write it down. I even keep paper and pen on my nightstand by my bed just in case a spark of imagination ignites.

Outside of writing, what are your interests, and do these involve any other forms of creative expression?

I absolutely love art. My favourite artist is Leonardo Di Vinci. Aside from writing, art is another beautiful form of expression that I openly embrace. The mediums I use when creating a painting vary between acrylics and watercolours. Samples of my artwork can be found on my site https://sheilarparker.wordpress.com/art-poetry/.

Going back to literature, what are you reading at the moment and what types of book do you like to read as a form of relaxation? Does this include non-fiction as well as fiction?

I like to read uplifting stories as a form of relaxation. Something light-hearted with a positive message is always welcomed regardless if it’s fictional or non-fictional. A book that I often refer to from my shelf is Mike Dooley’s Notes from the Universe. I highly recommend it to anyone.

Huge thanks for sharing your thoughts with our readers, Sheila. It’s always a pleasure to learn new thoughts and perspectives from writers and authors. Finally, what’s on the drawing board for the remainder of 2016 and 2017? Are there any new projects in mind?

To continue with the writing of the sequel to my novel The Spirit Within. It’s been a work in progress, but I promise my readers that I am definitely getting it done! I am extremely excited about the continuation of Cassy Blakemore’s tale of self discovery as more secrets unfold with more intense supernatural detail. Also, compelling weekly articles posted on my website https://sheilarparker.wordpress.com/ that discuss the various topics regarding the paranormal, including my own personal ghostly encounters and interviews with some pretty amazing people like paranormal investigators, film directors, actors, TV show hosts and authors just to name a few. 2016 to 2017 are full of phenomenal plans, stay tuned!

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Pantry Prose: Cardboard Box Time Machine by A. J. Hayward

cardboard

Find a large cardboard box, and with a broad permanent marker or similarly bold writing implement, write ‘Time Machine’ on the side. It must be written in black ink since no other colour will do the job. Open the lid and climb inside. Use the same marker pen to draw all the flight controls and instruments needed to control your craft. Set the dials and be sure to select Auto Pilot. Turn the ignition. There’s a stutter, a splutter, a mechanical hiccough then failure! It’s a used box, after all – damp, battered, with dog-eared corners – that Dad dug out of the garage, just moments earlier, especially for you to use on this sodden day. New boxes work best, but this one will have to do. It just needs a little extra help, a little coercion, a gentle knock here and there to get things going. Your eyes dart around the craft in search of Universal Adjuster, a tool otherwise known as a hammer. You pick it up and start tapping. Metallic rings and clangs resonate around the craft. Then a clonk!

‘Aha!’ you exclaim. ‘Inter-dimensional-space-bending-cardboard-box-time-machine-engines should not sound like that!’

There’s a moment’s pause for fiddling and fettling. The engine looks in much better shape now, and you use Universal Adjuster once more to check your work. The clonk becomes a delightful clang that reverberates about your ears and about the titanium inner skin of the capsule in which you are sitting.

‘Marvellous! I’m good to go!’ you say to yourself out loud excitedly, pleased with your work.

A second attempt of firing up the beast follows. And whilst crossing the fingers of your left hand you turn the ignition key with your right. To your delight, the engine roars to life! ‘I’m a genius!’ you shout emphatically, congratulating yourself.

Wheels spin. Cogs whir. A mechanical hum accompanies a gentle vibration that makes the ‘Arrggggh’ sound you’re letting out wobble like it does when sitting in the passenger seat of Dad’s car as he transverses cobbles. Stroboscopic lights – myriad in colour red, blue, green, white – flash before your eyes. And through the small oval-shaped, drawn-on windscreen of your highly advanced technologically superior Cardboard Box Time Machine (CBTM) a vortex opens. It looks just like a vortex that bath water makes as it escapes down a plughole. Except this vortex’s longitudinal axis falls along a horizontal, not vertical plane.  You notice how the vortex opening resembles a basking shark’s gaping mouth vacuuming plankton. It fills the entirety of your vision and it’s getting close to gobbling up the entire craft with you in it. ‘Gulp, here goes,’ you think as you reach down, push a lever forwards and whooooosh! Cardboard Box Time Machine along with its pilot enters at full throttle. Basking Shark Vortex opens wide and swallows. The craft lurches violently from side to side. It pitches forwards and backwards with ferocity. From the point of view of an observer standing outside, CBTM looks just like a small fishing vessel being tossed about by a violent winter’s ocean. There are bumps, twists and turns, and one or two 360 degree stomach-churning rolls and then finally there’s a sudden and abrupt stop. Splat! Your head hits the windscreen of the vessel as you’re hurled from a seated position at the back to the front.

‘Ooooouchy!’ you cry out whilst rubbing your head.

A rapid health assessment ensues. Feet-check: a quick toe-wriggle-all ten digits present and accounted for; legs-check: hands still attached to arms-check: arms still attached to body- check: body intact; evidence of cuts and bruises absent.

‘Pheeweee, that was a lucky escape.’ Counting yourself very fortunate indeed to have survived your fiftieth inter-dimensional trip through space-time and Basking Shark Vortex. ‘Next time, I might not be so lucky. I can live with a throbbing head, just,’ you add.

As the fogginess in your head begins to clear so too does the mist, or more precisely the smoke, that envelops your technological superior craft. A mental note is made to improve future landings. ‘Perhaps I need a crash course in inter-dimensional space-time travel,’ you think, chuckling to your own asinine joke. ‘Dad always said I paid no attention in class.’

The view outside the windscreen begins to present itself by degrees. You squint to enhance visual acuity. Perplexed by what you see, eyes are rubbed and refocused and a squint follows for the same reason as before. ‘That can’t be right, surely?’ is the question upon your lips. ‘Something has gone terribly wrong!’ naturally follows. The view outside your craft appears identical to that before the ignition was turned. Lots of head scratching, lots of ‘umming and arring’ and lots of wheels and cogs begin to spin and whir in your mind just as the wheels and cogs spun and whirred in Cardboard Box Time Machine earlier. You begin the cognitively challenging task of piecing together what clues you can find. You stare at the array of dials before you. The drawn-on altimeter indicates ground level, the attitude indicator level, airspeed and vertical speed indicators both show zero and the magnetic compass you so very diligently drew upon the interior of the cardboard box at the start of your adventure agrees with the heading indicator – both point north. All these readings are perfectly normal and exactly what you’d expect them to be at the end of an inter-galactic inter-dimensional flight through Basking Shark Vortex. ‘Humph.’ A sound reflecting your mental stumbling block. There’s more head scratching, more ‘umming and arring’ and new wheels and cogs are recruited to accompany those already spinning and whirring. ‘Hold on to your hats, it must be the fuel.’ A conclusion which is discounted as quickly as it’s formulated by a quick glance of the gauge; the tank is half full or half empty, depending on your point of view. In either case, it’s perfectly normal – nothing suspicious there – just what a space-time traveller might expect of her craft after completing the outward leg of a journey. ‘Well, I’m stumped!’ you say to yourself, disappointed at the impasse.

Just then a stroke of pure genius flashes through your time-travelled mind. ‘I’m a dingbat! Of course, silly me. I forgot to check the clock – that’s the first rule in “Time Travellers Companion to Time Travel” – Duh! Set the clock! Stupido!’ You now check the misshapen clock that’s drawn on the inside of your technological superior craft. It reads 1985, a fact that’s difficult to reconcile with the familiar view of the living room outside. ‘Normally, when I time-travel, time and place change but this time only time has changed – weird!’ All sorts of questions about time travel, the universe and your place in it cascade through your mind. ‘It’s the same but different place; the same but different living room…I feel the same but somehow different…it all feels the same but different…” Your thoughts trail off.

*

For those of you who can remember and for those who cannot and for those who are just too young to have been there in the first place, the latter of whom I envy enough to make passing reference, 1985 was memorable. This is the year that Thatcher quashes the British Coal Miners Strike, kills an entire industry and dispenses thousands of P45s. 1985 is the year in which the first UK mobile telephone call is made. An eccentric and deluded Clive Sinclair launches, and presumably rather wishes he had not, the C5 electric tricycle which achieves a head turning battery-assisted maximum speed of 15mph! Whoosh there it goes! Also making the headlines are housing estate riots in Brixton, London and Liverpool; Boris Becker wins the men’s Wimbledon final at – wait for it – just seventeen years old, a new record. And as if to offset that benchmark on the plus side with another on the negative, English football clubs are banned from competing in Europe and no wonder. During the European Cup Final between Juventus and Liverpool thirty nine people – mostly Juventus fans –die and 600 are injured when they are crushed against a wall in Heysel Stadium, Brussels, before the start of the game. As if that wasn’t bad enough, 500 Hippy travellers clash with police on their way to Stonehenge and a human-shaped hole, arguably, is discovered in the earth’s Ozone Layer by British scientists.

But for me the most significant event of 1985 has to be the Live Aid concert, conceived by Geldof and Ure as follow-up to their hugely successful ‘Do They Know It’s Christmas?’ chart-topping, record-breaking single released the previous year. Both endeavours are inspired by Michael Buerk’s BBC News reports that beam haunting, grotesque images of millions of men, women and children dying of starvation during the 1984 Ethiopian famine.

Live Aid, billed as the ‘global jukebox’, is a dual-venue concert held conjointly in Philadelphia and London, with seventy-two thousand attending at Wembley. An estimated global audience of 1.9 billion, across 150 nations, tunes into the live broadcast and it raises over 50 million in relief funds. And I, like literally billions of others, become transfixed by the whole affair. BBC’s macabre images are etched permanently onto my retina, and, of course, I become swept-up in the excitement of seeing such big acts play at such a big venue for such a big and worthwhile cause. The Coldstream Guards band opens with the ‘Royal Salute’ and ‘God Save the Queen’. U2 play just two songs: ‘Sunday Bloody Sunday’ and a fourteen-minute rendition of ‘Bad’. Queen whips up a storm by playing some of their greatest hits including ‘Bohemian Rhapsody’, ‘Radio Ga Ga’ and ‘We are the champions’, and occasionally Freddie Mercury leads a thick Wembley crowd in booming refrains. I join in at home watching in front of our push-button colour TV Set. We all do, I imagine. David Bowie performs ‘Heroes’ and remarks after introducing his band, ‘I’d like to dedicate this song to my son. To all our children and to the children of the world’. His words resonate well with the mood of the nation and of the world.

And to wrap-up this whistle stop tour, 1985 is the year in which the first .com domain name – symbolics.com – is registered by the Symbolics Corporation; .edu domains, for educational institutions, outnumber commercial .com’s. Microsoft releases its first version of Windows, Windows 1.0, which makes my Windows 7.0 look less like a dinosaur (or a Windowsaurus). And Back to the Future, starring Michael J Fox, is released, grossing nearly 400 million dollars worldwide. How reassuring it is that such big profits can co-exist with such diabolic famine.

*

The throbbing in your head has slowed to a manageable yet noticeable pulse. The smoke outside the windscreen has fully dissipated. Your thoughts organise themselves into a coherent whole. ‘I’m an intrepid inter-dimensional space-time traveller. I MUST EXPLORE!’ This, once voiced, acts as cue to spring the hatch and climb out of your technologically superior craft. Once outside, a cursory inspection of CBMT follows, if only to make certain the journey back to your present can be completed. The damage is worse than expected. Basking Shark Vortex has ripped off those dog-eared corners. You notice a gouge as long as your arm down one side of the fuselage as well as a hole about the size and shape of a little girl’s head in the windscreen. ‘Oh no! That’s never going to get me back!’ you say out loud in disbelief at the extent of the damage. Fortunately, and unlike the first, you paid attention to and complied with the second rule of ‘Time Travellers Companion to Time Travel’, which states: ‘For ad-hoc repairs always carry sticky tape’. And before going any further, you spend no more time than absolutely necessary repairing your craft. To ensure durability – and let’s face it inter-dimensional space-time travel is a tricky, death-defying feat of accomplishment, make no mistake about it. You decide, in your good judgement, to wrap the entire craft not once or twice in clear sticky tape but seven times, giving no regard to how you’ll climb back into CBTM. Now dizzy, having just run around the craft like a maniac, you stand back and whilst wobbling from side to side say to yourself, ‘Just the job, that’ll get me home…I hope,’ as if to give yourself a well earned, if anxious, pat on the back.

Uneasiness appears in your mind. ‘Wait! I’ve missed something.’ There’s a short-lived nervous pause. ‘But what is it?’ you ask, searching for the source of doubt. In pursuit of an answer, you mentally scan ‘Time Travellers Companion to Time Travel’ stored in your infinitely flexible, organic cerebral processor: your brain. You adhered to rule two but skipped rule one. Are there any other rules you may have skipped? A forefinger presents itself in your minds-eye and settles on rule three, which reads simply: ‘Take essential provisions.’ ‘That’s it! I’m hungry, silly me I forgot rule three. What a nana brain!’ And with that, you walk into the same but different kitchen, which is in the same place but different time to the one you left behind in your present. You learned on Tuesday, from your misadventures in the garden, sorry, ahem, African Bush, how very important it is to travel light. Losing a leg to a disgruntled crocodile in a different time won’t do, so you busy yourself rummaging around the cupboards hoping to find the three essential provisions for inter-dimensional space-time travellers: Jam sandwiches, full-fat cola and jelly snakes! There’s the bread, white of course – crusts binned, torn-off – discarded flamboyantly over your left shoulder. There’s the butter, spread thickly, and jam spooned on, generously. A freshly made jam sarney is folded in two and shoved, indelicately, into a jean pocket for later. Now for the cola. ‘Gutted!’ There is none, so a tin of IRN BRU spotted in the fridge is settled on. ‘It’s made from girders,’ you say, chuckling to yourself in the best wee lassie Scottish accent you can muster. And now for the most important provision of all: Jelly snakes. ‘No house is complete without ‘em. Come out come out wherever you are,’ you say as if to charm them out of the cupboards directly into your hand. Snake charming is not your forte, however. ‘Housewife is fired!’ you say, pretending to be a CEO sacking her PA. A melodramatic soliloquy commences in the form of ‘Humph! How will I ever survive?’ You suck in your stomach. ‘I’ll surely die of starvation!’ You now drop to the floor, curl up in a ball and feign agony. ‘I’ll never get back now. It’s just not possible. I can’t make it.’ Just then, out the corner of your eye, you spot a tin on the counter top marked ‘Treats’. Without a pause you jump to your feet, rush over to the tin and prise open its lid. There inside, you spot an array of familiar sweets and treats including Refreshers, Drumsticks, Black Jacks and Gob Stoppers. ‘Boooooooring!’ To your bitter disappointment, Jelly Snakes are absent ‘Drats! I’m dooooomed!’ Then a reprieve. Several silvery packets, all identical – the design of which you’ve never seen before – catch your eye. You pick one up, shake it. It rattles like a snake. ‘Curious,’ you think. You flip the packet over and it reads ‘Space Dust’. ‘Even curiouser,’ you think for a nanosecond. And before your hands are able catch-up with your thoughts, they grab hold of three packets, rip them open feverishly and in the blink of an eye your mouth is full of small exploding rocks.

‘WhoooooOOOAAA…hooooooOOOAAA…Brilliant! It’s like Alien Spray but different,’ you manage to articulate amid spitting out tiny fragments of dynamite. You grab a handful of treats, Space Dust an’ all, and stuff the lot into a jean pocket. You are a now ready to explore 1985.

A short shadowy figure appears behind the mottled pane of the kitchen door. Your first instinct, guided by rule four ‘Do not interfere with locals’, is to hide, and a full length cupboard offers a suitable spot. You don’t want to draw attention to yourself so you move slowly, without making a sound. You are now safely stowed, and through a narrow slit, left purposely between the door and its frame, you observe the shadow, which judging by its size and shape belongs to a boy. A loud single knock makes the glass rattle. Hundreds of tiny spiders crawl up and down your spine. It’s the hairs on the back your neck standing to attention. ‘Oh no, he must have seen me!’ you think. ‘I’ll stay just where I am, thank you very much. Better not break rule four, or I’ll be brought before the Council of Inter-Dimensional Time-Travellers again and last time it got nasty!’ There’s another knock, much louder than the first; then another and another and another. ‘This guy’s impatient,’ slips out, muttered under your breath.

‘Issy! Issy! It’s Maggot. Are you hiding from me again?’

‘That’s weird,’ you think.

You try hard to suppress all curiosity through fear of what the Council of Inter-Dimensional Time-Travellers might do. And whilst you’re trying not to think about what your punishment might be for contravening rule four, you also begin to wonder why a shadowy figure, a real Muppet with a truly ridiculous name, Maggot, is referring to you as Issy. And then it dawns on you. ‘Oh nooooooooo!’ – a thought played in slow motion. ‘I must have accidently hit the transmogrification button during turbulence.’ And, in fact, that’s exactly what did happen. Whilst Basking Shark Vortex tossed your technologically superior craft down its neck, a stray hand inadvertently hit a button labelled ‘Transmogrify’ and in an instant your body transformed from that of Jessica, a ten-year old animal loving African bush-baby who refuses to wear shoes, into Issy a very cute, adventurous tree climbing BMX chick who, by coincidence, also refuses to wear shoes.

The shadowy figure presses on. ‘Issy! Issy! Open up, it’s Maggot!’

Peals of laughter are now streaming out of your belly, through your mouth and into the ears of Maggot who’s standing outside the door waiting to be let in.

‘I can hear you laughing, Issy! Come on- open up, it’s Maggot.’

Throwing caution to the wind, you leap out of the cupboard and position yourself directly in front of Maggot; you on the inside him on the outside.

‘Okay, Maggot,’ you say whilst still laughing. ‘Tell me how you got that ridiculous name and I’ll think about letting you in.’

‘Come on, Issy, you know the story. You gave me that name!’

‘Did I now? Well remind me!’ you say, assertively putting your foot down.

‘Stop being mean, Issy. Let me in!’

‘No! Not until you tell me why I called you Maggot!’ you reiterate, standing your ground. Jessica and Issy have much more in common other than their dislike of shoes; both share a stubborn streak too.

‘Fine, here goes again for the umpteenth time. How humiliating!’ Maggot’s voice trails off into an embarrassed murmur.

‘Speak up, Maggot, I can’t hear you! Why did I give you that name?’

‘It’s because I stink of maggots! I carry a bag of ‘em everywhere I go so I can fish whenever I like! You happy now?’

*

That explanation about how Maggot earned his name is only partly true. Yes, he  carries  a bag of maggots in one jacket pocket and rudimentary fishing tackle – a reel, a hook and float – in the other, just in case a fishing opportunity presents itself. He’s potty about angling. He talks about it insistently; the fish he lands, the whoppers that get away. He dreams about landing perch, barbel and roach. You get the idea. He’s as mad as a very mad hatter about fishing as possibly anyone can be. Tucked away, in the inside pocket of his favourite jacket, and it’s his favourite because it’s his only jacket, Maggot keeps stashed a bag of Rainbow Kaylie, as Emergency Rations. Now, if you believe that you’ll believe almost anything. Maggot is addicted to that stuff. He’s just as crazy about that sugary delicacy as he is about fishing. One day, whilst Maggot is fishing in his favourite spot along the Llangollen branch of the Shropshire Union canal, not far from the Dusty Miller, Issy spots Maggot’s jacket hanging on a branch of a hedge, just behind where’s he’s sitting. It’s unattended and Maggot’s concentration is focused entirely on a bright yellow luminous dot bobbing about on the surface of the water. Nothing but him and the float exist in the whole world. Issy spots her opportunity, and the more playful side of her character, or rather the more devilish side, goes to work. She knows Maggot won’t notice a thing if she’s quick, and my goodness Issy is the quickest in the business when she wants to be. In one swift movement, she grabs a handful of maggots from one pocket and releases them into the bag of Emergency Rations. Now, a lot of girls would turn their noses up in disgust at the thought of handling maggots. But Issy is no ordinary girl. She’s doesn’t flinch. Anything boys can do, Issy can do better.

After planting Maggot Time Bomb, Issy leaves Maggot to exist in his world whilst she spends the remainder of the afternoon sat atop a nearby lift-bridge, to be in hers. It’s nearly tea time now and our two friends are feeling hungry. From her lofty perch, Issy can see a disappointed Maggot packing up his gear, dejected, head down, having landed nothing all day. And rather than climb down from the oak beam on which she sits, Issy shouts, ‘Geronimooooo!’ as she jumps straight into the canal below with a splash! Meanwhile, Maggot is walking up the tow path with both their bikes to meet her. He’s shaking his head in acknowledgement of Issy’s lunacy. That bridge is at least five metres from the surface of the water. It’s a jump he’ll never ever, not a million trillion gazillion years attempt, ever. Issy is no ordinary girl.

‘I’m starving,’ Issy says to Maggot as she’s climbing out of the water, trying her dastardly best to detonate Maggot Time Bomb.

‘Me too,’ Maggot replies. ‘Come on, let’s ride home.’

‘Sure you don’t need Emergency Rations first?’ Issy says, trying once again to trigger an explosion.

‘Good idea,’ Maggot says as he pulls out the bag of Kaylie from his inside pocket. ‘Here, you have some,’ he adds, offering the bag to Issy first.

‘Oh no, I couldn’t deprive you. Look you’re a bag of bones as it is! They’re your Emergency Rations after all, not mine,’ Issy counters, already smiling, knowing her encouragement will be sufficient to help plunge the lever…

‘Thanks Issy. You’re a good friend.’

‘Yeah right,’ you think, whilst trying desperately hard to hold down your laughter.

Maggot Time Bomb is primed! Issy’s friend throws his head back and throws the entire contents of Emergency Rations into his gaping mouth, which once full he closes. There’s something very odd about this batch of Kaylie, he notices. It’s lumpy. It tastes unusual and, wait for it, it’s wriggling! None of that perturbs this boy and none of that prevents him from doing what he does next. He begins to chew. Grooooosss! Each bite lets off a small explosion, and small packets of gooey slime hit every corner of Maggot’s mouth. He coughs and splutters. He spits. He sticks his fingers down his throat to eject any stray maggots he may have swallowed. Meanwhile, Issy is laughing hysterically, doubled-up holding her belly. It now dawns on our expert angler what has just transpired.

‘What did you do that for?’ Maggot asks angrily.

‘Just because, Maggot. Come, let’s go home,’ Issy replies, still laughing and feeling just a little guilty for having just put one her best friends through her expertly executed Maggot Time Bomb escapade. And that’s the true story of how Maggot earned his nick name and ever since that day it has stuck like a limpet’s foot does to a rock.

*

‘You sure that’s the whole story, Maggot?’ Issy prompts whilst chuckling to herself, recalling briefly the real story behind her friend’s unflattering name.

‘You know it isn’t, Issy. Let me in!’

‘Okay. You win. Open, says me!’ And with that, Issy opens the door and allows Maggot to enter the kitchen.