Poetry Drawer: The Tank: Second Chances: Salad Without Dressing by Olivia Park

The Tank

The mint-painted walls peel
And flower with Expo marker
Like fish, we flood the hallways
Schools of puny power
The tank runs out of oxygen,
And we float up for gasps of air
But gills are meant for water

Second Chances

I’ve gotten, I know,
Another thousand chances.
But on most days I breathe better,
I’m still holding on for life.
Sometimes God should give us more time.

Salad Without Dressing

Only you and I nibble on the salad.
Our sweat drips onto the napkin.
It leaves a salty trail.
The vegetables look so vibrant on the platter,
It paints over your pain.

Olivia Park is a high school student who loves storytelling. She enjoys writing poetry, short stories, and essays that explore themes of identity and the human experience. Olivia has been recognized in school literary magazines and local competitions. When not writing, she finds inspiration in art, music, and nature.

Poetry Drawer: Defining Algorithms: Prehistoric Allure: No One To Hold Tonight by R. Gerry Fabian

Defining Algorithms

The autumn colour warmth
needs to be reprogrammed.
The approaching winter equinox dictates
recipes for hearty soup connection.
Grey chill skies demand a closeness
absent in the other seasons.
Soon depth of winter will encapsulate
and the coding must be secure.

Prehistoric Allure

I am going back to the caves.
The cool dolomite calls me.
Autumn is a good time to go.
There’s a freshness in the breeze
and it is too early for the bears.
I need the Native American paintings
especially the one of the man and woman
cooking over the stone-ringed fire.
Last year while hiking, we found them.
I know you remember.
Love was strong then
and promises held so much hope.

No One To Hold Tonight

Most of the time
after a hard harvest,
it simmers
and spills over
like some
neglected Marina sauce
with dried red splotches
staining aluminum
until the need
for the through scrubbing
clean up.

But tonight
like a scalding broth
falling from the stove,
without logic or intent,
it just spews.
And the residue
is everywhere.

R. Gerry Fabian is an published poet from Doylestown, PA. He has published five books of poetry: Parallels, Coming Out Of The AtlanticElectronic Forecasts, Wildflower Women, Pilfered Circadian Rhythm as well as his poetry baseball book, Ball On The Mound. In addition, he has published five novels: Getting Lucky (The Story), Memphis Masquerade, Seventh Sense, Ghost Girl and Just Out Of Reach.

You can find more of Gerry’s work here on Ink Pantry.

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Poetry Drawer: The Shared Apartment: Vote: Fear is a Common Denominator by Jenny Middleton 

The Shared Apartment

My house-mate’s wallet was full of cash when he threw it at the sliding
sash, busting a hole, fragmenting everything with the glass.

Colder and colder draughts of Wednesday morning
ricocheted in a strumming bass thudding in with the glass.

The false gold halos of coins winked and plashed at our feet burying
into the shag-pile carpet’s tufts, permeating the room, needling it with glass.

We pulled blunt edged pounds, two and ten pence pieces out
from beneath the sofa and attempted vacuuming the glass.

He didn’t say anything much after that and I moved on a few months later.
The window between us becoming a crevasse shattering with glass.

The cellophane we stretched over the break frayed into thin and thinner
slivers like my memory of what we had sliding into a vanishing glass.

That apartment was in roughly in the middle of town, now cars
rush where we once slept in the room still cracking with glass.

Vote

Can one mark matter? Can one X
be a kiss and affirmation
crossing lips or a voting box?
Can one mark matter? Can one X
change thoughts, score the path people fix
do lives hinge on one decision?
Can one mark matter? Can one X
be a kiss and affirmation?

Fear is a Common Denominator

Stumbling through 5.30 AM
and clasping a Tupperware container –
instead of sleeping – I am saving a mouse

from my cats. It hunches, shivering
amongst looming furniture
fright’s seeds germinating
beneath its fur
scrabbling against the carpet.

I can’t tell it the domed plastic box
isn’t a steel trap where air will expire
spent breaths as blood filled chokes
or that the day will
not vomit scratched-up pain

I can only show it open
alley-ways mazing behind the street
and let it run from me
back to dank undergrowth.

Jenny is a working mum and writes whenever she can amid the fun and chaos of family life. Her poetry is published in several printed anthologies, magazines and online poetry sites. Jenny lives in London with her husband, two children and two very lovely, crazy cats. You can read more of her poems at her website

You can find more of Jenny’s work here on Ink Pantry.

Poetry Drawer: Chemistry, Controlled Chaos And Connection: He Killed Everything In His Garden: Top-heavy Indian Summer: To The Root by Paul Tristram

Chemistry, Controlled Chaos And Connection

I can feel you still ‘smiling’
when I (briefly) look away
… and you caught
my faint ‘stammer’
inside your delicate mouth
whilst I was explaining
the way my ‘insides’
dislodge and fall…
the very moment you awake
… and we conspire
over re-introductional kisses
… to neither dim ‘Trouble’
nor hide from its
… cRoOkEd pathway…
through the topsy-turvy Day.


He Killed Everything In His Garden
~ the short story which accidentally turned into a poem ~

Fingertips (slightly) bouncing
off piano keys a-tremble
at the edge of my nerves
… and the morning blackbirds
look the way double bass
strings sound with arco…
melting away heavy rainfall.

Sorry, I got distracted again
… here’s your chance
to do your jigsaw thingy
and fit an ‘imagery embrace’
snuggled right up
into my meandering thoughts.
What I like about you best
is that when I show you
my ‘nice side’
… you instantly reciprocate,
rather than… ‘Menu-Browse’.

“… Is the ‘Finger-walking’ cryptic?”
Pausing to answer
deflates MOMENTUM
… work it out yourself or stay
confused… my involvement stops.
“You’re mistaking ‘Garrotting’
for ‘Disembowelling’… is it
Lucy? Cool, send her my love.
It’s sort of like ‘Lexical-Gustatory
Synaesthesia’… I can taste
the smell of old lady beggar hands
which have been re-counting
pennies whilst clumsily drinking
Styrofoam cupped tea… whenever
she says the word ‘Cuddle’…
any other female and it
tastes like cherries, or cake dough.
No-no, I absolutely insist
… you take ‘All of this/that’…
I’m quite content with the Doorway.”


Top-heavy Indian Summer

I’m busy,
psychically
pebble-skimming
the late afternoon
… rippling
pockets of peace
and quiet
with my curiosity
and sideways view.
I’m not, exactly,
intruding,
more observing
with outside-the-box
perception.
Dipping my
inquisitive toe
into the rhythmic
pond water
which dwells
in-between
what’s yet to be said
… in answer…
to what has already
been spoken.


To The Root


The excavation was a lengthy operation,
to say the least.
The emotional support beams buckled daily.
Each cavern grew smaller in size…
as the throbbing pulse drew her down deeper.
There was a waterfall of thought, halfway in,
where a dim glow, I shan’t call it a light,
radiated melancholia,
and a strange, eerie, out-of-tune melody
strangled itself, over and over again,
to the background drumming heartbeat.
The shelf of regret, just below,
was unstable to both foot and hand holds,
and the moths of vertigo face-fluttered
in demented, blinding, fury.
At the very bottom,
she found the essence of herself, at last…
rocking back-and-fore,
upon the floor of a hut
made of the bones of memory.
Cradling a snake to her breast,
which emanated a beacon of false hope,
whilst at the very same time,
devouring twice the prize it was deceptively giving.

Paul Tristram is a Welsh writer who has poems, flash fiction and short stories published in hundreds of publications all around the world. He yearns to tattoo porcelain bridesmaids instead of digging empty graves for innocence at midnight, this too may pass, yet. 

His novel “Crazy Like Emotion”, short story collection “Kicking Back Drunk ‘Round The Candletree Graves” and poetry collection “The Dark Side Of British Poetry” are all available from Close To The Bone Publishing.

Pantry Prose: Alice in Slumberland by Neil Leadbeater

Alice was not expecting any adventures. She was just going to Slumberland. She was after a new mattress because she wanted to get a good night’s rest. The old mattress had lumps in it and the springs and coils within its interior had given her more than a few sleepless nights.

Getting to Slumberland was fairly straight forward even though it entailed a fair amount of walking from the bus stop. It was one of those places that was just outside of town in a big retail park. She stopped to check the street atlas every so often to make sure she was not taking a wrong turn. On one of these occasions, just as she was folding away the map her attention was distracted by the sudden appearance of a white rabbit wearing a waistcoat. It was a lovely rabbit and it reminded her of her childhood. Spotting a white rabbit in your path was supposed to bring you good luck and urge you on toward new beginnings. The rabbit spent some time looking at her with its whiskers twitching. She assumed it must be somebody’s pet that had escaped from the confines of its hutch. She looked around but there was no one else there. The rabbit turned on its heels and bounded off but then it came back to her feet again. What was it trying to tell her? The next time it bounded off she decided to follow it. As it happened, the rabbit did her a favour because it led her down a ginnel which brought her out right opposite the entrance to the retail park. In other words, it had shown her a shortcut to Slumberland.

‘Thank you, rabbit’ she said and then hoped that nobody had heard her, except the rabbit of course. An adult caught talking to a rabbit would look a bit odd, she thought, but the rabbit seemed pleased to have been of help to her and bounded back the way it had come.

For some reason she had difficulty getting through the revolving door at the entrance to the store. It was not that she was large, it was more to do with the doors being small. After a great effort, she managed to hold herself in and walk through the door.

Once she was in the store, she was greeted with a plethora of beds. There were bunk beds, ottoman beds, divan beds, guest beds, sofa beds, day beds, beds of all sizes that were just waiting for her to try them all out. The same could be said of the vast range of mattresses: hybrid, spring, foam and queen mattresses all seemed to vie for her attention. There was not a salesperson in sight. In fact, she seemed to be the only person in the store. After walking round the beds for a while and sitting on them to test them for their comfort, she settled for one of the queen beds, 60 x 84 inches which, according to the label, was for two people. It was certainly nice and roomy.

It was not long before she fell into a deep sleep. You might by now be thinking that she was as mad as a hatter. Who would walk into a store, sprawl across a bed fully clothed and fall asleep?

A lot of people seemed to come into the room which by now had turned into a milliner’s shop. Couples seemed to be mingling together in high spirits. She couldn’t see their faces but she could see their hats. Every one of them, despite being indoors, was wearing a hat. There was a man with a baseball cap with a rounded crown and a stiff, frontward-projecting bill who was handing a cup of tea to a woman in a bell-shaped hat from the Roaring Twenties. Someone who was wearing a fascinator made with feathers and flowers was pouring tea into a cup and passing it to a man in an Australian brand of bush hat. Two teenagers, one in a sun hat and another in a rain hat were conversing with one another in the corner. She couldn’t make out what they were saying but she wondered why one of them thought it was raining while the other one was enjoying being in the sunshine. The whole group erupted when a harlequin appeared in a brightly-coloured, conical party hat emblazoned with patterns and messages. He seemed to be inciting them to throw custard pies at each other. To Alice’s amazement, everyone ransacked the tables and started hurling cake crumbs, cherries and whipped cream at each other’s faces. It was absolute bedlam but nobody seemed to mind at all. It was a complete free for all. Even the gentleman in the bowler hat from Lock’s of St. James’s was joining in and seemed to take great delight when he succeeded in knocking his acquaintance’s top hat straight off his head. A woman in a pill box started to bombard her friend with fruit which finally dislodged her peach basket dashing it to the ground. A boy in a beanie was shivering in the corner, trying to stave off the cold. A long-legged girl in a flat-topped straw hat was strolling through the proceedings as if she were at a regatta. It was all most extraordinary.

Dreams are, of course, quite illogical.

*

In the next room, Alice found herself in maternity. The midwife was urging the Duchess to push.

‘Push hard,’ she said, ‘you can do it.’

The Duchess was not so sure. She thought that she was too posh to push.

‘Keep pushing,’ the midwife exhorted, ‘you’re almost there now.’

All this, despite the unbearable pain.

Eventually the pig appeared with all its trotters intact. It squealed and squealed and squealed.

‘Oh what a lovely piggy you are,’ cooed the Duchess, as the midwife handed her the pig.

‘There, that wasn’t so difficult was it?’ said the midwife.

Alice was shocked but everyone else seemed to think that this was perfectly normal.

*

Out on the croquet lawn, everything seemed to be fine.

‘At least it’s a mallet and not a flamingo,’ she said.

‘Not a what?’ said her friend.

Alice looked embarrassed. Where did the flamingo come from? She clearly wasn’t thinking straight. A mallet was nothing like a flamingo. You could strike a croquet ball hard with a mallet. A flamingo would just get in the way strutting round the hoops with its long pink legs. How absurd would that be?

‘A mallet is a mallet is a mallet’ she said, much to the growing consternation of her friend.

‘You’re talking gobbledygook,’ she said, ‘or was that jabberwocky?’

Either way, they both knew it was not plain English.

There was something wrong with the object she was trying to hit. Yes, it was round like a ball, but it appeared to be curled in on itself and its surface, far from being smooth, was quite spiky. She didn’t want to pick it up because its spines were sharp and looked as if they would draw blood.

‘That’s not a ball, that’s a hedgehog’ she said.

‘What on earth are you talking about?’ said her friend.

‘How did that get here?’ asked Alice.

She looked in horror as her friend whacked the hedgehog with her mallet. It was a gentle whack, of course, more like a tap really, because this was croquet, not golf. Alice felt for the hedgehog.

‘Hitting hedgehogs is wrong,’ she said, as if pronouncing some sort of official announcement. ‘There must be a rule about this. Anyone found hitting a hedgehog…’

‘What are you talking about?’ said her friend, ‘that isn’t a hedgehog, it’s a croquet ball.’

Alice peered closer. Her friend was right. It was indeed a croquet ball.

The white rabbit, who had been watching the proceedings from the long grass, chuckled to himself. It was all so highly amusing.

*

When Alice woke up she was surprised to see that she was still in Slumberland. Several customers were looking at her and talking among themselves. Flustered, she got up, smoothed down her skirt and walked over to the payment desk.

‘I’ll have the queen mattress,’ she said.

‘Very well, madam,’ said the floor assistant. ‘There’s no charge for delivery. Will you be paying by card?’

‘Yes,’ she said, and pulled out the Joker.

‘I’m afraid we can’t accept that,’ he said, ‘but we’ll take the Queen of Hearts.’

Just as she was leaving, she noticed the name badge on his lapel. It said LEWIS CARROLL.

Neil Leadbeater was born and brought up in Wolverhampton, England. He was educated at Repton and is an English graduate from the University of London. He now resides in Edinburgh, Scotland. His short stories, articles and poems have been published widely in anthologies and journals both at home and abroad. His publications include Librettos for the Black Madonna (White Adder Press, 2011); The Loveliest Vein of Our Lives (Poetry Space, 2014), Finding the River Horse (Littoral Press, 2017), Punching Cork Stoppers (Original Plus, 2018) River Hoard (Cyberwit.net, Allahabad, India, 2019), Reading Between the Lines (Littoral Press, 2020) and Journeys in Europe (co-authored with Monica Manolachi) (Editura Bifrost , Bucharest, Romania, 2022). His work has been translated into several languages. He is a member of the Federation of Writers Scotland and he is a regular reviewer for several journals including Quill & Parchment (USA), The Halo-Halo Review (USA), Write Out Loud (UK) and The Poet (UK). His many and varied interests embrace most aspects of the arts and, on winter evenings, he enjoys the challenge of getting to grips with ancient, medieval and modern languages.

You can find more of Neil’s work here on Ink Pantry.

Pantry Prose: The Lido at London Fields by Neil Leadbeater

That summer, breaking into the Lido under cover of darkness was the one thing that preyed upon Jacko’s mind more than any other. In fact, it would not be unreasonable to say that it had quickly become an obsession. This whole idea of entering forbidden territory propelled him on to the point where it had begun to take possession of him. Jeanie and Rebecca, the other two students who made up what they called ‘the gang of three’ were not so sure.

‘What if we get caught?’ piped Jeanie. She was always the more cautious one of the three. ‘Suppose there are CCTV cameras all over the place, what do we do then?’

Jacko gave her a look of disdain. Jacko was thorough. He’d already cased the joint during the daytime and there didn’t appear to be any evidence of CCTV surveillance there at all.

‘Suppose the fence is alarmed?’ shouted Rebecca, as they ran across London Fields in pursuit of Jacko who was now well into the lead.

‘Look, do you want to come with me or not?’ he said, rounding on them suddenly as they neared the approach to the Lido. ‘It’s just a laugh.’ he said. ‘Yes or no?’

The girls looked at each other. Their hearts were beating like crazy and there was no time to lose.

There was a full moon that night and it shone directly on their faces as they stood there in the park captured by its glow. The thought of breaking into a 50 metre Olympic-sized, heated outdoor swimming pool when no-one else was around had its attractions.

Jacko had spent weeks walking round the perimeter, sizing up the fencing, studying it in detail without trying to raise any undue suspicion. He’d even made rough notes, gone home and prepared a full-scale drawing so that he could pinpoint with accuracy the one place where he had found a bit of leverage, a weak point, where it might be possible to gain entrance. His pockets were bulging with cutting equipment. Once they had broken through there was nothing to stop them returning night after night. The girls had towels concealed in their bags and were wearing string bikinis underneath their outer clothing. Jacko, who was not so modest, intended to dive in naked as the day he was born.

Even though it was one hour to midnight they were surprised at how busy the park was with night time cyclists, dog walkers and people going home from the pubs. They would have preferred it to have been much quieter so that they would be less likely to be seen but the place where Jacko had detected a weakness in the fencing was pretty well concealed by trees and bushes and away from the main thoroughfares of the park.

It took him a good half hour to cut away at the wire mesh before he managed to make a hole big enough for them to crawl through. The girls were edgy, constantly on the lookout for any movement.

By the time they got in, it was completely dark. They took a moment or two to acclimatise themselves to their surroundings.

‘Hey, let’s wait a while. This could be dangerous. We don’t want to fall in the pool,’ said Rebecca.

‘I’ve heard it takes a good half hour for the eye to adjust for darkness,’ said Jeanie, ‘Eyes adapt to bright light a lot faster than they do to darkness.’

Reckless as ever, Jacko just wanted to find his own way in the dark. He walked gingerly to the edge of the pool, tore off his clothes and dived in. The splash alarmed the girls who thought they might be found out but no one appeared on the scene.

Jacko swam back to the edge and tried to persuade them to come in and join him. The girls stood shivering in their costumes as they were still uncertain about whether or not to chance it in the pool.

As their eyes gradually got used to the dark, Jeanie suddenly spotted two deckchairs in a pool of moonlight out in the bathing area. She thought it was odd that they were out when all the other deckchairs had been stacked away. The nearer she approached the back of the chairs the more nervous she became. She was sure that they were occupied. There was something about their shape and their bulk, as if they each held a human body. She went and grabbed hold of Rebecca, pointing all the time at the chairs. When they got closer they stopped to listen for any sounds of movement or conversation but there was none. It was curious though that, despite the slight breeze, the canvas did not move. After contemplating the scene for a moment or two, they both lost their nerve and walked quietly back to where they had come from. Maybe they were not alone after all.

‘I don’t think there’s anyone there,’ said Rebecca. ‘How could there be?’

Why would anyone be there?’ said Jeanie. If anyone was there, she reasoned, they would have turned round as soon as they heard Jacko diving into the pool. At that time of night, the splash had seemed loud enough to wake up the whole Hackney.

Jacko emerged from the pool, dripping water all over the ground. They motioned to him to keep quiet but felt that they were safer down at this end of the pool.

‘For goodness sake, Jacko, cover yourself up,’ said Rebecca. ‘Somebody might see you’.

‘I think someone’s around,’ said Jeannie. ‘I don’t feel safe like this.’

‘Me, neither,’ said Rebecca. ‘Let’s get dressed and go.’

The next time they looked towards the two deckchairs, the breeze rippled through the canvas and the chairs keeled over on to the floor. Whoever had been there had left or was lurking about somewhere else nearby.

The girls got the jitters. Even Jacko began to feel uncomfortable. It was not long before they left by the way they had come and made their way back through the fields.

What had started out as a student prank had left a nasty taste. Suppose someone had seen them? What if they were being followed home? The girls, arm in arm, frequently looked behind them, being suspicious of anyone who might be on their tracks. Even when they got home, they worried about whether or not this mysterious someone, singular or plural, had made a mental note of their address.

*

Jeanie, who had always secretly had a bit of a crush on Rebecca, asked her if she could come into her room and sleep in her bed that night as she was still feeling nervous after what had happened at the lido. It was not an unusual request. They were very close and shared everything together, even their clothes.

‘I’ll be round in ten,’ said Jeanie.

‘Just come when you’re ready,’ said Rebecca. ‘I’ll leave the door off the latch.’

When Jeanie came in, Rebecca’s room was in darkness. She could see her friend clearly enough though because she was standing close to the window, feet slightly apart, in a strip of bright moonlight. She had her back to Jeanie and had taken off her clothes. All she was wearing was a gold-coloured, spandex G-string. Jeanie held her breath as she secretly watched Rebecca untie her hair and shake out her glossy black curls which cascaded halfway down her bare back. Jeanie, who had a page-boy cut, had always been envious of her friend’s long hair.

When Rebecca turned round, her face was flushed. Jeanie felt breathless. She was aching to touch her.

‘You’ve let your hair down. You look gorgeous, Reeby,’ she whispered.

Jeanie was in a state of confusion but Rebecca made it easy for her. She came up close, slowly opened her girlfriend’s blouse and whispered something in her ear which made her blush. In that moment, Jeanie lost all her inhibitions. She went limp like a ragdoll in her lover’s warm embrace. The two began to kiss until such time as they were no longer bathed in moonlight.

*

None of them slept very well that night which meant that they were bleary-eyed when they went into their lectures the next day. They all hoped that they could quickly put the night’s escapade at the lido behind them but it kept on nagging them in all sorts of stupid ways. In the refectory, for example, Jeanie picked up a magazine that was lying open on one of the tables she chose to sit at to have her lunch. You might think this was innocuous enough but her eyes were drawn to an article on the subject of moon bathing. Curious, she read on. The article stated that moon bathing was just like sun bathing. It urged readers to go outside when the moon was in full view and absorb its light. It recommended that you should find a restful space and do this in private with or without your clothes in order to experience the calming properties of moonlight.

When she met up with Rebecca she told her all about what she had found out.

‘You can do it with your clothes off,’ she said. ‘Just think of all that moonshine on your bare skin. If it’s a full moon you can align your energy with the lunar cycle. Because moonlight is actually reflected sunlight, it too can boost your vitamin D levels, as well as give you nitric oxide which helps to regulate blood flow.’

There was a long pause while Rebecca took in the significance of what her friend was saying.

‘What is it, Rebecca?’

‘Those two deckchairs we saw last night…’

‘What about them?’

‘You know when we thought that there were people sitting in them?’

‘Oh, you don’t think there really were people in them do you? You mean that they might have been moon bathers?’

‘It’s possible.’

‘They must have seen us when they got up to go.’

‘But how come we never saw them?’

‘I don’t know.’

Later that day, a couple of other students had spotted the same article. They caught up with the two girls and casually dropped the subject into the conversation.

‘Have you heard about this moon bathing thing?’

The girls looked startled.

‘It’s all the craze round here, apparently.’

The girls felt uncomfortable.

‘Fancy trying it with us….fancy taking your clothes off?’

Jeanie tried to make out that they did not know what they talking about.

One of the students looked at her and gave her a smile.

‘I think you do,’ he said.

‘How do you mean?’ she said. She was as nervous as a kitten jumping at shadows.

‘Because I saw you.’

‘Saw me doing what?’

‘You were reading the same article when you were in the refectory earlier’

‘Oh,’ she said, immediately relieved. ‘Yes, I did just glance at it.’

Perhaps he didn’t mean anything by the remark after all.

Several days later there was a piece in the local paper about the broken fencing at the lido which was put down to vandalism. Eventually the fence was repaired. The police were too busy to do any investigations. Jacko said there was nothing to worry about but the girls thought otherwise for the one thing that had been taken away from them that night had been their innocence. What had they been thinking of? It was moon madness. They had crossed a line into forbidden territory and now there was no going back.

Neil Leadbeater was born and brought up in Wolverhampton, England. He was educated at Repton and is an English graduate from the University of London. He now resides in Edinburgh, Scotland. His short stories, articles and poems have been published widely in anthologies and journals both at home and abroad. His publications include Librettos for the Black Madonna (White Adder Press, 2011); The Loveliest Vein of Our Lives (Poetry Space, 2014), Finding the River Horse (Littoral Press, 2017), Punching Cork Stoppers (Original Plus, 2018) River Hoard (Cyberwit.net, Allahabad, India, 2019), Reading Between the Lines (Littoral Press, 2020) and Journeys in Europe (co-authored with Monica Manolachi) (Editura Bifrost , Bucharest, Romania, 2022). His work has been translated into several languages. He is a member of the Federation of Writers Scotland and he is a regular reviewer for several journals including Quill & Parchment (USA), The Halo-Halo Review (USA), Write Out Loud (UK) and The Poet (UK). His many and varied interests embrace most aspects of the arts and, on winter evenings, he enjoys the challenge of getting to grips with ancient, medieval and modern languages.

You can find more of Neil’s work here on Ink Pantry.

Poetry Drawer: 5 by Grant Guy

the moon rises
a dog barks
a car drives over a broken tree branch

the branch cracks under the weight of the car

the moon rises
a dog barks


snap
snap

elastic broke

almost blinded him


when he looked out the window
all he saw was himself looking back

he cried a lifetime

then he laughed


words
i have no choice

they created me


eat
shower
work
supper
bed

no sex tonight

Grant Guy is a Canadian theatremaker, poet and visual poet and arts programmer. His theatre and performance have appeared in Canada, the United States and in Europe. He has published in hardcopy and online. He has visual poetry in the United States, Argentina and Brazil and in Europe. He is the recipient of many grants and awards.

Poetry Drawer: Self by Mitchell Krockmalnik Grabois

The core of the self is a magnet
which pulls in the physical world
and the stuff of human nature,
good and bad.
Once trauma is caught there, it is hard to dislodge,
the power of the magnet being strong

In this space occupied by “I”
is sunlight, water, air and earth,
also a little child who remains worried and fearful,
petrochemical sludge,
viruses and bacteria,
a need to love and to be cherished
and a desire to avoid pain

In this space is pollen, sunlight dispersed in a different form,
and seed, infant plants,
who blow over high desert and grassland
past cows and squirrels
and fish finning in ponds.
In this space is intelligence
and strategies designed to enable survival
but which may actually sabotage survival
In this space are tools, ever more powerful,
with which we strive to dominate our world
In this space is art, and sensitivity

In this space is air,
sometimes still, or moving steadily or gusting,
or appearing as wind, at times fierce,
which carries spirit from the far corners of the past
into the space of the distant future
Our small parcels of light
meld with the brilliance that streams from our star
and our drops of water join the ocean

We may clothe those winds with fantasies of reincarnation
in which we are kings or queens or famous scoundrels
However hard we work to clear our minds,
sometimes we backslide
into bizarre, irrational ancient mythologies
because their fantastic fictions,
tailored to the human psyche,
ease pain and
give hope

But these fantasies
take us out of the here and now,
which is the only place one can be
Even the immortal soul is transient

Deadly pathogens and fatal hostilities
are fed by the greed, anger and delusion
which reside in all human hearts
We are like the Tasmanian Devil
When we feel threatened,
In this universe which, some claim, is made of love
we viciously bite each others’ faces

Like orange lava,
pollutants well up
to run uncontrollably downmountain
toward cities and towns
which fill with ash and sulfurous smoke

Meanwhile, the need to love and be loved
embraces all persons’ identical craving
and pain shatters against the jagged afflictions of others

Mitch Grabois has been married for almost fifty years to a woman half Sicilian, half Midwest American farmer. They have three granddaughters. They live in the high desert adjoining the Colorado Rocky Mountains. They often miss the ocean. Mitch practices Zen Buddhism, which is not a religion, but a science of mind (according to the Dalai Lama). He has books available on Amazon.

You can find more of Mitch’s work here on Ink Pantry.

Poetry Drawer: Rites of Passage: After the rain, there will be rainbows: The watchers in the rye by Dr. Vaishnavi Pusapati

Rites of Passage

Encountering grief is a rite of passage,
like love and yet unlike it,
for grief is a long time coming,
a tiger dancing in the dry grass,
our bullets are pills and sometimes we run out of them,
sometimes we play dead, hoping the tiger will go away,
sometimes we are tired of losing so much, we have nothing to
tempt or trade with grief, nothing to scare him away,
and grief takes no prisoners, has no calm, no qualms.
In our grief we speak of the dead so often now,
we wake them, we envy them, we sing them lullabies.

After the rain, there will be rainbows

Illness is like damping of wood
but once it dries, irrational hope will flicker,
with the confidence of candles
against raging stormy winds.
But damp birds don’t fly well.
So we sit and hope,
for hope is a waking dream.
We shiver to warm our bodies
and ask, for we can only ask, our bouncing heart
to settle, to brace for impact,
as we mould ourselves again, again begin
twig by twig, after the rain, when the nests are destroyed,
gone like the dead, gone like the wind.
We bring healing, twig by twig, for new nests and new hopes.

After the rain, there will be rainbows.

The watchers in the rye

No cow turns to see us pass,
or that distant running train,
we, holding hands, so that,
should we fall, we fall together.
We pass by where there was a yellow wood,
where now, a yellow building slants, stands.
We, white as snow, as death, as bones,
as birds’ eggs in nests who do not know
that the mother bird is dead, far away.
Dead like a plant in cosmic darkness.
We like statues, the scarecrows of the elegant house gardens,
eternally grave in all tricks of lights, watching
the all too familiar glint of the moon on broken glass,
on shallow eyes of broken people, the sick and sickening,
who once played hide and seek with us, sat with us in schools,
who we met at birthday parties and broke lunch boxes with,
who are taller than us now and their ears can’t hear us,

who we almost touch like the wind, and then refrain.

Dr. Vaishnavi Pusapati is a physician and poet, previously published in nearly 50 international literary journals and magazines such as Prole, InkPantry, Palisades Review, Dreich, among others).

Poetry Drawer: Opposites: Sweet Times: What Beauty by Danny P. Barbare

Opposites

What
goes
together

but
opposites

like
bread
and
butter
pickles
and
olives.

Sweet Times

Snow
sifting
through
the
clouds

cooking
up
sweet
times

like
a
delicious
dessert.

What Beauty

What beauty is snow
anyway
but for children making
snow angels
snowmen and having
snowball fights,
while
adults stay warm by
the fireplace
drink hot chocolate or
have a glass of wine.

Danny P. Barbare resides in the Southeastern USA. He works as a janitor at a local school and writes poetry in the evening.