Poetry Drawer: Four Poems by Dr. Susie Gharib

A Blue-Winged Thought

A blue-winged thought navigated round my fingertip,
then cast its anchor at the foot of the lethargic quill
that in my hand had stood for hours so transfixed.

The ink that in stagnant wells had congealed
began to ripple with Osirian zeal
irrigating with words my yawning sheets.

With aquamarine, azure, and Egyptian blue
my consonants and vowels were imbued,
genetic hues.

Congruity

I’ve never wanted to be a politician,
a social worker, or a shrink,
a saviour in the miraculous sense,
a superwoman, a clairvoyant, or Merlin.
But my students keep on asking me:
How can we make the future a better thing?
So with my propensity to philosophize,
I answer: start with foetuses,
how they are impregnated,
because the semen of love is the foundation of a healthy citizen.
Annul social contracts that have infested marriages,
then build a mother who is devoid of prejudice.
She does not only suckle babies white fluids.
Her every pore exudes her beliefs and feelings,
to be imbibed by her infants.

Make religion an affair of the heart,
the inner light within.
Erase it from documents.
Stop segregating school-pupils
each according to inherited creeds,
to abolish sectarianism.

When hunger and pestilence stalk continents,
why spend trillions on ships to navigate galaxies!
Why enthuse the public with enmities
against potential adversaries,
the Aliens,
as if civil and international wars are not enough distraction.

They claim they have abolished racism,
discrimination at work, of gender, of skin.
I suggest they start with the family and establishments,
the nuclei of favouritism.

Prune and preen your media missions,
your visual images,
the sounds which kill from a distance,
make it a tool of pacification
and not of perennial division.

The Word-Shields

Your steps recede
into the uncharted leas,
I hearken to the retreating echoes in a state of disbelief.
How dare you leave?
The man who looked death in the eye has disappeared.

You thought I use hyperbole in speech
but wait till you view with the second sight granted to the deceased
my grief water every vein that steaks your grave
until new blood seeps into your dissolving heart,
my tears.

Wait till you see your eyes bloom into fleur-de-lis
to float on the surface of every word I out-breathe,
endowing the shields of my words with heraldic miens.

Apart From

Apart from Sir Sean Connery, the sage
and the antiquarian Nicholas Cage
what would be your perfect catch?
The Roger Moore of The Persuaders,
or the Kevin Costner of Dances With Wolves?
A Scottish,
Sinclairean,
or wolf-dancing match!

Apart from Auden’s Funeral Blues
and the bards’ of the Yorkshire moors,
with what type of verse do you converse?
With Coleridge’s The Rime of the Ancient Mariner,
or with Wilde’s The Ballad of Reading Gaol ?
The hyperbolic,
stoical,
or penitent strain!

Apart from the wall-breaking Pink Floyd’s
and the sensuous sinuousness of Depeche Modem
to what type of music are you attuned?
To the Arthurian leitmotifs of erudite Era,
or the expansive vistas of Massive Attack?
A psychedelic,
erotic,
or transfiguring bent!

Dr. Susie Gharib is a graduate of the University of Strathclyde with
a Ph.D. on the work of D.H. Lawrence. Since 1996, she has been
lecturing in Syria. Her poetry and fiction have appeared in Adelaide
Literary Magazine, Grey Sparrow Journal, the Pennsylvania Literary
Journal, The Blotter, Mad Swirl, Leaves of Ink, Down in the Dirt,
WestWard Quarterly, Foliate Oak Literary Magazine, Crossways 4, A New
Ulster, The Moon Magazine, the Mojave River Review, The Opiate, Always
Dodging the Rain, Coldnoon, and Miller’s Pond Poetry Magazine.

Poetry Drawer: Five Poems by J.J. Campbell

the cycle to continue

i remember when i
told my mother i
was molested as
a child

she started to cry

it would be years
until i realized she
was crying because
it happened to her
as well, as a child

that made me wonder
if deep down she
wanted the cycle
to continue

i never bought this
bullshit that parents
want their children
to have better lives
than them

it goes against every
fibre of human
psychology i have
ever learned

i’m not asking for
a medal for getting
into my forties and
not having any
children

i’m simply saying
perhaps i should
get a better tax
credit for ending
a cycle of abuse

if the woman would have been white

and here’s another
story of a black
woman missing
for over twenty
years

none of the white
television anchors
are willing to say
the truth

if the woman
would have been
white, the family
would have had
some sense of
closure by now

the anchors want
you to believe
hope still exists

no wonder i
stopped watching
the evening news

a few miles downstream

i once went swimming
at midnight in the river

i was alone and i
desperately wanted
to die

just my luck, i was
able to get a few miles
downstream just by
floating

i went under and
stopped holding
my breath

apparently, the
journey is not
over yet

although, i do help
clean the river each
year

i’ll always blame
the litter for not
allowing me to
go deeper and
finish this life
off

the last sucker on this planet

my best friend
blames me for
her cancer

i cry at night
sometimes
when i think
how unable
i am to help

but then again

i refuse to be
the last sucker
on this planet

the days of
needing to
dance naked
on the freeway
are drawing
to a close

even the losers
get to have a
damn convention

happiness in slavery

it always catches
me off guard when
i see a beautiful
black woman with
a white guy wearing
a confederate flag
t-shirt

i’m guessing two
more clueless souls
that bought the lies
about state’s rights

or perhaps they
believe they found
happiness in slavery

or considering
the size difference
between the two

i’m guessing the racist
likes being dominated
by the nubian queen

J.J. Campbell (1976 – ?) is currently trapped in suburbia, plotting his revenge.
He’s been widely published over the years, most recently at Record Magazine, The Dope Fiend Daily, Horror Sleaze Trash, Synchronized Chaos, and Chiron Review.
His most recent chapbook, the taste of blood on christmas morning, was published by Analog Submission Press.
You can find him most days on his mildly entertaining blog, evil delights. (
http://evildelights.blogspot.com) 


Poetry Drawer: Poetry Slam by Mitchell Krockmalnik Grabois

Poetry Slam

The poet laureate didn’t wear a helmet
though she knew she should
but she had to admit: she was vain
She liked the way her long grey-blonde curls
flew out behind her
and she liked the way it felt,
like freedom
though she recognized that as trite

While she was distracted
by words cascading in her head
she crashed into a garbage truck
flew over the handlebars
and her delicate skull impacted
the unyielding steel

She went unconscious
woke up to see a man hovering above her
concern on his handsome face
This must be the man of my dreams, she thought
and this time, wasn’t in good enough shape
to recognize it as a cliché

Metaphors broke apart
and senselessly recombined
The swinging elegance of her brain
devolved into literary machinery
on auto-pilot

She’d always taken the road less travelled
and had always profited from it
but now
dazed and confused in a hospital bed
surrounded by local admirers
middle-aged women
whose faces seemed distorted
almost alien
she wished she had worn
a helmet

Mitchell Krockmalnik Grabois has had over fourteen-hundred of his poems and fictions appear in literary magazines in the U.S. and abroad. He has been nominated for numerous prizes, and was awarded the 2017 Booranga Writers’ Centre (Australia) Prize for Fiction. His novel, Two-Headed Dog, based on his work as a clinical psychologist in a state hospital, is available for Kindle and Nook, or as a print edition. He lives in Denver, Colorado, USA.

Inky Interview: Author Mitchell Krockmalnik Grabois from Denver, Colorado

Flash In The Pantry: Serotonin Reuptake by Mitchell Krockmalnik Grabois

Flash In The Pantry: Mandela Warp: A Moment in History by Mitchell Krockmalnik Grabois

Flash In The Pantry: Cooking Shows by Mitchell Krockmalnik Grabois

Flash In The Pantry: Still Wet by Mitchell Krockmalnik Grabois

Poetry Drawer: Loch by Mitchell Krockmalnik Grabois

Poetry Drawer: Photogenic by Mitchell Krockmalnik Grabois

Poetry Drawer: Microwave by Mitchell Krockmalnik Grabois

Poetry Drawer: Granite by Mitchell Krockmalnik Grabois

Poetry Drawer: Trick by Mitchell Krockmalnik Grabois

Poetry Drawer: Coal by Mitchell Krockmalnik Grabois

Poetry Drawer: Five Poems by Dr. Milton Ehrlich

THE TASTE OF STILLNESS

Makes your mouth water
if a toasted marshmallow
approaches your mouth,
or if a hot cup of tea
soothes your insides
on a freezing winter day,
or if the bliss of the breast
allows you to savor the moment
of each life-enhancing breath.
Taste buds may be the key
that opens the door to the taste
and scent of where you were
before you were born.

AM I DYING?

Just because
I’m green around the gills,
can’t get up from the floor
and every joint aches.

Just because
I can only see a fish-eyed view
of what’s real that no glasses
can correct.

Just because
my gut speaks ferociously
in a language all its own
with gurgles, and hisses
I’ve never heard before.

Just because
You sound so far away,
far away for much too long.

I pulsate
like a far-flung star.

NOT HERE ANYMORE

Yet I can still hear
my musical alarm
wake me up for work
Some day I’m going
to murder the bugler,
some day they’re going
to find him dead.
I see my white shirt
hanging on the door,
my empty shiny shoes
lined up on the floor.
I feel alive in a way
I’ve never felt before.
I must get out of bed,
but I’m not here anymore.
Where have I gone you ask?
You will be the first to know
just as soon as I find out.

TAKE IT EASY

because you’re not going anywhere,
you’re already there.
Whatever is, is.

Slow down, pace yourself
before you fall down.
Remember to breathe
when you have so many
things to worry about.

Gunslingers are eunuchs
who want to feel like men.
Learn to forgive them
for their ignorance,
but, always be ready
to hit the deck.

THE LOVE OF MY LIFE

is young and tender as a sweet peach tree.
With a lovely face and high cheek bones
there’s a glint of jade that sparkles her eyes.

She has a scent of lavender from her garden,
grown with her long slender fingers and toes
that resemble rare precious stones.

Her hour glass figure beneath thick black hair
billows like dark clouds. Surrounded
by flocks of birds she smiles the smile
of a messenger from heaven.

Milton P. Ehrlich Ph.D. is an 87 year old psychologist and a veteran of
the Korean War. He has published many poems in periodicals such as the
London Grip, Arc Poetry Magazine, Descant Literary Magazine, Wisconsin
Review, Taj Mahal Literary journal, Antigonish Review, Ottowa Arts
Review, Red Wheelbarrow, Huffington Post, Christian Science Monitor,
and the New York Times.

Poetry Drawer: Five Poems by John Sweet

the distant past, approaching

standing in the sunlit spaces of
late-afternoon shadows, he is talking to
pollock who is dead but the
truth is something else
altogether

warm
for november but not
                       warm

an age of hoses whipped to
death for entertainment

caviar and lemonade

young woman on her bloody knees on
the church steps but
the idea of saviours no longer applies

the stores are all out of business,
windows boarded over,
and he is asking pollock why?

and i am leaning in close,
hoping for an answer

song for tired hands

waves of autumn leaves across
pitted brick courtyards

subtle mistake of considering
early november sunlight to be anything
more than itself and she
turns to me, says you can’t spend your
whole looking for answers in the mouths of
dead men, and it sounds like
                                the truth

sounds like god digging for bones out
along I-88, like pilate selling splinters of
the one true cross

laughter and hope, sure, but what about
the ever-present past?

it was linda’s cancer then
david’s suicide and always the
mumbled wisdom of homeless junkies

it’s the promise of wide open spaces
but even on the warmest afternoons
the fact of winter overwhelms

even in your arms i am
cold and getting colder

am old and getting older

what more can i
give you but the truth?

the image but not the idea

moving east through six a.m.
tunnels of rain, november, december,
age of desperate ghosts, this woman w/
the pale scars keeps slipping pills
between yr lips, keeps speaking in a
language he doesn’t quite understand

only 10,000 miles to the coast

only the ghost of frida kahlo
to light the way

sister asleep in the back seat and he
misses the exit and then the
one after that, and these faded plastic
wreaths w/ their tilted wooden crosses
on the side of the highway

this first grey light of day

thinks let me keep my name

thinks let the suicides all
take someone else’s

starts with love and then
burns his way down to the
ghostwhite bones

litany of concentric circles

finished his drink then
shot himself

said he hoped the poem would be better than the
shit i usually wrote but i didn’t even
know him, wasn’t even there, and he pulled the
trigger and it was november

was sunlit and cold and the blood on the
walls, sound of the girl smiling in the doorway
of the porn shop and my car wasn’t running again

was rusting in the sunlight of someone else’s
driveway and the sound of the
shot and she was smiling as i walked by, was sharing a
cigarette with the guy who worked there, asked me
how the poem was going, said she wasn’t even there but
he had finished the drink then shot himself and
past the high school was the river

sunlit and cold and i found his body floating
near the shore, knew his girlfriend but i couldn’t
lift him up and two kids on the bridge above
throwing rocks down at us, tried to explain that i
wasn’t there, that i wasn’t here, but my
hands had lost all feeling

mouth was bleeding and the hole in the side of his
head where the light poured out, said the girl
had been his sister and i told him he was dead

do you remember?

it was november, bright blue sky and frozen and
he’d written his girlfriend a letter, had told her
he was sorry and then he pulled the trigger

told her to ask me about the poem

showed her some words i’d scribbled across the backs of
some carry-out menus when i found her
standing in the doorway of the mexican restaurant,
explained that i wasn’t even there, and these kids
across the street throwing rocks at us

my car down by the river, tangled up in blue
on the radio and she said she’d always hated dylan,
said she’d always hated the stones, and then he
finished his drink and pulled the trigger

static poured out of the hole in his heart and
he said the poem was the important thing

said the gun was just a metaphor but
he wouldn’t stop bleeding

laughed when i showed him what i’d written
and told me i’d better try again

indian summer

on these clouded glass afternoons
spelled out in pastel shades of blue and
grey, down dead-end streets in a
town you can’t escape, climb the cemetery
walls, walk the last thousand miles
down to the river, body of a dog
tortured and killed, 13 year-old kids huffing
spray paint, soft warmth of the
mid-afternoon sun, end of autumn,
                                freeway sound

                                dream of home

                                wake up lost

                                still no sign of snow

John Sweet’s Blog

Poetry Drawer: Petition by Mitchell Krockmalnik Grabois

In Arles
the citizens circulated a petition
demanding that Vincent be institutionalized
It was following that commitment that he
moved to St. Remy

The people of Arles
do not know that I am only in their town
because I escaped from a mental hospital
stole money from my mother
and fled across the ocean

to where I lived
when I was younger, stronger
and my mind was less disordered

I do not believe that disorder
warrants imprisonment

When I see the citizens in the bakeries
and cafes
giving me hard stares
and passing a sheet of paper from hand to hand
I will escape to St. Remy

where I will play my violin
on the street
for coins

Inky Interview: Author Mitchell Krockmalnik Grabois from Denver, Colorado

Flash In The Pantry: Serotonin Reuptake by Mitchell Krockmalnik Grabois

Flash In The Pantry: Mandela Warp: A Moment in History by Mitchell Krockmalnik Grabois

Flash In The Pantry: Cooking Shows by Mitchell Krockmalnik Grabois

Flash In The Pantry: Still Wet by Mitchell Krockmalnik Grabois

Poetry Drawer: Loch by Mitchell Krockmalnik Grabois

Poetry Drawer: Photogenic by Mitchell Krockmalnik Grabois

Poetry Drawer: Microwave by Mitchell Krockmalnik Grabois

Poetry Drawer: Granite by Mitchell Krockmalnik Grabois

Poetry Drawer: Trick by Mitchell Krockmalnik Grabois

Poetry Drawer: Coal by Mitchell Krockmalnik Grabois

Poetry Drawer: Coal by Mitchell Krockmalnik Grabois

Coal

I chew coal for extra nrgy
Wind turbines
blow a deadly breeze my way

In the migrant trailer
in which I live
I flex my biceps in front of the mirror
to reassure myself I still exist
and am capable of continued survival

I grin into the mirror
with my black teeth
Script for the company store
is scattered on the rug like fallen leaves

I have a woman
but I’ve misplaced her
I go looking for another chunk
of coal

Inky Interview: Author Mitchell Krockmalnik Grabois from Denver, Colorado

Flash In The Pantry: Serotonin Reuptake by Mitchell Krockmalnik Grabois

Flash In The Pantry: Mandela Warp: A Moment in History by Mitchell Krockmalnik Grabois

Flash In The Pantry: Cooking Shows by Mitchell Krockmalnik Grabois

Flash In The Pantry: Still Wet by Mitchell Krockmalnik Grabois

Poetry Drawer: Loch by Mitchell Krockmalnik Grabois

Poetry Drawer: Photogenic by Mitchell Krockmalnik Grabois

Poetry Drawer: Microwave by Mitchell Krockmalnik Grabois

Poetry Drawer: Granite by Mitchell Krockmalnik Grabois

Poetry Drawer: Trick by Mitchell Krockmalnik Grabois

Poetry Drawer: Four Poems by Dr Carla McGill

COYOTE

He appeared on the paved path
on the old railway trail
near foothills, long slope
of the rocky wash.

Near crevices where winds form,
blast down the valley, leaves spinning,
stunned trees, even the dry river
stones stupefied by its force.

He was stock-still, the wind twisting
around his tail, and glancing my way,
ears alert. Ancient chaparral ancestors
stirring in his pale eyes, yelps
and howls from a thousand open
plains already sounding in unknown
and guarded inner places.

No one else was around but the lizard
near my feet, anticipating possibilities.
Nearby brush, rustlings, stirrings.

Then he was gone, as if by magic,
disappearing, no sound in the thickets
by the path, collecting heat as it bore down.

The winds stirred again,
a couple of blasts, no birds
anywhere that I could see, no brush
rabbits, just the dead bee I then came across,
and the dog collar, tan with gold flecks,
half-buried in the dirt.

Now I hear everything from all directions:
heavy bison steps, antelope grunts,
bobcats hissing, wind tearing through hedges.

There’s another lizard, minding his way
as we both acknowledge that today
something nearby will be devoured.

PHOTO OF MY AUNT

She was not posed, but staring off
from the gazebo at a party, her hand
almost to her head as if shielding
her eyes from the sun. Straining
to see something, she looked
curious, as if I could tell by her gaze,
as if she knew what it all meant,
as if she saw what was about to happen,
as if she knew it was there, the ultimate
end of all things that we found familiar,
the end of wondering. On the ground
behind her, at the edge of the gazebo,
her purse, silver clasp glinting in the sun.

WHAT I FOUND ON THE BEACH

Gray pebbles, ceramic shards,
pieces of plastic, rope, shell
trifles, abandoned claw tips.

Then, buried in seaweed,
it shone through, purple
with streaks of red,

shining glass, orbicular,
no cracks or chips. Wet,
cold, yet still exuberant.

It seemed to ignore being found,
and went on as it had been, silent,
on my dresser, waiting for the sun.

WINDS, STONE, ICE

Hard to get up, open to assaults
of bright winds, glossy fields
in the distance, flickering
and shimmering, blinding
and flashing with energy.

On the other hand, stone walkways
are dignified, but stable to the point
of fatigue. The gray and black flecks
run all through, repel everything,
explain nothing. They fossilize in the cold.

Glaciers on the horizon, gleaming
like answers to questions, like
ancient wisdom, like stories
that put one to sleep after wincing
and blinking and shivering all day.

Carla McGill earned her doctorate in English from the University of California, Riverside. Her work has been published in A Clean Well-Lighted Place, The Atlanta Review, Shark Reef, Crack the Spine, Westview, Common Ground Review, Caveat Lector, Inland Empire Magazine, Carbon Culture Review, Vending Machine Press, Nebo: A Literary Journal, Schuylkill Valley Journal of the Arts, Streetlight Magazine, The Penmen Review, Whistling Shade, Cloudbank, Paragon Journal, Burningword, Poets’ Espresso Review, The Alembic, and Broad River Review. Her story, “Thirteen Memories,” received an Honorable Mention in Glimmer Train’s MAR/APR 2016 Very Short Fiction Contest. She lives with her husband in Southern California where she writes poetry and fiction.

Poetry Drawer: Trick by Mitchell Krockmalnik Grabois

 

 

 

 

 

Trick

The woman who claims to be my wife has a lost look
She’s holding a raw egg in her hand
Dr. Oz told me
I can lose seven pounds a week
by using Garcinia Cambogia Extract, she says

I have been away for many years
held as a P.O.W.
I don’t understand what she just said
I have no idea who Dr. Oz is
My only reference is:
The Wizard of…

In grief over my presumed death
this woman who claims to be my wife
began eating wildly
became morbidly obese
I still cannot believe she is who she says she is
I think that it is a trick
set up by my former captors
I cannot remember if they were Communists
Stalinists or Maoists
I don’t understand what any of that means
if I ever did
or why this woman sitting next to me on this couch
is stroking the blond hairs
of my arm

Inky Interview: Author Mitchell Krockmalnik Grabois from Denver, Colorado

Flash In The Pantry: Serotonin Reuptake by Mitchell Krockmalnik Grabois

Flash In The Pantry: Mandela Warp: A Moment in History by Mitchell Krockmalnik Grabois

Flash In The Pantry: Cooking Shows by Mitchell Krockmalnik Grabois

Flash In The Pantry: Still Wet by Mitchell Krockmalnik Grabois

Poetry Drawer: Loch by Mitchell Krockmalnik Grabois

Poetry Drawer: Photogenic by Mitchell Krockmalnik Grabois

Poetry Drawer: Microwave by Mitchell Krockmalnik Grabois

Poetry Drawer: Granite by Mitchell Krockmalnik Grabois

Poetry Drawer: Four Poems by Alita Pirkopf

A BRIGHTER LOOK

Though the unworkable world
of my impossibility is always present,
incessant, unceasing, encircling,
it has turned ever so slightly,
causing previous decades
of different understandings,
or misunderstandings, to shift,
turning my face to the rays
of the always somewhere shining sun.

Possibility, after so long, emerges,
takes on unfamiliar shapes,
like eon-shaped, water worn rocks,
like Philip Glass repetition,
changing with continuing variation.

A SMALL TREE

stretches its branches
toward the ice night’s
cold stars. I forget
that elsewhere,
of course, is growing,

that green will come again,
turning where I stand
to tulips and tart rhubarb,
relaxing my winter will—
which now I wish
would right my brittle world.

THERE IS THIS DARKNESS

The tape
rolling
controlling
in my head
for years
showed ovens
and visits
to my
Germanic
relatives.
It plays on
the past.

Serial dreams
of a witch-
grandmother
have not
faded.
The dark closet
she placed me in
holds me forever
with my mother’s help.

But to dreams
and tapes
and documentaries
a new tape
has been added.
It plays
in the present.

A German
language
tape
I study
as I fall
asleep.

Night comes now
not always
with black fingers
or witches’ hats
but still sometimes.

WHAT I MAKE OF IT

My sons grew up
playing with their father
in summer and in snow.
They could have sailed
to Troy

            in the time
they stayed away
I wove
summer threads
into light fantasy,
and winter wool
into thicker
and heavy fabric-
ation

           until finally,
from remaining threads,
I make only this,
a story I repeat, then write,
and plan to press
between clothbound covers.
Ancient stories
in an old-fashioned book.

After receiving a Master’s Degree in English Literature from the University of Denver, Alita Pirkopf became increasingly interested in feminist interpretations of literature. Eventually, Alita enrolled in a poetry class at the University of Denver taught by Bin Ramke. Poetry became a long-term focus and obsession.

Alita’s work has appeared, or is forthcoming, in The Alembic, Artifact Nouveau, Burningword Literary Journal, Caduceus, The Cape Rock, The Chaffin Journal, The Distillery, Euphony Journal, Existere, Good Works Review, The Griffin, Haight Ashbury Literary Journal, Harpur Palate, Illya’s Honey, Lullwater Review, Moon City Review, The Paragon Journal, The Penmen Review, Quiddity, riverSedge, Rubbertop Review, Ship of Fools, Stonecoast Review, Temenos Journal, Vending Machine Press, Vox Poetica, Westview, and Willow Springs Review.