Poetry Drawer: Six Poems by Linda. M. Crate

all it’s many flaws

i hate that my jaunt
home from work
is in the
darkness
i like the hours,
but not the creepy men
who sometimes
are drawn to me like a moth
to the light;
and i’ve double backed,
walked slower,
and taken different ways
home
to shrug people off
but it’s exhausting always being
on the look out
it’s tiring always having to think
of the worst case scenario—
they insist that there’s
no such thing as rape culture,
but if that were true
i wouldn’t be holding onto my keys
like a weapon
every time i leave my house;
don’t give me your ignorance or your perspective
give me a change so i can believe that
“not all men” are truly accepting
of our culture as is,
and all it’s many flaws.

eyes that never see

i saw a white moon
folded backward
origami
in a hazy blue sky
folded over
a peach lily
caught by the beauty
i gave pause
from my mundane task at work
of taking the trash out,
and i looked around to see
if anyone else
was dazzled by this beauty;
but none of them even noticed
some are given eyes
with which they never see
others have lost their sight and they
can see—
always rushing by
going nowhere fast
i cannot help but wonder
how some people, like me, are given eyes
to witness;
and others eyes that never see.

i wasn’t brave

the cigarette smoke
was dancing
in the air,
and she sat there all
charisma and elegance;
and i envied and admired it
both at once—
i remember the apple tini
with it’s carmel draped across
the top like a gauzy shawl
it was delicious,
and i closed my eyes
before opening them again
to drink everything in;
i remember she was wearing
the black beret and had made her
eyes cat eyes
with that liquid
eye-liner
that i’ve never mastered—
i think that was the moment i knew
that i had fallen for her,
but i was never brave enough to say
it out loud;
especially not to her,
and definitely not to me.

step on a crack, break you own back

i wasn’t paying attention
lost in a thought
i tripped over the crack in the sidewalk
flew forward several feet,
but managed
somehow to keep my footing;
i am good at not
falling
sometimes
in a way that i don’t know if it’s a talent
or just dumb luck
too mute to tell me a thing—
i scold myself
to be more careful,
but i doubt it’ll be the last time
it happens;
my mind is a curious thing always slipping away
from what they tell me is reality
pushing me forward
when they want to push me backward—
right now i’m paying attention,
but later
i may trip over that same crack again;
and this time i may curse
those who made the sidewalk for making it
so tricky
when it should be a perfect shade of straight
instead of curved, irregular
and able to trip over.

addicted to both

shooting star
makes me pause
everything
is noticed
for a reason
either to rescind from chaos
or descend into it,
and i am always good at reaching
my fingers into the cosmic
cookie jar;
what can i say?
i’ve always liked cookies
a trait that
my mother gave me,
and i used to be better at self-control,
but sometimes it tastes too good
to stop;
i would rather be addicted to
the soft goodness
of a chocolate chip cookie
than the body of a man who doesn’t reciprocate
my love
as it so happens
i am addicted to both.

some days his name still hurts

my skin was the equator
his the north pole
i guess i should’ve known
the coldness of his death
would never inhabit
any bones
especially not the firey
song of love,
but when you care for someone
as deeply as i did;
you disrobe from any fabric of logic
start reaching for straws
your fingers are never long enough
to reach
pray the gilded cage is something more
than a pretty lie
even though it can’t be—
and when he finally leaves you,
you ugly cry
like a sky full of gray clouds
christening the ground with silver pearls;
you wonder how you wandered
on the knives of his lust
without realizing it wasn’t love, blaming
yourself for a broken heart
until you wise up
when he does the exact same thing;
then you become all fire and fury
passionately defensive wanting to knock
all his teeth down his throat
until one day you wake up and the pain is gone
although some days his name still hurts.

Inky Interview: Pennsylvanian Native Author Linda M. Crate

Poetry Drawer: Loch by Mitchell Krockmalnik Grabois

I’m in a swamp of toxins
in the American South
Somewhere through water lies Panama
Somewhere through water lies
Europe

where East German
and Bulgarian swimmers
fill their bodies with steroids
and threaten to overthrow me

I’m on the medal stand
and won’t get off
Brutal men will have to drag me off

I am golden
forever golden

Inky Interview: Author Mitchell Krockmalnik Grabois from Denver, Colorado

Flash In The Pantry: Serotonin Reuptake by Mitchell Krockmalnik Grabois

Flash In The Pantry: Mandela Warp: A Moment in History by Mitchell Krockmalnik Grabois

Flash In The Pantry: Cooking Shows by Mitchell Krockmalnik Grabois

Flash In The Pantry: Still Wet by Mitchell Krockmalnik Grabois

Poetry Drawer: At McDonald’s by Gabriella Garofalo

At McDonald’s, where sweet poisons
Lure you through dead garish lips,
Different jolts, different shades outside:
Some say ‘God’s hands’, some ‘springs of dark’
But we don’t bother, no time to waste
Over difference or metaphysics
For we thrive among probs, cads,
Mist, bikes, fatsoes, even a dirty blonde
Who had her trees deported from beds to beds,
Oh and look, do you remember the handyman
Who shouted no and got slain, how sad!
But the silence of the trees stayed with us,
That and the grudge against moves and peeves –
O trees, my dear trees, if I ever remind our life
I can’t bad-mouth you, my narcissistic trees,
Although you bend too much to pat the river,
Although still waters are your private looking glass,
You never play dirty when darkness skips
The hands I’m stretching out
So I’ll leave you alone and darkness I’ll exile
To those cathedrals where natural born raptors
Look ready to christen him in bliss and water –
Now you shut up, I know they’re different,
Love kicking and breathing,
Life a palsied ghost eager to scaring
Or eating up blue funk:
A loving child taught me so on a wintry day,
I got it fast, that’s why the raptors
Can’t grab me, so please don’t fret,
Let them smile sweet, let Mummy say
‘Know what? We call it life’ –
Life that restless bite?
Funny while running back I feel for them
My raptors that can’t bite,
I mean, honest, I grasp the difference
But they can’t, such crying shame –
Oh, and beware all that green getting so fast to your head,
My dear darling trees.

Inky Interview Special: Italian Poet Gabriella Garofalo

Poetry Drawer: Asymmetry At Full Blast by Gabriella Garofalo

Poetry Drawer: And All Of Them: To A.S.J. by Gabriella Garofalo

Poetry Drawer: Three Poems by K.S.Subramanian

On The Tides Of The New

Draped in dull glow of a pale sky
the city awakens to its own rhythm;
Metro rail snaking its tortuous way to
ease flow of life in a paradigm.
Distances dissolve; brows no more wet
with sweat for one to dig his shack;
Gone was the sea lore when a voyageur
took years to anchor his bark.
And too weary to revel in his triumph.
Now beyond home lurk the avenues
on the arc of change; tech wizardry
unwinding windows to aspiring millions.
No romancing the sky, black or blue.
Earth is borne on the tides of the New.

My Tryst With Squirrel

I watched the spry squirrel
scamper away hearing
my footfall; Its ear turned
to even slight dissonance of
sound and it rushed to guard
Its nest; a fretful companion,
content to feed its
squealing offsprings, also
hearkening to my short fuse.

Its energy was unfailing;
it would sweep to the
terrace to grab any morsel
It could feed; the red stripes
on its back, caressed by a mythical
Lord kept egging it on
perhaps; It knew when
the windows would
drop down at night to squeeze
inside for a nap in its niche;
Its squealing heralded
the dawn of dawn too.
Nudging me to open
the window to the trove
of morning breeze flowing in;
And it would rush out.

Wonder what is its missive?
“Wake up Man, it’s time.”

Superannuation

When the destined place of arrival closes in
a leaf of memory throbs with the long
memento of landmarks reached and missed.
Let missed calls die out in the log.

Regrets ever remain in unused folders,
pop up to be trashed into the bog;
Monsoon flies buzzing around the bulb.

On the winding path skirt the shrubs,
breathe the fragrance of fresh blossoms.
Things lost or denied count less than
trees flitting across the train’s window.

Spinning on its thumb the earth has seen
the revolving ends of despair and hope.
On the orb of this rolling circus?

K.S.Subramanian has published two volumes of verse: Ragpickers and Treading on Gnarled Sand through the Writers’ Workshop, Kolkata, India. His short stories have appeared in indianruminations.com, setumag.com, indianreview.in, Tuck magazine and museindia.com.

Poetry Drawer: Dedicated to Scott Weiland by Rus Khomutoff

Arrest this lament
this false flag of endeavor
parachute of the midnight aplomb
splendor soils christened by an exorama
defouled by a parasite cancel
who are you in the liturgy of night?
nameless index
of heathen imperial purple
no margin, no reprieve
augur of ceremonial reimagining
of unnoticed thoughts
searing in erasure
murmur of accidental day
a chastised saucerful of secrets
eviscerator heaven on call

Inky Interview Exclusive: Rus Khomutoff, a Neo-Surrealist Poet From Brooklyn

Poetry Drawer: Prisoner of Infinity: To Felino A. Soriano by Rus Khomutoff

Poetry Drawer: Sonic Threshold of the Sacred: To William Carlos Williams: by Rus Khomutoff

Inkphrastica: Song of Freedom Oasis by Rus Khomutoff (Words) & Now That’s What I Call Blue by Mark Sheeky (Oil Painting)

Poetry Drawer: Four Poems by Rus Khomutoff

Inky Interview Special: Sofia Kioroglou

Describe your journey towards becoming an author.

It sure has been quite an adventure, but I feel blessed to have got this far! It is generally very difficult to hit the ground running, but once a door opens, it can lead to a whole new slew of opportunities. The truth is that at first I was baffled as to how my writing would reach as many people as possible and make an impact. There were people out there who have been along for the ride and supported my every effort. I am really grateful to Fire Feinberg from Verse-Virtual who saw that little spark in me and goaded me into writing. Another influencer has been Nancy K. Wagner from Page and Spine Fiction Showcase and Mark Antony Rossi from Ariel Chart. But my first book entitled Literary Journeys to the Holy Land was my editor’s idea, Aristomenis Flourakis, who is also an author and publisher. I am eternally grateful to him for everything.

What kind of poetry do you write?

I love religious and philosophical poetry! For me, poetry is a form of catharsis, a path to a better cognizance of myself and my weaknesses.

Please tell us about Literary Journeys To The Holy Land.

It is a fusion of poetry and narrative with a rich collection of pictures I have taken during my travels to the Holy Land and Egypt. It is a truly compelling book in that you get to trace the life of Jesus through beautiful poetry and text.

You live in Athens. What is the literary scene like?

There’s lots of interesting things going on! There are a slew of good writers out there but there also voices that go unheard or are not given half the chance to go any further. I count myself blessed to have been given the opportunity to get my writing out there without producing anything that is commercialized and cliched.

Describe a typical day in your life.

I am an English teacher and translator and have a heavy workload. My only solace is writing and travelling to the Holy Land and Egypt. I am also involved in missionary work, which I find most fulfilling and enriching!

Who inspires you and why?

I get my inspiration from my travels to the Holy places and from real life events. I don’t like poetry that glosses over facts or that is far removed from the needs of people.

What advice would you give to your younger self?

Not to get things too seriously.

Tell us a story in five words.

Never criticize and always forgive.

Have you been on a literary pilgrimage?

My whole life has been a literary pilgrimage.

Why do you think poetry is important?

Because it stirs people into action when they are lulled into a state of complacency.

Do you have any advice for other writers?

Write from the heart and do not to pander to the demands of publishing houses. If you do that, your work will soon melt into oblivion.

What are you reading at the moment?

I have just finished a biography and I am planning to get my hands on a newly released book by Nontas Skopeteas.

What is next for you? What plans have you got?

I have two projects coming down the pike. The first one is a children’s book, and the other one is a behemoth of a book based on testimonies regarding miraculous events that happened to ordinary people. It is truly fascinating and I got to meet some really interesting fellows during my interviews.

Sofia Kioroglou on Facebook

Sofia’s Blog

Poetry Drawer: No tertium quid by Sofia Kioroglou

Inky Articles: A Spotlight on Miltos Sachtouris: by Sofia Kioroglou

Inkphrastica: The Passion Of Anna: Ken Pobo (Words) & Mark Sheeky (Oil Painting): Part 2 of an Ingmar Bergman Triptych

My face, gone.
I stumbled around since
I had no eyes, hoped it would return
like the dog I lost in fifth grade.
I made coffee and even drove to work.
No one said anything. Perhaps
my face had been erased for years,
maybe since I was born,
only I kept picturing it there.
Is this common? Without a face,
I couldn’t see others. Had I ever?

The sky, I presume, still appeared,
a stale gray the same as my good suit.
I used to say my,
what a pretty world this is,
cornflowers blue as my grandmother’s
church hat, asters poking red swords
in a bloated breeze. I may dream
a whole new self tonight–

it’s happened before. Selves
form and melt, ice on a puddle.

The Passion of Anna: Artwork for sale by Mark Sheeky

Inky Interview Special: Poet Ken Pobo From Pennsylvania

Inky Exclusive: Interview with multi talented artist Mark Sheeky

Inky Interview Special: Kevin Casey

Describe your journey towards becoming a poet.

As far as writing goes, I think my childhood was fairly typical: greeting card verse in grammar school, bad, overwrought poetry in high school. Even worse poetry followed in college. I tried to get some fiction published after grad school, but–especially since this was before you could submit work online–I couldn’t bear the waiting, so I gave up. In the spring of 2014, though, a friend and I were complaining about the state of contemporary writing, especially poetry. It occurred to me then that I didn’t have the right to whine from the sidelines, so I tried my hand at poetry, and here we are.

Tell us about a typical day in your life.

Up early (about 4am). Write if the mood strikes me, but usually not. An hour’s commute to work (often spent mulling over some poetry topic), and then work (English Professor turned administrator). An hour back home (more mulling), and then a few hours for family, and at least some time reading/writing. Most serious reading/writing takes place on weekend mornings, with their large, uninterrupted blocks of time…

Who inspires you and why?

I’m inspired by other poets, both famous and unknown. Or, more specifically, I’m inspired by their work. Usually without warning, the form or content of a poem will seem to force me to respond. The resulting poem will be my own version of theirs, or will be a type of rebuttal, or might even be hardly related to theirs at all, in the end. Once inspired, though, the poem will always happen. It’s a question of how, instead of if.

What advice would you give to your younger self?

I still regret the decade-long writing hiatus I took, though I remind myself that the world wasn’t terribly anxious about this break. The advice would be not to underestimate how quickly time passes.

Tell us a story in five words.

In remission, his pettiness returned.

This strikes me as a great example of why I enjoy poetry. As a story, these five words are similar to Flannery O’Connor’s A Good Man is Hard to Find in which The Misfit murders the grandmother, saying she would have been a good woman if there had been someone to shoot her every minute of her life, i.e. that sometimes we need a life-altering crisis to become decent and virtuous. But whereas O’Connor’s narrative involves the journey of a whole family through this twisted landscape and a dramatic, violent conclusion, a wee poem can approach a similar topic in a quicker, less sensational, though perhaps a more nuanced way.

Have you been on a literary pilgrimage?

A pilgrimage suggests sacrifice, or at least the minor hassle of planning, and I’ve never done that, per se. However, back in college, I lived fairly close to the home and gravesite of Emily Dickinson, and I would visit these places regularly, placing pennies on her headstone, etc.

Why do you think poetry is important?

On a bad day, I’m not certain it is. On a good day, though, I think that poetry is the quintessential human art form, that creating and sharing meaning in this almost ritualistic, ancient way is such a part of our species, as well as being (potentially) so accessible to both writers and readers. Poets may not be “legislators of the world,” but anyone with a degree of proficiency in their language should be able to make and understand poetry.

Do you have any advice for other writers?

Only to recommend the old dictum that you not let a day go by without at least writing a line. No poet of whom I’m aware makes their living solely through writing, so the discipline imposed by needing to earn a paycheck simply isn’t there. It’s usually important, therefore, that we force ourselves to write, to write better, and to try to get these poems out into the larger world.

What are you reading at the moment?

I make time to read any and all poetry I can get my hands on: collections from established writers, brand new web journals, etc. I’m also reading Braided Creek: A Conversation in Poetry by Ted Kooser and Jim Harrison.

What is next for you? What plans have you got?

I’ve got a new collection coming out this summer from Glass Lyre Press, and it looks like I’ve written enough poems to pull together another manuscript, so working on that will take me into the fall.

Poetry Drawer: Quotidian by Kevin Casey

Kevin’s Blog