Nantwich Speakeasy Poets: Mark Sheeky

Mark Sheeky head

Mark is an artist, painter, piano player and poet, and radio presenter, with one self published poetry collection, one poem per day for a year, and an illustrated collection of William Blake poems.

Milk

Milk, warm thick fatty

nourishment like heaven’s

breath, the fuel of life

that radiates and sparks

this new delight.

 

This sensation of life,

liquid breath, butter sun

love from my mother, what

delights await these sky-blue

eyes and tiny nostrils

in this world of swirling

scents and sensations, lights

like delightful milk,

warm thick fatty nourishment

like heaven’s breath,

liquid breath, butter sun

love from my mother.

 

Hunger

The whisper of blood,

and the pleading of bone marrow.

The stretch of thin fingers, grey

towards crumbles of caramel biscuit, golden

sticky-toffee flavours, in mouth

moistening hope, in anticipatory dream

of the sugary aroma, cracks with teeth.

 

I wander the streets.

I gaze at stalls, deep eyed and sallow

like The Scream.

 

My wool coat squeaks when chewed.

The hope of a lardy nutrient.

 

I close my eyes and circle the rim of an imaginary plate,

glass bone, a bed for a warm shape to fill me.

Reality squirms in my lonely knotted guts as they weep and plot to kill me.

 

The whisper of blood, and the pleading of bone marrow.

I make a wish, and I wait.

 

Ready Meal

These potatoes and meat were cooked for me, for one,

with salt and sweet butter carrots,

and green sprig.

 

I eat in silent stare, away

in some mythical land of carefree care.

Each trembled fork is slow, and grey.

A million meals of yesterday.

 

What would it feel like to cook food for a friend?

A surprise message arrives.

 

These potatoes and meat were cooked for me, for one,

with salt and sweet butter carrots,

and green sprig.

 

Assam

Oh, like tea,

do you remember the ice-thin china,

sharp on the lips and sweet-cream milk,

in rich Assam, large flake

bitter and dark in the transparent pot

brown breath astringent universe,

like seas of people seeking love

in rust-iron skies of a warm Autumn storm.

 

I tasted my lips, and yours,

and we sipped and silent smiled at the calm day,

and every October floss cloud paused,

then cracked, and pulled in wisps away.

 

Food

If I had the time I would pile

sweet creams and delights

of edible architecture upon the white glass plates

that you bought for me on the day that we first met.

 

I would offer you caramel brown sauces,

and mint scents, red jellies and courses

of elaborate designs, like crystal spires

of crisp sugar scaffolding,

that sparkle like child-eyes.

 

If I had the days, or just a morning for love

I would paint for you such patterns

of aroma and anticipation, in roasted meats

and earthy roots, with warm fatty juices

and sups of rich wine.

 

I would climb out of bed and be happy, again,

and look, with a kind light upon the white glass plates

that you bought for me on the day that we first met.

 

I would climb out of bed, with strength,

and cook spaghetti, with green oil,

and mascarpone meringue, drizzled with chocolate in fine lines,

like time on the skin,

like the time that I don’t have now

for food.

 

 

 

Poetry Drawer: Sunday Mornings by Raine Geoghegan

sun

He plays for me on Sunday mornings,
his own compositions.
His shoulders rise and fall as he
deftly runs his fingers across the keys.

My body sways tentatively,
drinking in the melody.
It falls into discordant notes,
a painter venturing into dark shadows.

I am cloth, unravelling.
Like a dervish,
I whirl, my heart opens as
the music builds into a crescendo.

A sweet essence flows back into my blood,
as if it were remembering the warmth of youth,
of wellness.
Of being in the sun.

Raine’s Website

Poetry Drawer: There is a River by Raine Geoghegan

Poetry Drawer: The Last Day by Raine Geoghegan (for my father James Charles Hill)

Poetry Drawer: The Cursed Crane by Alex Watson

jap

I stood as ever stood, my head bent o’er.

My long suffering twin stared back in silence.

Above, a mechanical bid drenched the senses.

It was ever thus.

 

As the din receded for a moment,

My twin twitched; she fluttered her virtual wings

And spoke from her watery heart.

“Master Crane, for decades you and I have

Drunk together, froze together, endured together.

Today, I set you free.”

 

My wings fluttered, my metallic frame grew soft with down

My legs stretched, my toes stirred,

Nothing had prepared me  

But I knew my destiny.

 

I stood, as never stood, my head alert.

The herd of deer, the laughing girls, the quarrelling men.

 

I preened as never preened, my heart in bloom.

The wearied mums, the dashing kids, the brimming shops.

 

I flew as never flew, my eyes so bright.

The dashing waves, the endless sea, the fretful gulls.

 

I reached as never reached, my lungs on fire.

The bullet train, the temples stone, the paddies green.

 

I soared as never soared, my life reborn.

The islands green, the fishers dots, the cirrus soft.

 

I climbed as never climbed but hopes were crushed.

Those hideous birds, their engines black, their windows closed.

 

I wept as never wept, my tears in streams,

And cursed my twin who set me free.

 

Poetry Drawer: Soulless Puppet by Elaine Snelson

puppet

Dance to the tune of a satanic fiddle,

Sinew and tendon plucked with pleasured zeal.

Mimic the motions of a soulless puppet.

Temperate, obliging, self assured.

That to be of use

is to exist…to be real.

 

Turn your cheek against the blindingly obvious.

Protect a fractured sense of worth.

Feeling totally insignificant

against the seductive mask of sincerity.

Crushed, defenceless and hurt.

 

 

 

 

 

Poetry Drawer: Miriam Discovers Machine Embroidery by Faye Joy

embroi

Punctuated with plump full-stops,

and curious apostrophes,

in this uneasy rhythm she

has discovered an untried script.

It encircles, twisting around

the frayed fringes of cut fabrics:

curtain remnants, lace and chiffon.

 

Appliquéd with hesitant lines,

misaligned edges and crude strokes

disclose changes of direction.

Revisions wriggling and scrolling

are interspersed with large commas.

At times the unconfined point

rushes ahead, the pedal push

too fast. These glyphs and cedillas

 

are part of her new lexicon,

her concrete poetry. She is

sewing a new orthography.

 

 

Poetry Drawer: Dios Dame La Fuerza by Clair Chapman

 

godes

It’s true there is a battle,
But I shall not yet bear arms,
Instead I aim to win you,
With a quiet war of charms.

She knows not of her opponent,
Or even of the threat,
And the amor in my armoury,
Is not collected yet.

But the tools at her disposal,
Are more deadly than a blade.
For my foe has you already,
And she thinks her bed is made.

The battle ground’s uneven,
The odds are in her favour,
She’ll need every scrap of fight,
And all the might God gave her.

For I shall not stop in this life,
Nor even in the others,
And I call to all the Goddesses,
The Gods and all their Mothers.

The ones who know what’s right,
And who I should belong to,
The saviours of my heart,
Who know how much I want you.

I have faith in all their powers,
Even though I am a sinner,
Love, I will have the victory,
But you will be the winner.

 

 

 

 

Poetry Drawer: Pillage and Rape by Faye Joy

empty nest

Five mottled sparrow eggs cushioned inside a breezeblock

with strips of my garden raffia, twig slivers, moss

and odd wing feather sentinels. It is shoulder height.

We tiptoe along the chemin to our plots, smiling, curious.

 

Today, nesting lies rag-strewn over rough ground,

the breezeblock hollow, empty, black. A baleful pall

hangs in the air, its solicitude unbidden. Then –

 

I hear cries and flapping wings, a duck fires a volley,

sculling low, seeking to evade three drakes in pursuit..

She rests a moment, the drakes encircle. Her protestations,

her body, are smothered in the long field grass. I wait

until her shaking head comes into view, then turn,

passing marguerites, buttercups and the empty nest.

 

 

 

 

 

 

Poetry Drawer: All The Mad Women by M. V. Williams

Havisham

Unsettled sweetness clouds her too-blue eyes,

tongues whisper secrets half aloud.

Her clothes are a joke, stolen from Fairyland,

her hair’s raked out like straw; an angle thatch.

 

She darts about, disturbing sleeping Jane.

What will she do next? They’re after her.

‘Come back to bed now, Bertha.

Put the candle out. You shouldn’t be here in the Master’s room.’

 

Grace Poole is in her cups. The mad one and the drunken one,

sly devils, work to undermine the man.

The flame seethes under the curtains in the bed chamber,

there’s trouble brewing, something’s caught alight.

 

Expect nothing, Miss Havisham waits in the corner,

by the cobbwebbed chandelier, plotting, and musty with longing,

though Estella’s long gone, her lover fled away,

and Pip has never cared about her, not really.

 

There in the children’s quarters, Violet Elizabeth Bott

is screaming the place down and no one will shut her up.

She’s sick all right. Put your hand to your ear.

Can you hear her? Can you hear her?

 

And the French Lieutenant’s woman on the Cobb,

thinks she has waited long enough.

Her eyes are watering, but not with tears.

Her cloak is spattered with the sea salt wind.

 

And where the Fens dissolve and meet the sea

that unpleasant old woman, Mrs Ravoon,

squats in the moat and mumbles someone’s name.

Mother, what do you want, sitting there all alone?

 

They are waking up after a long sleep.

They are all waking up after a long sleep,

 

and they are mad as hell.

 

 

 

Poetry Drawer: We Had a Sweep in the Week by Faye Joy

radio times

 

We had a sweep in the week

and he brought us some eggs

we don’t get another one until

Monday is your car open

the swing seat’s in the garden

if you want to sit down

Tut’s on you like things like that

have you seen this shot of her

she’s got horns she looks sort

of 1940s doesn’t she has anyone

seen the Radio Times

I’ve looked in the bucket

you said they put you to sleep

when you were in hospital that

man the day you came back he

was put into a home oh we’ve just

missed the secret life of the cat

well he might have gone to a nice

home so you quite liked him then

there’s the Great Wall on More 4

China’s secret history you like

things like that did you get any

tips then but it’s a bit embarrassing

when you have hot flushes and you’re

doing yoga and your sweaty feet slip

on the mat it’s in here you know

that man they took to hospital

so have we established

you’ll give me a knock when

you’re finished in the bathroom

oh there’s Dorothy and Charles’s

wedding she’s put some photos on

facebook it’s the family when they came

to stay with her from South Korea

the Chinese suffered under the yoke of Mongul rule

it says Dorothy’s lived here for forty years

near the Catholic church this is heavy

it’s heavier than yours isn’t it yours

is an android fancy posing like that

look at that just imagine living there

in one of those so they used sticky

rice in the mortar what’s that

oh it’s just him boom booming next door

can we establish what order we’re using the bathroom?