Easter Poetry Drawer: The egg is one of the most sophisticated products of the natural world by Helen Kay

 

egg

So Hen lays something

small and creamy perfect

as the sun’s slinging ellipse

certain as the shine of straw.

 

A Sistine hand collects, connects.

Sheltered by a green hedge,

Hen does not know the cosmic

supermarket stack of graded eggs –

 

free range, half range or barn –

does not know ballads

or builders breaking fields

or bald men cracking atoms.

 

She knows this egg,

this eye, this moon

and sea is the start

and stop of it all.

 

Easter Poetry Drawer: Efficient management of hens is vital throughout incubation by Helen Kay

 

chick

Sad we aren’t cluckmates anymore.

I hear that sickle tongue uproar.

 

Focused, she fasts on a lonely bed,

A tam’o shanter for five bald heads.

 

I see her steal my pearls, heel straw,

A miser swathing her fragile store.

 

Her eyes are deep wells. She needs

The alchemy of cracking seeds

 

To dandelion clocks. Tipped off the nest,

Today, she frets. Manster may know best,

 

But how she wails at the water bowl,

Twitching, scrambled, losing control.

 

When the seedlings have dispersed

We will play wormchew, spiderburst

 

And combwing, or perhaps it will be

My phase of the shellwarm lunacy.

 

 

Easter Poetry Drawer: Don’t be alarmed if a hen crows by Helen Kay

helen 2

I may have ended in these flower beds,

But I was farmyard born, grit-gut, half-bred,

Had seven broods and wore the crown,

‘Til Chauntecleer cropped up. I did stand down,

But never let him fully have his way.

I plucked along to his upstart assay.

A trochee – claws in – then a cretic,

Four crochets and a semibreve – pathetic,

And Mr Narcissus crowed on and on,

His scaly legs lit by the morning sun.

My theory is that’s why he’s now deceased,

But call me less a widow, more released.

This rooster crooning is a piece of cake.

Too much, of course, may make my red neck ache.

A few bars will suffice to pave my way,

A touch of primal scream to crack the day,

When hens are cocks and cocks are plucky hens

In a mixed up, shook up world of nearly men.

 

Lay lay lady crowla.

 

 

 

Easter Poetry Drawer: Never chase your chickens by Helen Kay

_RJE547

I wanted sitting ducks, dust-bathing.

My hands raked the air, erring.

Half-ruffled hens shook, shocked,

fled to shade, distressed, distrusting.

 

Watching, father said take time, tame.

Let the twitching hens come, calm.

Gently fold feather-fingers

to clasp pulsing bodies, buddies.

 

Now writing, I scribble, scrabble

to catch flighty thoughts, fight

to hold on. They elude, evade,

crouch in hedges aggrieved, afraid.

 

Envoi

Father’s echo comforts, confirms

not to chase chickens; luck follows fallow

times, melts on the mind, mine,

here to stay, not scared, stroked,

 

hatching memories that hold him close.

 

 

Poetry Drawer: A Tang of Titian in the Roots? by Faye Joy

 

ging 2

You can taste defiance

in her voice

like the bitter tang of Seville

zest. Screaming,

‘I’m pale strawberry!’

 

Fierce barbs have echoed

down the years

resisting casual comments

that suggest ginger,

not Titian red like

 

Pre-Raphaelite muses.

Wide gooseberry grey pupils,

like the texture of heelscrape

on sphagnum  covered stones,

freezes them out.

 

Though she tries

to bleach the ginger,

the stray ends persist.

Not even dyed eyebrows

truly conceal, nor the bronzing

 

cream on cheeks and neck.

The ginger underlayers,

like a soft feline belly,

whisper down her nape.

Poetry Drawer: Space & Fate by Clair Chapman

chappers

Music rides over,
Air in this room,
It speaks to say,
It’ll be over soon.

A temporary feeling,
Sad, hollow days,
Will go quite soon,
Begin a new phase.

You’ll find a place,
Glue all the pieces,
Smile once again,
Rich as creases.

Soon home will be,
Beside him where,
I know I belong,
Just lying there.

Warm with love,
Bathed in light,
Glowing with heat,
In the dark of night.

Until that day,
I’ll rest in wait,
Time and destiny,
Space and fate.

World Poetry Day at the Pantry: The Old Typesetter’s Drawer by Faye Joy

maple

Gaping walnut shells

gleaned from harrowed earth.

Rounded flint stones rolled by rain and wind.

A partial shell ear

encrusted spirals

and the tracery of a wintered maple leaf.

 

A rusted bobbin

a kitten’s lost toy,

a tiny green origami bird,

weathered glass fragments

a single earring

and a pair of blue plastic action man bootees.

 

Along with a jay’s

shimmering cobalt

feather, these random oddments

my found storybook

compartmented. Some

found at the edge of fields or freshly dug black soil

 

where marbles glint low,

as fingers scrub off

long years of weed-blocked obscurity,

and brittle oyster

shells reveal a past;

this fertile blackness once the host of ancient seas.

 

Poetry Drawer: A Nod to Shakespeare’s Sonnet, no: 73 by Faye Joy

Bare Tree

It’s that time when you may find me grim.

When absent leaves will render branches bare

and sodden pigeons seek forlorn retreat.

Only a lonely troubadour thrush sings.

You see me hunched against the morning chill

as condensation dribbles down, I make

a sideways swipe to foil the downward run

as gentle room heat slowly ghosts all trace.

 

You stand behind me though I do not hear,

your whispers stray as memory wanders past.

You know I seek to find the long lost thread,

touch me once more that I may feel your warmth,

then, as my towelled hand wipes the glass, I think

I catch a glimpse, so faint – you leave again.

 

Poetry Drawer: Her Father’s Daughter by Nessa O’ Mahony: reviewed by Natalie Denny

nessa pic
‘My page has been empty for months. Forgive me for filling it.’

Nessa O’Mahony’s ‘My Father’s Daughter’ explores the nature of the imperishable and pronounced bonds between fathers and daughters. We embark upon a poetical journey, combining the autobiographical with the historical through two father-daughter relationships spanning two different periods of Irish history.

Nessa’s poetry is a raw and at times a painfully honest depiction of her family life, especially those memories surrounding her father and grandfather. The finished article is a commentary on love and loss including the reconstructive and subjective power of memory.

From ‘His Master’s Voice’ that looks at life through the eyes of the family pet to the powerful ‘Portrait of the Artist’s Father’ which is a personal invite to observing a dying man, Nessa holds little back in creating her images and exhuming her past.

The poem I identified most with was ‘Those Of Us Left’ which comments on the turbulent aftermath proceeding the death of a loved one. It resonates as it accurately portrays the confusion and stark anger which is very typical of grief but not as often spoken about. The gritty realism in the words leave you uncomfortable but enlightened.

The collection is split into five sections, each focusing on a different area. There is a whole part which utilises nature, weaving rich imagery and juxtaposition to refresh how we perceive sentient beings. There’s a particular reference used to different birds of prey which compares relationships with nature, providing interesting contrasts.

Nessa explores the idea of her own immortality in ‘Walking Stick’ when she details adopting the walking aid that was previously her father’s.The cyclical process of life is a running theme, particularly the role reversal of child to an adult in a parent’s latter stages of life. This is a experience many people have with their elderly parents which Nessa captures beautifully.

‘Her Father’s Daughter’ explores illness in ‘Waiting Room’ and the failing of mind and body while exploring the impact on relationships. It is a body of work that can transcend the ages and has something within that would resonate with many.

Overall the collection is a heartfelt, vivid and moving tribute.

http://nessaomahony.com/?cat=4

https://twitter.com/Nessao

http://www.amazon.co.uk/Her-Fathers-Daughter-Nessa-OMahony/dp/1908836857/ref=sr_1_1?ie=UTF8&qid=1453651415&sr=8-1&keywords=her+fathers+daughter+nessa